Saturday was the last big sale day for my favorite local comic shop. Leonard, the owner, is retiring as of Labor Day.
The good news, however, is that he may have found a buyer for the place. They have to get things worked out with the bank, but otherwise it’s a go.
That’s my friend Jon Hart in the background, there, digging through the alternative titles. I’m mainly a Spidey and X-Men guy, myself.
Another great on-my-way-to-work shot.
It was move-in day at the college on Friday, so I went in a bit early. And boy, am I glad I did. The sun was a bit lower on the horizon. Hence: this.
Thinking this may be my next project: a collection of yard and garage sale signs.
Just the good ones, though. This one seems particularly haphazard, with the tape and the arrow in pen.
I don’t do many landscape-type shots, but the morning light and the fog in the field made this one a must-grab.
Turns out Jordan grew up in the town next to mine growing up, attending a rival high school at about the same time.
But it was his alma mater, his wife’s job, and his own first job in the financial world that brought him up to Harbor Springs, Mich. Now? He’s a barber.
In a tourist town like Harbor Springs, about 10 minutes around the bay from Petoskey, Jordan says his Harbor Barber shop does good business. Fifteen customers a day during the winter, and upwards of 40 during the summer.
He says it’s tiring, being on his feet all day, looking down at customers. But the money is good.
“You can still make a good living doing this,” he said.
Just do the math: $15 for a shave and a haircut. Forty customers a day in the summer.
Jordan says the old straight razors could nick a customer, and then transfer some of the blood onto the leather strap. Cross-contamination. So he uses the disposal razors, but treats them in the old-timey way.
The whole old-timey shave is a novelty, he says. Customers, though, enjoy the ritual: the warm towel, putting your feet up, the patient pace of the job.
Some of the guys felt like they could’ve gone to sleep after The Towel Treatment. Especially after a long night of drinking.
The bench comes from the southern part of the state. The stool comes from Georgia, but the metal was manufactured in St. Louis.
One room. One stool. One sink. One customer after the other.
Nothing beats a good farmer’s market – especially when it’s jam-packed with good stuff.
There’s a part of me that could sit down and eat every peach and red raspberry in the joint, at least mentally. Physically…well…
The color. The smell. The craving. It’s all there, man.
Our own local super hero.
I remember almost wrecking my car the first time I saw him, walking down Michigan Ave. in downtown Jackson.
“This can’t be real,” I thought.
But there he was.
Now, he makes appearances and public events, parades, and almost every Chamber of Commerce event in town, promoting safety and self defense.
Captain Jackson tends to be a local shame point. The oh-my-gosh-he’s-here-again kind of reaction. He’s pretty harmless though.
I have this list of things I want to stop and photograph on my way into work. Concord, Mich. has quite a few little things like this sign that are on my list.
This month-long project is the perfect excuse to pull over, grab the camera, and check one off the list.
I’ve watched these weeds envelop this sign all summer long. Now I got it.
A brick wall I pass every day on my commute to and from work, in Concord, Mich.
Love that, even after it’s been hacked, it hasn’t been fixed.
Renting a camera is the perfect way to try before you buy. It’s also the perfect way just to try – and that’s why I rented a Fuji X100 for two weeks. Just to try.
I see other photographers that I admire doing fantastic work with the Fuji system, and speaking its praise as the Next Big Thing. Being a Canon guy, it was tempting to see what all the fuss is about.
I also rented it because I was covering a wedding for two co-workers, and thought it would be fun to take it to their destination ceremony in Petoskey, Mich.
There, it performed very well. I had to make sure to keep it on a setting that worked for whatever situation I was in, but from there I just pointed, framed, and shot.
The things this camera can do with mixed light situations, dynamic lighting, and low light is spectacular. And sharpness? Just perfect.
There were times when I felt lost. That feeling probably comes from knowing my Canons so well. I also like having things like ISO and white balance ready at a button push. Too often, with the X100, I had to dive into the menu system to switch up the settings.
I’ve read that people use the X100 as a slower device. Take your time, adjust your settings, frame your shot, click. So maybe throwing it into a fast-paced wedding situation wasn’t entirely fair.
For those instances where I could take my time, it was perfect. The size, too, made it a handy carry-around camera. It’s a throw-it-in-the-front-seat-of-my-car camera – a walk-around-the-neighborhood camera. And it was light enough to feel like a regular accessory to the day.
The film modes are fun (like the Velvia setting above), but were an extra step in the process. I found taking the RAW files and adjusting them was more my style.
At first, I blanched at the idea of using the Electronic Viewfinder. But the rangefinder-style Optical Viewfinder missed focus points just enough to get pretty annoying, so I switched as time went on fairly easily.
Switching to Macro Mode, however, to get those close shots was not easy. I never quite got the hang of it, and would often forget which mode I was in and shoot in the wrong mode.
The picture files? Glorious to work with. Plenty of flexibility to lift shadows or pull back highlights – again, especially in those mixed lighting situations. Skies, especially, were lovely. For a lot of my shots, using the VSCO Film Fuji profiles worked well.
All in all, using the Fuji X100 really was like shooting with a film camera. The photo files had personality, and flexibility, and were a lot of fun to play around with.
The camera itself was an adjustment. I feel like, with more time, I’d get used to its particular quirks. Maybe not.
But sometimes it was nice to set the setting and not touch them, and just worry about making nice photos.
This time of year is both happy and sad. Happy because, hey, it’s still technically summer.
But it’s sad because it’s the Sunday of summer – the last little bit before fall starts creeping in. Nothing says this more than harvest time, especially this cool summer in Michigan that feels like half-fall anyway.
Fall is a lot of people’s favorite season, but not mine. The crops, though. Man, I’ll take those all autumn long.
Michigan is known mainly for its cherries, apples, and blueberries, but we’re lucky in that a lot of crops grow well here. Peaches, melons, corn.
“You can tell it’s a Michigan [insert crop here],” my family used to say. “They don’t grow these like they do in Michigan.”
I’m not positive that’s true. But I do know that everything tastes pretty darned good this time of year.
Never realized this rope was tied around my dying apple tree in the backyard. Hm.
Also, this one was edited in Aperture for old time’s sake. Do most of my editing/culling in Lightroom, and export to Aperture for management.
Lots of abandoned goodness in Albion, Mich. Took a little drive Friday afternoon during lunch and spotted a row of buildings that looked like they used to be thriving businesses.
But no longer.
It’s county fair time here in Jackson County.
Despite some thunderstorms, the fair went on – muggy, sticky, and steamy.
For a horse, that means bath time, obviously.
This is the stuff nightmares are made of.
Bald-faced hornet nest. Huge. Hanging.
To keep a safe distance, I stuck with the EF 85mm f/1.8 for this one.
VSCO Film recently released their newest set of film emulation presets, a lovely set of slide film reproductions that model classic Fuji, Agfa, and Kodak positive film.
And while the digital version of those classic films doesn’t exactly mimick the original, it’s enough to feed into the back-to-our-roots photographic trends that Instagram, Hipstamatic, and VSCO itself kick-started. Pros, amateurs, iPhoneographers – a lot of us are using film-style presets these days.
That got me thinking: why does it take a company like VSCO to come out with these film simulations? Why the hell didn’t Fuji, Kodak, and Ilford – with their diminishing film stocks and questionable financial future – come out with this kind of product?
Why leave it to a digital competitor to develop a copy of your signature films?
No, VSCO-style simulations won’t keep New York cities humming with manufacturing, but they could’ve helped film companies ease into the digital realm.
I take it that Fuji is doing okay with its new X-Series cameras. They’re supplementing their film business with a great series of cameras – cameras that, yes, are simulating Fuji films like Velvia and Astia.
But Ilford? Kodak? Agfa? How are they doing in this modern photographic age? Are they comfortable with staying a hyper-niche product for hobbyists and the declining number of professional photographers who still use film?
Why not say, “Hey, no one knows our film better than we do. We’ll help photographers simulate our classic films with a set of presets that we can sell for real money.”
It used to be that film stock, with quality glass, was how you achieved a certain look. Velvia was different from Portra was different from Polaroid. Now, in the digital age, it’s a combination of camera, software, lens, and (for those who use them) presets.
For film companies, their role in that process should be in the software/presets realm.
“Great photo!” an imaginary film company representative says. “Now make it look how you want it to look with our specially-engineered family of film simulations.”
Instead, companies like VSCO swoop in with the right mixture of finesse and quality and eat the film companies’ lunch. They also offer options for today’s photo enthusiast: desktop and mobile software.
Kodak? Their mobile app offerings look like a messy discount aisle in a dimly-lit drug store: nothing but apps for purchasing film(!) and printing photos (that last one is pretty handy – at least they’re encouraging people to keep printing photos).
Fuji is at least doing a bit better in this space. But still. Why keep those X-Series film simulation modes exclusive on the cameras? Why not make a few bucks selling a mobile camera app with those simulations, and beat VSCO at its own game?
I love Camera Noir and Hueless for my iPhone. But where is the Ilford app?
Don’t get me wrong. There are tons of photo filter apps – more than one could ever want or use. But shouldn’t the film companies be in this space and doing it better than anyone? Shouldn’t they have been here first, for crying out loud?
Developing software and apps doesn’t replace the film business. I get that. But what else are the film companies going to do? Wait it out like some passing phase?
When the world switches, you switch with it. As it stands, disrupting upstarts like VSCO are taking the film companies out to the darkroom woodshed.
(Photos courtesy Bryan Costin, with my “VSCO” addition, and Kevin Dooley on Flickr)
Found in a random spot in the outside wall of an abandoned church in Albion, Mich.
Early- to mid-June is raspberry season in Michigan. Everyone knows that.
But I didn’t know that blackberries ripen in late July. And there they were. Smaller than the kind you usually buy in the store, and not quite as sweet. Finding a bush full of free ones, though, was all right.
My grandmother’s house growing up had one of every kind of berry: red, white, and black raspberries, blackberries, blueberries, and grapes. Diving into the pricker bushes was so worth it, just to get at those suckers.
