Out of the blue, we bought a new house.
As always, I use my camera to explore new places: see how the light changes, assess the space, and catch the little details you miss on your first pass-through. I picked a day before we moved much in and caught the empty house on a quiet weekend afternoon.
A bit of peace and silence before the packing and shuttling begin.
I had a chance to walk around with a new Canon R – one of the mirrorless, full-frame cameras set to take over from the SLR series – on a mid-March evening with the family.
There are little pockets of snow still hanging around, but you can feel spring in the air: the birds are chirping, the crocuses are poking out of the damp ground, and it’s no longer freezing cold outside. This happens every year, when we take our first tentative steps outside and stroll around the neighborhood.
The camera is slick. It’s so light, it reminds me of my much older, much more creaky Canon M. This one was paired with the 50mm f/1.8, a typical walk-around lens. With the two together, I had a lightweight, easy-to-handle bundle. Snappy and crisp, the lens was perfect for capturing the family and the scenery at golden hour.
A few things I noticed while shooting with the R:
This was the camera system of my future. Unfortunately for Canon, I have no plans on upgrading anytime soon. My 5D, 6D, and Canon M aren’t broken, and while I feel a bit of gear lust, it’s not a strong enough pull to make me spend anything on a new camera, let alone new lenses. Someday, sure, but my investments in the EOS system keep me grounded in what I have.
Still, it was nice to get outside and try something new – a rite of spring.
More shots from around the yard after the big snow fall earlier in February.
Now it’s March. Bring on the false AND real spring, please.
It’s an annual cold-weather tradition: heading to Lake Michigan in the dead of winter to see our nearest Great Lake frozen.
This year, we were near Saugatuck, Michigan, and visited the lake on a sunny but very chilly Sunday afternoon. Visiting Lake Michigan this time of year is like landing on a different planet: cold, windy, the beaches barely recognizable. Beyond the snow hills, the lake was heaving – big waves of ice and snow, full of terrible power.
Before that, we indulged in some hygge at one of my favorite cideries, Virtue Cider in Fennville, Michigan.
I discovered Virtue Cider randomly: one time I grabbed a random six-pack of cider at a local party store. After taking it home and loving it, I’ve been a fan ever since.
The cidery was hosting a Wassail party, but because of the freezing cold, they canceled it. That didn’t stop us. We still wanted a warm lunch and good cider, so we went anyway.
Despite the weather, it’s important to get out and enjoy the cold when you can.
More on our trip to the Magic Kingdom.
Light, shapes, shadows, and colors – it’s all there.
As with any hobby, you either don’t need a reason, or you make your own reason. Nothing else matters.
via James Tocchio
My wife’s family is a true Disney Family™ – the kind that go to Disney World in Orlando, Florida, every two years. Like clockwork.
It is a nice break from the cold Michigan winters, and a good way to burn off all those holiday calories. My daily step count, at minimum, triples when we’re walking the parks.
This year we had COVID to worry about, but Disney handles the pandemic crowd with clear expectations. Everyone is on their best behavior in the Most Magical Place on Earth.
For me, there are parts of Disney World that I love to photograph. The Africa and Asia sections of Animal Kingdom, for instance, or the optimistic futurism of Epcot, my personal favorite park. The Florida sun helps the bright colors and faux landscape truly shine. This year, the weather was perfect every day, and I checked off sites on my photography bucket list again this year.
Yes, the Mexico pavilion is a fake Aztec temple, and yes, the art deco architecture at Hollywood Studio is a rose-tinted reproduction of Hollywood’s glory days. But I tend to photograph light and shadow as much as the scenery in front of me. Even if the background is Disney Fake, the light is real. That sunrise and sunset are real. The people moving through the parks are all real.
We go to Disney World to escape. For me, one reason I go is to focus on my photography – something that usually takes a hit during the winter.
It’s nice to have real winter weather – freezing cold, snowy, and a bit sunny – instead of our as-of-late damp and cloudy winters.
Working from home, I appreciate looking out on lovely January day.
Is there a word for “guilt over not making something?” I’m sure there’s a German word out there that expresses this sentiment perfectly: That feeling of remorse for not making or doing anything in a while.
There’s productivity guilt, but that’s not exactly the same thing. I’m talking hobbies and interests, not work.
Here at the year’s end, that’s been me. Sure, I make photographs all the time. But I feel guilty for not having any big projects in the works. I have ideas, but I always have ideas.
Instead, I have to tell myself it’s okay to take a break. Recharge my batteries. Start anew.
My bet is that once I start again, it’ll be hard to stop.
Have a great, safe holiday season and a very happy new year.
We don’t take vacations like this – so sunny and so tropical.
But when a friend turned 40 and invited us to a trip to Cancún, Mexico, with a group to celebrate, we enthusiastically came along. The warm Mayan Riviera climate when Michigan is facing down another long, cold, gray winter? Count us in.
Then the friend got COVID, and the rest of the couples bailed and took the trip credit for next year, leaving just us two.
We never did get a honeymoon. This is as good of a chance as any.
There were reservations about airplane travel across an international border. We had to leave the kids for six days just as Michigan’s COVID-19 numbers were spiking. And after my grandmother passed away and we took on a kitchen remodel project, we were leaving an awful lot of undone.
In the end, it was well worth it. The resort community in Cancún took guest health and safety very seriously (even wearing masks on a windy beach – a bit overkill if you ask me). We did all the adventuring we could fit in a few days, and we took advantage of quiet, warm beach days to simply breathe and enjoy the view. Cancún was a mix of old and new that was a lot of fun to explore with my camera – from the Mayan ruins to downtown Playa del Carmen’s shopping district, with a lot of peninsular jungle in between. Plus lots of tequila.
Maybe this tropical stuff isn’t so bad.
We’ve had a very wet October.
So wet, in fact, that our street flooded on a rainy Friday evening. We got back from a family gathering and there was a city worker out in the street, knee-deep in water, clearing out the storm drain.
“It’s like this all over town,” he told me.
When the leaves fall, they clog those drains, and with all the rain we’ve had, it was a recipe for a river.
After one rainstorm, everything was glistening and damp in the yard, so I headed outside with the trusty Nifty 50mm to grab a few photos.
The way we treat our phones now, I supposed getting my iPhone 13 mini was like getting a new camera.
So I took it for a spin on a sunny Sunday in late September, a few days after receiving it in the mail. And just as I figured, it was just as my iPhone SE was: a camera. Simple.
The new wide-angle lens on this iPhone is fun to play around with, but it’s not really my style. I’m more of a 35-50mm guy. Having that wide of a view may be good for landscapes and dramatic shots with fun angles, but it doesn’t fit my photography. In fact, I wish the mini iPhones had the Pros’ telephoto lens instead. I’d use that much more.
That said, I may be able to use the nifty portrait settings on the front-facing camera to try out some people shots. Here’s me with a fresh haircut:
Not bad, considering the subject. The fake bokeh is pleasant, but the high-key options are a bit garish.
The only thing I’m missing now is a tried-and-true photo editing app on the iPhone. My beloved Filmborn is MIA from the App store, VSCO is a confusing mess, and that leaves RNI Films and Darkroom in my list of go-to editing apps.
Any suggestions?
In these waning days of summer, we took a walk to the nearby elementary school. This one was built in 1952, but a brand-new school just went up next door, so the old one sits empty. Out with the old, etc.
Personally, I love the look and feel of these mid-century schools – the way they used green space, and their institutional sturdiness. The new school is all shiny metal and modern touches, though the larger parking lot will be a nice change.
It had me thinking about my iPhone SE, the 2016 first-gen model based on the iPhone 5S body design. I’ve had this phone for five years now and used the ever-loving heck out of it. It’s survived two jobs, a new kid, and a new house, along with everything else I’ve thrown at it.
But today I ordered the iPhone 13 mini – not for any of its fancy new features, including the new camera system. It’s mostly because I need the extra storage space; 256 GB will get me a lot farther than my current 64 GB does.
The truth is, my iPhone SE camera works just fine. I point, I shoot, I edit a little bit (using mostly Filmborn these days – which may be abandoned software), and I post. Maybe I’ll enjoy using the ultra-wide lens on the 13, maybe I’ll find a use for those studio lighting settings, or maybe not. Maybe I’ll continue to use my iPhone camera like I do my other Canon cameras: simply, with no fuss.
I will miss the SE’s classic design and small size, and Touch ID. But five years is a lot of value out of a modern-day device.
Nothing lasts forever.
When your favorite band or musicians compiles a greatest hits album, it’s usually a collection of their singles and fan favorites. Over a long career, a productive band or artist will have enough singles to make a good greatest hits record. Take Genesis or the Temptations – multi-decade output combined with hit singles makes for a representation of the artists’ career.
Now, a greatest hits album may not include your favorite song from that musical act’s portfolio. For me, “Supper’s Ready” is my go-to Genesis song, but it’s not considered a “greatest hit” on their album. Too long or too weird, I imagine.
How about for visual artistic output? How does one compile a list of “greatest hits” in photography, painting, or video work? Do you pick your favorites, or someone else’s favorites?
Brooks Jensen at LensWork had me thinking about my own work, and what I would consider my best pictures. In fact, I recently submitted a few images to Flickr’s World Photography Day contest. I had to think about what are my best people and nature images, out of all the hundreds and maybe thousands I’ve taken over the years. It was a tough exercise, combing through and wondering, what are my “greatest hits?”
Do I pick the popular images? Or the ones I consider to be my best? If I start picking my favorites, it could be a random picture of one of my kids, one that I hold dearly in my heart.
It’s the same if you’ve ever had to develop a portfolio of images to share with others: your best wedding photographs, or your top artistic representations. How do you pick?
Like musicians, it could be a combination of popularity along with your own personal tastes that make a “greatest hits” collection. If the Rolling Stones don’t want to play a popular song, they leave it off the playlist – no sense in spending effort on a song for which the band has no passion, right?
Looking at photography and our best-of list, we can use the same metric to guide us: what do people like? What do I like, too?
There’s your list.
Some things are coming back, and it feels good.
Even though our local county fair has a new layout, and even if I was a bit nervous being around so many people, I used the return of our fair as a photo walk.
Over the years, the county fair has been one of my favorite photography subjects: the bright colors, the summer haze, the motion, and the prime people watching. For one night, we did the family outing, and for the other night, I went by myself to concentrate on photography.
I took my trusty Canon 5D and three lenses – 20mm, 50mm, and 100mm – to add some variety. In the end, I wound up mostly using the reliable 50mm, but the 100mm allowed me to get some people shots from a (social) distance.
It was a hot, sweaty night, as it usually is in August, full of fried smells and flashing lights.
It’s all we ask for on holiday: a small, cozy cottage on a midwestern lake, somewhere quiet and isolated to land when our daily adventures are done.
Living in Michigan, no matter where you are in the state, you’re never more than an hour or two away from one of the Great Lakes.
Our proximity to these bodies of water inspires so many of our summer family vacations. This year, we went north to the Traverse City and Leelanau Peninsula region. We love our Door County, Wisconsin vacations so much that we wanted a similar experience this summer. With its apple and cherry orchards, numerous lakes, and varied landscape, the peninsula provided everything we look for in a holiday.
Despite the rain, we had a great vacation – a great mix of playing outdoors, relaxing by the lake, and exploring M-22 and the Sleeping Bear Dunes.
A funny thing happened at the world-renowned dunes: we visited during a particularly foggy day, where all of Lake Michigan was enshrouded in a heavy vapor. From the top of the dunes, you couldn’t see the lake at all.
We all looked on in amazement. It’s like we were staring at the edge of creation – down the dunes, you would fall off the end of the world.
Luckily, further north along the dunes, we did find a place to sit on the beach and swim in Lake Michigan.
Our state is fairly average in almost every way – except the scenery. If this is the edge of the world, we’re happy to be here.
What is it about nostalgia that is so attractive?
While it’s a bittersweet emotion, nostalgia can be used to “counteract loneliness, boredom, and anxiety.” Think of that feeling you get when you flip through an old photo album, or listen to a favorite album. Nostalgia, while wistful, helps you think of good memories. It’s grounding, and gives you roots.
Maybe that’s why I’ve been on a nostalgiafest here lately. In the past year, I’ve made a point to relive things from my past that, at one point, I knew I loved. The feeling is especially strong with movies: I watched (and continue to watch) a ton of movies growing up. Now, I’m revisiting those late ’80s and early ’90s films that I watched over and over again (and haven’t watched since), primarily comedy classics like Major League, Funny Farm, and Naked Gun. For one, they’re funny, and those movies brighten my mood.
And two, I have great feelings associated with those 30-year old films. With the pandemic and all the anxiety surrounding it, it’s nice to dip into the past and relive something that’s fun and frivolous.
It’s the same with classic books – Frog and Toad with the kids, say – and albums. I’m even browsing through my Lightroom catalog from years past and scrolling through my iPhone photo library to remember the times when I took a ton of pictures. Remember that?
I think about that scene in Inside Out where the memory globes become bi-colored – both joyful and sad. Memories are rarely pure joy or pure sadness. Nostalgic feelings, especially, have twinges of melancholy with the feel-good moments.
That’s how I feel: a little good, a little crummy. So I’m feeding that with nostalgia in all its forms.
Right now, I need the familiar.
Some random hotel in Michigan.
Shot on the Canon 6D with the 40mm f/2.8 EOS lens.
Much like our vacation last summer, for spring break earlier this month, we went all natural and took a quick trip to the Smoky Mountains of Tennessee.
Sticking mainly to the national park, we enjoyed the fresh spring air of the Appalachians. And what scenery: lovely mountain streams following us along the roadways, vistas not yet obscured by tree foliage, and the winter melt trickling down from the mountainsides, creating little waterfalls everywhere we went.
After a mild winter, it was good to get outside and tire ourselves out.
I took along my handy little Canon EOS M with the EF-M 22mm f/2 – or as I call it, the Family Camera. It goes with us on every road trip. Over the years, it’s definitely earned its share of bumps and bruises, but it’s small and light, and the picture quality still can’t be beaten – almost 10 years later.
The 35mm equivalent focal length is wide enough to get these lovely landscape shots, and I can bring it in closer for shots of the kids or super close-up shots of flowers or details. While the autofocus is lousy, I don’t need it to catch quick-moving subjects too often. It’s a clumsy, deliberate camera, and I still love it.
I’ll probably drop it down a cliff or forget it at some roadside diner on one of our family vacations someday. If it ever needs replacing, I’d be satisfied with a white M2 “upgrade.”
For now, the M is in the “good enough” category. It captured those scenic Tennessee landscapes perfectly and came home to tell the tale.
