It was stuck at 33% for weeks, then it creeped up to a high of 48%, and never got over that half-way hump.
I knew, going into it, that it was a long shot. My first rumblings of failure came when I had to explain to people, again and again, that they weren’t making a donation. No money was being exchanged up front. It was a pledge. People didn’t get Kickstarter.
The second rumbling came when a lot of the people I thought would support the project didn’t. After being stuck at 33% for so long, I knew my chances of reaching a fully-funded Kickstarter campaign were slim.
So it goes. As I mentioned in my last project update, the work will continue, albeit a little slower.
The truth is, my heart wasn’t totally into the idea of the Kickstarter. It was more of an experiment, to see if I could do it; to see if something like this could be possible in my small Midwestern city. Jackson wasn’t ready for Kickstarter. Plus the idea of constantly sending out updates and pleas for pledges is not me – I’m the anti marketing guy. It’s hard enough to get people to support your project, but to ask them to make pledges to support your project? Blah.
But it’s all okay. I’m fine, and I let Sunday’s project deadline go by with a whimper.
A lot of things are slowing down for me. Call it a phase, but I’m barely getting this musicians project started. I’m barely blogging. I’m barely making photos. It’s one of those seasons in life right now.
They’re a never-ending source of inspiration and fascination for me. Watching someone who is transfixed by their side gig, and who is good at what they do – it doesn’t matter what the hobby is, it’s fun to watch and listen.
I’ve had my share of hobbies over the years: comic books, old Macintosh computers, photography, travel. You know I’m into something if I start a blog about it.
Sculpture Geek here – he’s making videos about the sculptures he creates, and it’s a joy to behold.
I have a theory that the fan art we see these days is just another version of religious art during the Middle Ages and Renaissance. What do we care about? What are we passionate about, as a culture? What moves us emotionally? That’s what gets made in sculpture, painting, drawing, etc. And a lot of it comes with no expectations of fame, money, or recognition. Most people just want others to share in the joy of creation.
My Kickstarter for Musicians In Jackson has reached the 30% mark, mid-way through the campaign.
I knew it would be an uphill battle, and a constant stream of “make a pledge” messages and outreach. It’s not my style, but it needs to happen for the project to be successful.
Logistically, I have portrait sessions lined up next week that I’m pretty excited about. Things are moving along slowly, but they’re moving along. The studio is getting used. That’s the important part.
Next week I’m on vacation (spending time with my wife, above, and the kiddos during the holiday break), so not much happening around here. But please consider backing the project on Kickstarter and help me get over that 50% goal hump.
It was supposed to be an easy-going four day vacation – a quick trip down to Toledo, Ohio (the Midwest’s premier getaway destination, naturally) and visit the zoo on Friday. Our first trip with the three kids.
What we got instead was a near-drowning in the hotel pool, a scary trip to the emergency room, and a rainy zoo day.
Despite all that, we made the best of it. We took an impromptu trip back to the Toledo Zoo on Saturday, when it was warm and sunny, and did it right. We also met some friends at Tony Packo’s and enjoyed some good Hungarian hot dogs, coney style.
Easy-going? Not so much. But we got out of the house and started the vacation season in earnest.
“We can talk about the photographer as an author who – on the basis of facts and by means of a minimal shift in perception – creates in close proximity to reality.”
We never had to prompt either kids to pick up a crayon and start doodling.
They both do it totally on their own. The crayons are always there, there’s always paper handy – they just need to sit down and scribble. It’s what they do.
That’s a good feeling, to have both kids take to art and music. It’s our fault, of course, as parents, because we surround ourselves with such things. It’s what we do.
As a kid, my parents always had music going in the house, and we loved to doodle and color in coloring books. But neither of my parents really did music (like play an instrument), or did art (as a hobby, say). I took their small spark and ran with it.
It’s exciting to think about what these kids will do.
My wife does a great job at themed birthday parties. Both kids have never wanted for a fun, tied-together celebration, from Lego to Batman to Daisy Duck.
This year, the boy turned six, and picked Mario for his birthday theme. So, as usual, we went all out.
My wife is big Disney fan. Her family goes to Disney World every few years, she knows all the movies and songs, her mom collects all the figurines. They’re a Disney Family.
Nintendo is my Disney, being a video game kid and growing up with Super Mario Bros. and Legend of Zelda. For this party, I was in my element:
And sure, all the kids had fun with the theme, too.
The conversation, the sharing of experience, the laughing and joking around. Remembering local history. Swapping stories. Sharing a complete and consuming love of music.
Last time, it was about art and creativity, about the Jackson market and the struggles of being a small-city artist.
This time, it’s a lot of same, except you swap paint brushes and cameras for guitars and microphones.
I’m launching my new community portrait project, Musicians In Jackson, on Kickstarter today.
A week ago, I kicked off the project at my studio open house. But this project has been in the works for almost a year now. I’ve thought and thought about it for so long, and now it’s a real thing in the world that I’m working on.
It involves capturing local Jackson, Michigan musicians on black and white medium format film through the summer. I’ll capture our conversations, make portraits, and share the creative love in my hometown.
Why Kickstarter? There are film costs, and the studio space to rent, and photographic prints to produce. It’s also a way to preorder prints or the book when it’s released this holiday season. Really, it’s a way to support creative endeavors like these community portrait projects.
“Just like any real human relationship, there are better looking, smarter, richer people out there,” says Olivier Duong. “But what really counts is what you do together.”
It’s such a strange way to think about buying a camera.
If I’m going to make an investment in a camera or lenses, I’m going to think about the lifespan of the equipment and how much work I can get done with it. Resale value doesn’t enter into the do-I-buy-it equation at all.
For me, I’d rather have a well-used camera that helps me make photographs than worry about selling it down the road.
The space isn’t big, and it’s not that easy to find.
But after Friday’s studio open house, I learned that the space is perfect for me and what I’m trying to do.
I had a good group of friends, family, and artists join me in the new studio space. We snacked, and drank, and made music, and made portraits. The kids had a good time exploring the workout room next door, while I had fun watching the light go from “wow” to “gorgeous” over the evening.
You know that feeling where you’re kind of dreading doing something, because of either fear, uncertainty, or doubt? And then once you start doing, those feelings fade away, and you say to yourself, “Yeah, this is totally doable?”
(Maybe go watch the original first – it’s something.)
There’s no doubt that a small group of talented people doing something they love is all the reward needed. “Fan-made short film” is often shorthand for “better than anything else out there.”
One of the large makers needs to step up to the plate and make a compact film camera. And I am not saying this on a whim or with a wistful idea of halcyon days. I get more requests for compact cameras than I could ever fulfill, even if I had the cameras. People are prepared to spend nearly $1000 for an old Contax or Ricoh, knowing full well that it could simply stop working at any point and there would be nothing they could do about it.
Hunt’s point – that the current stock of compact cameras is dwindling, and getting more expensive – tells me that there’s a market for a new film camera out there, if someone would just take a chance on making one. And with more and more companies investing in film again, photographers need new tools to take advantage of those film stocks.
Compact cameras are my favorite kind of camera, and I’m not alone. The company that stepped up and started making new film cameras again would gain more than money – they’d earn a whole bunch of goodwill.
Tomorrow night I’m hosting a studio open house in downtown Jackson.
It’s partly to kick off my next portrait project, partly to test out the new space, and partly as a big “thank you” to folks around town who have supported my projects. Plus I have a few people whose portrait I’ve wanted to make for a while now. So, bonus.
Coupled with a 50mm lens, it’s a great option for street shooting. It feels like shooting with a film camera in some respects. I’ve grown quite fond of mine again recently, and I’ve been shooting with it more and more lately.
“Like shooting with a film camera” – I get that, too, especially because all it does it shoot straight-up stills.