Embrace the discomfort of going out alone, of putting the phone away, of talking to strangers, of existing through a time of rapid and overwhelming change. Remember that we are in a revolution, but that revolution itself is nothing new; it only manifests in new ways.
If you can get comfortable being uncomfortable, discomfort becomes the norm and is easier to process, while comfort becomes the exception to the rule. More importantly though, if you can get comfortable being uncomfortable, you can get in touch with the only thing that really matters in times of uncertainty and change: your humanity. Stay human. Talk to humans. Help humans out.
I’m still feeling the effects of that winter trip filled with gorgeous West Coast sunshine. A week full of vitamin D does a body, and a spirit, good.
That’s why I looked so forward to a recent work trip to Phoenix, Arizona. The forecast? Sunny and mid 70s. Perfect for this winter-worn Michigander.
We had a few chances to stroll through the Sonoran Desert surrounding our conference resort, through the Phoenix Mountains Preserve near North Moutain Park. One morning we traveled with a hiking company, through a tunnel under the road, and wandered around a valley to watch the sun come up.
On the other side, we watched the sun set over a nice BBQ dinner. In both cases, the desert light never left.
The real challenge isn’t in upgrading your tools, it’s in upgrading yourself.
That’s when the investment shifts. Instead of pouring money into a new lens you don’t actually need, you start to invest in the work itself. The personal projects. The stories you want to tell, the places you want to explore.
It’s true that I upgraded my original Canon M early last year with the Canon M200.
As the year went on and I used it more and more, a little itch in the back of my brain started. The itch, which weirdly has a voice, started saying, “Using this camera should be easier – and more fun, like your original Canon M was.”
What the itch said was also true.
Some of those true things included:
The M200 is not a customizable camera. You get what you get, no mods allowed.
I also missed the little handgrip bump on the front of the M. The M200 is as flat as Ohio
Last March, I said:
There aren’t many buttons or options, it’s not the toughest model, and you don’t have the in-the-hand control you have on a more advanced camera. But coming from the original M, the M200 felt at home in my hands.
“Trust your instincts,” the itch said, and there I was with this 2019-era mirrorless camera that did not bring me joy.
With all these truths in mind, I went back and looked to see if I could still upgrade to a Canon M6 mark II. The price was still high, and it still wasn’t widely available. That’s when my budget-friendly brain had an idea:
It doesn’t have all the modern bells and whistles of the mark II, but it does have:
Customizable buttons – and lots of them. The M6 has an almost Fuji-level amount of physical dials and buttons.
A physical button to recenter the focus point.
A wonderful hand grip on the front – more DSLR-style than a modest bump like the M had.
All the features of the M200: higher resolution, flippy screen, faster focus, etc.
And, little itch, the silver version looks kind of cool, cashing in on the retro silver-and-black look of film SLRs and rangefinders.
So that’s what I did: I purchased a refurbished Canon M6 and sold off my M200.
Here are some glamour shots with the EF-M 32mm f/1.4, taken on the Canon 5D and EF 100mm f/2.8 macro lens.
So far? I dig the M6. I love the improved ergonomics, retro styling, faster speed, and manual controls – especially the bumpy, knurled dials for aperture or ISO.
A few things I don’t love:
I do wish it had a viewfinder, even though I’m used to not having one on the M series. A rangefinder-style viewfinder would be so handy.
There’s a greenish/cyan tint to the files in Lightroom. I’m not sure if it’s the camera or Lightroom’s raw file handling, but I load up some files and they look icky.
Certain buttons on the camera drive me crazy: the touchscreen zoom button in the lower right and the physical manual focus button on the main dial. When I go to focus on a subject, the camera is unresponsive because I accidentally brushed that MF button. I turned it completely off in the custom settings.
Those quirks tell me that modern cameras, with so many hybrid demands put on them, are never perfect. My Canon 5D is perfect. Everything else has limitations or annoyances.
The above shot shows me using the M6 exclusively on a new photo project to learn my new camera.
This leads to the larger question about my camera strategy: what am I going to keep, and why do I need a different system than my EOS+EF system?
Mobility: I like the Canon M lineup’s weight and small size. It’s a perfect everyday carry and travel setup, including if I ever want to do some video.
Quality: Images are good, and the lenses make for sharp, pleasing photos.
Vibes: Since that first Canon M, I’ve admired the series, flawed though it is. It’s weird investing and tinkering with a dead mirrorless camera system, but I do love these little cameras.
With the M6, it’s so far, so good. This, combined with my old, clunky (but reliable) M as a backup, and I’ve got an old+new system similar to my Canon 5D plus 6D.
I brought the M6 with me to Austin, Texas, and Monterrey, Mexico. It served me well during the holidays and on random photo outings. It feels so much better in the hand.
Parts of the U.S. are facing an arctic blast – one of those goofy named weather phenomena. In the past few winters, we haven’t had much winter action in Michigan. So on this occasion, I laced up my snow boots and walked around the neighborhood to see what five degrees felt like.
The bright sun and crisp air were nice for a brief minute. But then the wind would pick up and I felt like my face was stinging.
I always want to do more night photography. Living in a small city, there’s not a lot of opportunity to grab night images like I’d like to.
Thanks to Austin, however, I had a great chance to tour around a decent-sized city to capture light, shadow, and color. My co-worker and I also stumbled on a commercial filming shoot taking place on 6th Street, near Voodoo Donuts, which provided an interesting behind-the-scenes view into a commercial production.
This night out inspired me so much that I thought, hey, Detroit’s not that far away. It might be worth a visit to get more of these kinds of photos.
The trip also inspired me to continue working on a long-term night photography project closer to home. More on that soon.
After I launched my Artists In Jackson project, I also launched an email newsletter to keep my subjects and buyers updated. Over time, it became a periodic vehicle to share what I was doing, interested in, or working on.
Then, midway through the pandemic, I lost it. I couldn’t bring myself to work on it like I wanted to, and the newsletter slipped away from me. Mailchimp closed my account for inactivity, and I lost all the momentum I had built.
Now I’m relaunching my email newsletter with beehiiv, and I invite you and anyone interested to sign up (or re-sign up) and join me as I get this thing started again.
I’m shooting for monthly or bi-weekly, and I may try out a few new formatting ideas, but mostly, this newsletter will be an update, a few items I found around the internet, and some new blog posts.
Quiet music, winding down the to-do list, cozy days at home catching up on movies, and looking back on the year that was – that’s my ideal Christmas.
Yes, we have the spirited family get-togethers and the hustle of Christmas morning with the kids. There’s all that shopping and cooking. But mentally, when I think of Christmas, I think of a quiet season—peace on Earth, goodwill toward men, that kind of thing.
This year, I’ll use the quiet to plan ahead to next year and develop some ideas.
One that’s been simmering for a while now is the idea of turning my creative portrait projects into an ongoing series. Instead of just artists and musicians, I could expand the scope into other creative arenas.
I also want to experiment more with video: how-to walkthroughs, on-location tours, and even video profiles of people. I do it all the time at work, so there’s no reason why I can’t try it for personal projects.
Finally, I’d like to bring back the idea of a studio where I can invite people in and take their portraits. Hang a sheet, grab a light, and fire away.
There are always more ideas than time and energy to see them through. That’s just how I work.
But mulled long enough, like a fine dark wine or some spiced cider, good ideas get better with age.
Settle in. Enjoy the season. See you all in the new year.
Here on the (other) Colorado River in Austin, Texas, it’s nothing but activity: boats taking tours up and down, joggers running past, couples getting their portraits taken.
Now we’re in the drab winter months, right before the holidays, and these photos – and this whole trip – make me miss the sunshine.
My conference hotel was on the south side of the river. A quick hop over and I was in downtown Austin.
The river made for a good orientation spot and a spectacular view.
One of my favorite kinds of street photography is to show up in a busy place where a bunch of people are gathered.
It’s probably a dash of event photography, and a splash of being somewhere where you know it’ll be busy.
And ’tis the season, right? So I stopped by St. Thomas the Apostle Catholic Church’s Christkindlmrkt – a European-style Christmas market with delicious German treats and lots of merriment. I had to do some Christmas shopping, and last year I visited a Christmas market in Ann Arbor and really enjoyed it. This year, I figured it’d be fun to try something new.
Knowing it may get pretty crowded, I brought along my Canon M6 and a few lenses. I snapped on the 22mm, 32mm, and 56mm on each consecutive lap around the church, opening up my aperture as it got darker.
Lots of kids, lots of families, and tons of gifts for Catholics. And all around, the smell of bratwurst on the grill. Perfect.
While the rain melted all the snow, and the temperature was getting warmer, it was still festive enough to feel the Christmas spirit – and enjoy a beer and a brat.
Back to Austin, Texas, and this time, I’m focused on the colors—especially these strong sunset colors that I saw on my walks around town.
I try to embrace black and white photography. I really do. But color speaks to my eye and heart. And when the southern sun sets on these vivid hues? Love it.
What’s funny is most of these photos were taken within a couple of blocks’ distance. I didn’t have to go far to find the good stuff.
Here’s something I don’t usually do: some street photography around downtown Austin, Texas.
With all my work travels this year, I’ve had the chance to do more of this style of photography: Philadelphia, Mexico City, etc. And even with my recent practice, I still find it hard to do well.
But there’s nothing like practice. Austin’s perfect weather, manageable downtown, and good light all around helped.
One challenge was focal length. Either I wasn’t close enough, or my 22mm and 32mm on the Canon M6 didn’t get me close enough. Another challenge was traffic blocking some key shots.
Still, a good photowalk out and about, exploring the city.
On the way to the airport, this time to Austin, Texas, for a conference, I thought, “I’ve used this parking garage an awful lot lately.”
It’s not a bad thing. I love to travel, and these trips have allowed me to try out more street photography than I usually do.
Back home, my pictures are mostly people-less. A city like Austin, though, lets me walk around an urban environment and practice in the streets.
My Austin trip was so inspiring (and warm – it was a perfect 70-80 degrees and sunny in mid-November, much warmer than Michigan) that I went out to shoot every chance I could. That gave me a ton of photos to select, organize, and process.
Consider this the first post in a series of albums from Austin – this time focusing on light/shadow, my usual go-to when out shooting. Look for more traditional street shots, with people, and others from around Austin in the next few weeks.
Shot on the Canon M6 and EF-M 22mm and 32mm lenses.
Ali from One Month Two Cameras discusses her needs and wants for her everyday carry camera—the one you use for just about everything.
For 12 years, that was the Canon M for me. Earlier this year, I upgraded to the Canon M200, but I’ve had second thoughts. And those thoughts came right as Ali’s video went live last week.
Now, my wife is working with the First United Methodist Church in town on a music therapy program. It’s the church where she grew up, and her grandmother still attends Sunday service, so we have joined the worship service the last few weeks.
There’s something to be said about a classic pews-and-steeple church. New churches look more like warehouses or coffee shops. I prefer a church that looks like a church.
Hymnals backed by a legit organ – as opposed to a praise band – help give that old church vibe, too.
Church helps build a routine, encourages service to others, and fosters community. All of those things are precisely what we need right now.
This year has been challenging, with key wins, disappointing losses, and a lot of inconsistency. So when the number one team in the country, Oregon, came to visit, our expectations were easy to set: we probably weren’t going to win.
Instead, my buddy Don and I went for the atmosphere. We and 110,000 other fans descended on Ann Arbor on a beautiful autumn afternoon in November.
It was us and the big corporate sponsors, apparently. Mt. Dew set up a station a few blocks from Michigan Stadium, complete with velcro walls and a DJ. We popped in and grabbed a few (free!) BBQ sandwiches, and watched the college students come and go.
Inside the stadium was as festive as ever, and we got to watch the sunset on both the game and evening.
Not much to say on this, the day after the U.S. election, but a few thoughts I had this morning waking up to the news:
Info bubbles are bad—it’s so important to step outside of what you normally read about or hear and listen to other echo chambers.
“Vibes” alone aren’t enough to sway people who have legitimate concerns about the country’s direction.
Who shows up matters and ultimately determines the outcome. If you don’t have the votes, you don’t win – simple, but hard to execute.
America is a tough place to understand sometimes, and it’s getting tougher.
I’m sad and nervous. I’m also dumping my usual sources for information (Twitter – deleted my account, and Reddit for general browsing) and am committed to casting a weary, skeptical eye on news media reports that seem confident.
In the meantime, we all have feelings to process and art to make. Let’s get back to work.
