For my last two big portrait projects, Artists In Jackson and Musicians In Jackson, my goal was to interview and photograph local creatives and assemble those stories into a book. Prep, execute, deliver – all in one big thing.
I had the thought: what if, instead of treating them as projects, I treat them as platforms.
Instead of disappearing for a few months and coming out with a deliverable – like Moses carrying down a photo book carved in stone and delivered by divine inspiration – those projects become a channel that has regularly updated photos and stories. Instead of releasing a set of stories as a book, I keep releasing stories and never really finish.
Now, I could collect those stories and photos – say, every 20 – into something like a book. But the book isn’t the point. The doing is the point. It keeps building, more like a seasonal Netflix show than a daily newspaper.
This would relieve some of the pressure of feeling like I had to make a collection of something. As an alternative, I keep writing and making pictures and posting something when I have time. These projects become more like living, breathing websites than printed, finished books. The stories then become material for social media, newsletters, and website updates, rather than the reverse.
I’ve been collecting lists of creatives that I missed out on the first time around. By building and adding to that list, I can keep the stories coming – as long as I’m alive to tell them, potentially.
For those of us that embrace it, part of living the liberal arts lifestyle is you’re interested in everything. You get to know a little about a lot, which makes you great at trivia, but maybe not so great at developing a long-term skillset. “A mile wide and an inch deep,” and all those other cliches, come from a place of truth.
I have 20 different ciders and beers in my fridge because VaRiETy iS thE sPIce oF LiFe or something.
This is true for hobbies as well, and as I look back, I can see the corpses of a handful of hobbies I’ve picked up, absorbed, and then left behind. It’s had me thinking about why I do this sort of thing, and what are the downsides. Is there any relief for this sort of “serial hobby” behavior and mindset? Is there anything worth correcting?
What is a “serial hobbyist,” anyway? Here’s what The Hobbyist Girl has to say:
Serial hobbyists get fully engrossed in the hobby of the moment, learns as much as she can very quickly, can think of nothing else and does nothing else for a while, then gets bored, loses interest, and moves on to the next shiny new hobby.
I can see all of the above in myself: going from one interest to the next; going all-in on something to learn everything there is about it; all while not ever completely leaving a hobby behind.
Lately, I’ve picked up my Newton Poetry blog after a five-year absence, only to find the blog had shut down sometime in the past due to a WordPress and database error. That’s fixed, but now I’m surrounded by my old Apple Newtons and Macintoshes and reliving some past blogging glory from my previous hobby.
There is something gratifying about rediscovering a hobby, like chatting with a long-lost friend. But it can also be like going out again with an ex, and you start to remember why you left.
Giving some credit to photography – for me, it’s always been there. I’ve consistently been the shutterbug in my family and group of friends. Taking up photography was simply “getting serious” about this ever-present activity. And, it’s been my longest-term hobby, lasting more than 10 years since I picked up my first DSLR (a Canon T1i – remember those?).
Some hobbies stick around forever. I’ve always loved to write, read, spend time outside, play a Mario or Zelda video game, and I’m starting to count photography in that “always” list.
Except for regret, there’s little in terms of downsides to being a serial hobbyist. You do spend money on hobbies, but not so much that your financial wellness is in jeopardy. There are space and clutter considerations, and that became the big issue with my classic Mac collecting. When I bought my first house, I had more space to collect – but it made me stop and think, “Do I really want to fill up my new home with G3-era Macs?” So I stopped.
Photography can be an expensive hobby, but it can generate income as well. Most of my new gear was paid for by doing wedding gigs. Now, I’ve pretty much stopped collecting any new photography gear because I have everything I’d ever need. Any new acquisitions were mostly gifts from people who knew I was a photographer – in fact, that’s how I received most of my film cameras. Still, all of that photo gear still only fills two boxes next to my desk.
For me, the biggest downside is – what’s next? What is going to take over my brain and consume all of my short-term passion? Because if the past is any indication, there’s another hobby with my name on it, right around the corner.
And there, too – maybe there’s no downside at all. Maybe this is just me.
It’s easy: grab three bottles of Simply Apple, a bit of yeast, mix them together, and then wait a while. A week or two is enough.
After that, add something else. This spring, I’ve tried blueberries, grapefruit, mixed berries, and now honey. A few reusable bottles, a bit more time to mature in the bottle, and you have yourself a nice summertime drink.
It keeps me busy. I have the process down pretty pat by now. And with all this time on my hands, I’m experimenting with more fruits. Maybe a pineapple, maybe a peach when they come into season, or some tart cherries if the crop survived our late spring snowstorms.
Now that the whole world is under quarantine, what’s a photographer to do? Especially if you’re stuck at home? I think this is a great time to work on a few photography projects, and here are a few ideas to help keep your mind off the outside world.
Photograph Your Surroundings
This time of year, the light is changing dramatically. Photograph your home, your yard, your neighborhood, and pay special attention to how the light transforms. I’ve made this a hobby inside a hobby. It’s how I explore spaces and get to know a place.
Photograph Your Family/Friends
Take advantage of being closer to the people in your life, now that most public events are canceled or on hold. Sit your significant other down next to a window and take their portrait. Photograph your kids, now home from school, at play. Invite friends over for drinks (nothing celebrates global chaos like booze) and make it a project.
Tidy Up Your Camera Gear
Now’s a great time to dust off your old gear, wipe down your lenses, empty out your memory cards, and clean out your camera bag. I know my Canon 5D has a notoriously dirty sensor. My batteries probably need a good recharge. Grab your gear, turn on some music, and get to work.
Take Care of Your Photo Files
My Lightroom catalog has folders and folders full of unedited photos. My iPhone photos could use a backup. My whole photo collection could use an external hard drive backup. It’s a great time to take care of organizing your photos, updating your metadata, and caring for the digital side of your photography.
Print Your Photos
Whether it’s individual prints or a book, now that you’ve organized your photo collection, you can put those beautiful pictures on paper for safe-keeping. Snapfish sends me an email every day talking about their photobook sales. Why not take an album full of your 2019 photos and make a photobook? You can even do it on your mobile device.
Get Online
Edit your photography website. Pre-write a bunch of blog posts with idea starters. Update your social profiles. Do some digital housecleaning.
Try a New Thing
Always wanted to try out film photography? Or take a stab at still life? Now’s the time to try something new – or, more accurately, it’s always a great time to try something new.
What’s easy for me? It’s easy to brainstorm an idea – to come up with a creative project that I want to see out in the world.
It’s also easy to ship that idea once everything finished, to cross the finish line with the idea and have it live in the world
What am I not good at? The middle. The gut check, the finer details, or thinking through the unthought-of things. The implementation of that original idea.
For example, in a photo project, coming up with my subject theme comes naturally. I want to photograph creative people in my community.
But what then? Where do I start? How do I find subjects? What do I do when things get difficult?
Once I have that figured out, it’s easy for me to take the outputs and put them together in a finished product. I get a deep thrill out of that final crunch to ship something on a self-imposed deadline.
In the middle, I know I need help and guidance on getting something started. Imagine pushing a car that’s standing still. It’s easy to figure out I need to move it, and once it’s in motion I know where I want to go. But getting past inertia? It’s tough for me.
What works in that middle is to find a person – a colleague, or a family member, or friend – who provides good, honest feedback and advice. I’m humble enough to know when I need help, and humble enough to ask for it when I’m having trouble getting going.
Writing non-fiction, a writer is basically organizing information (facts, data, analysis, observations) for your audience. It’s creative filtering, using words, sentences, and paragraphs to make sense of the world.
With photography, a photographer does much of the same, but uses portraits, pictures, and projects to organize visual information and tell a story to an audience.
Words are the basic units of measurement when writing. In photography, it’s the individual photograph. But for both, it takes talent and experience to make those basic units do work in an audience’s mind. What do they say when put together?
Taking photos is fun, but organizing information is where photography’s true power shines through.
I’ve considered myself a writer for just about as long as I learned to read and write.
When I was a kid, one of my grandparents gave me a typewriter – one of those old, mechanical models, the kind you didn’t plug into the wall. As a kid, and with the help of a model sailing ship, I wrote out pirate adventures. Way before I knew what it meant, I was creating serialized stories.
Journalism came naturally in high school and college, and the habits I picked up from my reporting days stuck with me.
Today, most of my job, and a big part of my personal life, involves writing stories – mostly non-fictional stories, but there are protagonists and a plot, just like with those early pirate tales. To write a story, I start with good notes: what’s going on? What does a person have to say about the story? What is the order of events? What happens next?
From those handwritten notes, I type them up into a text document in the same order I wrote them down. These notes are the basic building blocks of the story – section by section, event by event, quote by quote. I use these notes to connect the dots, try to make the story more interesting, and outline a basic inverted pyramid structure: all the interesting stuff goes first.
Taking those notes and arranging them, Lego-style, into a story that makes sense is where the creativity of non-fiction writing comes in. You have the story as the person told it, but you also have to act as a go-between with the reader. What questions would they have? What info do they need to understand what’s happening? Is there a point or climax to all this?
Re-arrange the story blocks, throw in a quote or three from the subject, and start and end with something interesting – that’s how I write a story. You can see this process come to life in any of my Artists In Jackson subjects. Each of those profiles started and finished with this process.
The process has served me well, and every time I start a new story, I start with a conversation and good notes. The rest is arranging those building blocks until it’s a story worth writing.
Projects don’t need to be fancy, or long, or all that involved.
Sometimes, all you need is an idea and a bit of time to see it through. In this case, it was playing in the backyard with the kids and wondering, how many corners can I find?
This has been my way out of a recent photography slump: simply shooting what’s around me, and finding something creative to say with my everyday surroundings.
Spring and summer means more time outside, more birthday parties and events, more walking and ice cream shop visits and hiking. All creative fuel for making photos. All slump busters.
It’s been a busy month. We had our family vacation (more on that soon), and I did some traveling for work. Along the way, I had big plans for my musicians project, even paying for studio space for the month.
Last night, I had my first subject join me in the space for a portrait session. It took the whole month of July for me to get one musician in the studio. That left 29 other unproductive days.
Finally, after things settled down, I hit a day last week when I got fed up with my lack of progress and jumped back into the project. I sent some emails, confirmed some dates, and boom – photo making.
It’s easy to feel guilty over all that lost time. I’ve beaten myself up all month long, but enough is enough. All it takes is pushing one pebble down the hill, and pretty soon you have an avalanche. For me, the pebble was sending an email invitation to a stranger.
Wrapping up my latest project, I thought about what kickstarted the whole thing.
It was the film. Lomography advertised a new, limited-run film stock that you had to buy in bulk – 10 boxes an order. That got my brain, and my math, going: 10 boxes of 36 exposure film equals about a year’s worth of shots, if you took one shot per day.
Boom. A project.
Sometimes we don’t need grand ideas for personal projects. Sometimes it’s the gear that sparks an idea.
Grab a cheap-o camera and see what kind of project you can make out of it. Take a simple piece of equipment – a vintage lens, or twin-lens reflex camera – and see where it leads you.
