‘Til My Body Ached
Toledo, Ohio
“We can talk about the photographer as an author who – on the basis of facts and by means of a minimal shift in perception – creates in close proximity to reality.”
Thomas Weski, “Draft of a Presentation,” in William Eggleston’s Los Alamos.
We never had to prompt either kids to pick up a crayon and start doodling.
They both do it totally on their own. The crayons are always there, there’s always paper handy – they just need to sit down and scribble. It’s what they do.
That’s a good feeling, to have both kids take to art and music. It’s our fault, of course, as parents, because we surround ourselves with such things. It’s what we do.
As a kid, my parents always had music going in the house, and we loved to doodle and color in coloring books. But neither of my parents really did music (like play an instrument), or did art (as a hobby, say). I took their small spark and ran with it.
It’s exciting to think about what these kids will do.
My wife does a great job at themed birthday parties. Both kids have never wanted for a fun, tied-together celebration, from Lego to Batman to Daisy Duck.
This year, the boy turned six, and picked Mario for his birthday theme. So, as usual, we went all out.
My wife is big Disney fan. Her family goes to Disney World every few years, she knows all the movies and songs, her mom collects all the figurines. They’re a Disney Family.
Nintendo is my Disney, being a video game kid and growing up with Super Mario Bros. and Legend of Zelda. For this party, I was in my element:
And sure, all the kids had fun with the theme, too.
Little kids in Mario mustaches? The best.
This is what I miss about portrait projects.
The conversation, the sharing of experience, the laughing and joking around. Remembering local history. Swapping stories. Sharing a complete and consuming love of music.
Last time, it was about art and creativity, about the Jackson market and the struggles of being a small-city artist.
This time, it’s a lot of same, except you swap paint brushes and cameras for guitars and microphones.
It’s good to be back.
[Help the Musicians In Jackson project on Kickstarter!]
Away we go.
I’m launching my new community portrait project, Musicians In Jackson, on Kickstarter today.
A week ago, I kicked off the project at my studio open house. But this project has been in the works for almost a year now. I’ve thought and thought about it for so long, and now it’s a real thing in the world that I’m working on.
It involves capturing local Jackson, Michigan musicians on black and white medium format film through the summer. I’ll capture our conversations, make portraits, and share the creative love in my hometown.
Why Kickstarter? There are film costs, and the studio space to rent, and photographic prints to produce. It’s also a way to preorder prints or the book when it’s released this holiday season. Really, it’s a way to support creative endeavors like these community portrait projects.
I’d appreciate it if you could help me spread the word, and make a pledge before July 16 on Kickstarter. I also hope you’ll join me for the ride.
“Just like any real human relationship, there are better looking, smarter, richer people out there,” says Olivier Duong. “But what really counts is what you do together.”
Chris Gampat at the Phoblographer breaks down the resale value of the major camera brands, both film and digital.
It’s such a strange way to think about buying a camera.
If I’m going to make an investment in a camera or lenses, I’m going to think about the lifespan of the equipment and how much work I can get done with it. Resale value doesn’t enter into the do-I-buy-it equation at all.
For me, I’d rather have a well-used camera that helps me make photographs than worry about selling it down the road.
The space isn’t big, and it’s not that easy to find.
But after Friday’s studio open house, I learned that the space is perfect for me and what I’m trying to do.
I had a good group of friends, family, and artists join me in the new studio space. We snacked, and drank, and made music, and made portraits. The kids had a good time exploring the workout room next door, while I had fun watching the light go from “wow” to “gorgeous” over the evening.
You know that feeling where you’re kind of dreading doing something, because of either fear, uncertainty, or doubt? And then once you start doing, those feelings fade away, and you say to yourself, “Yeah, this is totally doable?”
That was me Friday night.
And this is them.
Bellamy Hunt at Japan Camera Hunter argues for a new compact film camera:
One of the large makers needs to step up to the plate and make a compact film camera. And I am not saying this on a whim or with a wistful idea of halcyon days. I get more requests for compact cameras than I could ever fulfill, even if I had the cameras. People are prepared to spend nearly $1000 for an old Contax or Ricoh, knowing full well that it could simply stop working at any point and there would be nothing they could do about it.
Hunt’s point – that the current stock of compact cameras is dwindling, and getting more expensive – tells me that there’s a market for a new film camera out there, if someone would just take a chance on making one. And with more and more companies investing in film again, photographers need new tools to take advantage of those film stocks.
Compact cameras are my favorite kind of camera, and I’m not alone. The company that stepped up and started making new film cameras again would gain more than money – they’d earn a whole bunch of goodwill.
Tomorrow night I’m hosting a studio open house in downtown Jackson.
It’s partly to kick off my next portrait project, partly to test out the new space, and partly as a big “thank you” to folks around town who have supported my projects. Plus I have a few people whose portrait I’ve wanted to make for a while now. So, bonus.
Details at my Musicians In Jackson page. Hope to see you there.
Thomas Fitzgerald on shooting with classic gear, like his old Canon 5D:
Coupled with a 50mm lens, it’s a great option for street shooting. It feels like shooting with a film camera in some respects. I’ve grown quite fond of mine again recently, and I’ve been shooting with it more and more lately.
“Like shooting with a film camera” – I get that, too, especially because all it does it shoot straight-up stills.
The Grind isn’t the photographs.
The Grind is the selecting your location, choosing which equipment to bring, selecting a film stock, lining up subjects, finding an open slot in your schedule, making time to send/respond to emails, editing the photos when you’re finished with the shoot, picking your favorite picture to present to the world, sending a select few to the subject, backing up your Lightroom library…
But that’s what “photography” means – it’s the photographs, and it’s the Grind to get them made.
Lately, it’s the Grind that has me feeling overwhelmed. If I can pick away at it, bit by bit, I do okay. Otherwise, I feel like I’m swimming in “photography.”
Better learn to love the Grind if you really want to accomplish that project.
My long-sought idea for having a studio is now complete. I just signed on a summer agreement with a merchant in downtown Jackson, and am super excited to get started.
There’s a bit of clean-up and moving to do, and I’ll need to get comfortable with the space. But it’s mine for a few months.
Let’s get started.
Interview with me over at the Camera Mall Facebook page, touching on my projects and style.
Many thanks to my photo pal Jamie MacDonald (above, on one of our urbexing trips) for the questions, and to the Camera Mall for the post. They’re my go-to place for film purchasing and development here lately. It’s nice to have a retail location two blocks away from work here in Ann Arbor, Michigan.
Pulaski, Michigan
Jason Fried at Signal vs. Noise:
Busting your ass planning something important? Feel like you can’t proceed until you have a bulletproof plan in place? Replace “plan” with “guess” and take it easy. That’s all plans really are anyway: guesses.
As my old boss used to say, plan the work and work the plan.
But I take the same approach to planning as I do for traveling: set up the ground rules and structure, and then let real life interject – as it always does.
I’ll admit that getting going with new creative projects has been a challenge lately. With the move, and the new baby, it’s been hard to think and plan about doing a big new thing.
“Inspiration,” as most people understand it, doesn’t help. I don’t need to look at other photo projects, or read quotes from famous artists. None of that will help me take a step forward. It’s not how I’m wired. Inspiration, for me, is just a bunch of ideas.
But this morning, on the drive into work, I felt a spark as I was listening to Bill and Jeffery on On Taking Pictures. It wasn’t anything concrete, or the subject matter, or even their mood. I think it was just listening to two people talk about art and creativity that made me feel better about my situation. That little creative fire inside me that’s been so weak the past few months got a little brighter. I can’t explain exactly how it lit back up, but I guess it doesn’t matter.
What I need is a kick in the butt from time to time, not inspiration.