Feel Euphoria

The morning after our daughter was born.

When my daughter was born, my wife and I spent most of a week in the hospital.

Near the end of that time, I headed home to take care of a few things—the mail, the trash, clean up a bit, that kind of thing—and I realized something:

I never felt better in my life.

There was no stress. No anxiety. No worries. I felt this overwhelming sense of relaxation – of everything being right and good with the world. It was amazing.

Thinking about it later, my euphoria could be explained by a few things. For one, my entire life that week was wrapped up in caring for my newborn daughter. I rarely thought of myself, or my needs. Everything I did was for her (and, in close second, my wife). Selflessness breeds good vibes.

For two, I was severely lacking in sleep. A hospital cot is no place to get good, quality rest. So some of that stress-free feeling could have come from a profound mental tiredness. Who knows?

Also, I felt like an older version of me had passed away, and I had taken on this new role of “father.” I was a daddy. My old life, as I knew it, was gone. A new, exciting, terrifying future was in front of me. It was awesome in the old sense of the word (“full of awe”).

People often say that, facing a near-death experience, their post-experience life takes on a new shine. Their survival comes with a burden and an opportunity – a kind of second chance. It’s the only similar experience I can think of that describes what I felt on that drive home from the hospital to run some errands.

My headaches were gone. My shoulders weren’t all bunched up around my neck. Everything was rainbows and sunshine. It was weird! And it was something I’ll never forget.

That feeling is, as of today, a year old, along with my daughter. While that feeling faded, it never truly went away. It’s hung around, a quiet buzzing along the edges of everyday life, and it gets louder every time I see or hold my baby. Lots of parents know this feeling. In fact, many people tried to tell me what it’s like before I became a father.

But you don’t really know that feeling until it happens. I relay that message to fellow parents when I see them; I give them a wink and a nod of understanding.

“You know what it’s like,” I say. “And before it happened, you didn’t know.”

So I get the chance to put that feeling into the photos that I take of my daughter. She’s had a year of daddy sticking a camera in her face, as many children and many generations before her have experienced. Usually, she’s a good sport.

What she doesn’t know yet is that daddy tries to take that special feeling, from a year ago, and translate it through the photos I make of her. I hope that someday, many years from now, she’ll see the photos and understand how much I love her.


County Fair Famous

County Fair Famous

My family took a trip to the Jackson County Fair a few weeks ago, as we do every year. It’s something we look forward to each year: the food, the animals, the people watching. All the lights and sounds and colors make for great photo opportunities. It’s a lot of fun.

Each year, in the 4H pavilion, the fair hosts contests – everything from antiques to crops to artwork. Last year, I entered some photos for the first time, and did pretty well. This year, I opted not to, just because the deadline passed and I had other things going on.

Looking through all the entries this year, it struck me: There were a ton of great photos, and I hadn’t heard of any of the photographers.

As much as we may follow other photographers that we like, and check out exhibitions of nationally-known artists, there’s a ton of great work being made right in your own community, by people you’ve never met. You may work with one of these folks. Or they may make you coffee. Or they pick up your trash.

They work just as hard as you do, find great scenery like you do, struggle with creativity and energy just like you, and wonder about getting their work seen – as we all do. They’re all out there hustling, trying to find their photographic voice, and entering a little county fair competition to get some confirmation of their vision.

We struggle so much with marketing, and self promotion, and creative struggles. Meanwhile, our neighbors are out there making stuff, and entering it into a competition to earn a few bucks and a ribbon.

Maybe they have something to teach you (or vice versa). Maybe you should look them up and go make something together.


Printing Family Photo Books

Printing family photo books

For the last few years, every holiday season, I’ve made it a point to create a family photo album. It’s a highlight reel of the most recent year, with our vacations, our birthdays, our seasons and walks and daily routines all documented.

My family photos albums were so important to me growing up. For many years, a lot of my childhood photo albums were somewhere I couldn’t get to them. It was only in the last seven or eight years that I got ownership back, and I made it a point to scan all those childhood pictures for safe-keeping (digital is relatively fire proof, as long as you have a good stable backup).

Going through those old photo albums was satisfying. I feel like I got my childhood back. And today, while we still print individual photo prints of the family, the idea of a photo book—a collective annual history—is a tradition I want to carry on. I look forward to making our photo book each year.

Another tradition: making a photo calendar and giving it away to family members. That’s become an annual tradition too, and it’s fun to see a year full of family photos and memories up on relatives’ walls. It makes for a great Christmas gift.

This year, I want to try something new: give away photo books to family members. With my daughter turning one this week, I think a photo book of her first year might make some family members pretty happy.

These are the types of things that keep memories alive.

This year, with the photo book idea, I can keep our collective family history going – and make sure that if one collection of pictures gets lost, there’s another copy floating around somewhere.


On Sharing Family Photos

Sharing Family Photos

Lately I’ve thought long and hard about sharing family photos on the various photography outlets.

It’s kind of an automatic thing on Facebook, even though I’m using that site less, because family photos are what friends and family are interested in. How are the kids doing? Where is this year’s vacation spot? How is our nearly-one-year-old daughter growing?

For other outlets—Flickr, Instagram, here on the photo blog—it’s a tougher question for me. First, I’m a pretty private person. And second, who is interested, if anyone?

How much do I share? And where?

I look at other photographers’ family work, and lately it’s some of the best stuff I see. Many of my favorite photographers have no issue sharing photos of their family.

Since my daughter was born last year, and even before that, I’ve taken a ton of family photos – some of which I’m proud of. Should I share those as a larger sample of my photography? How do I read my own slight discomfort at sharing family stuff? Why do I feel that way in the first place? Why is Facebook okay, but my photo blog not okay?

This week is an experiment. With my daughter’s birthday coming up this weekend, I hope to land somewhere by then.


Until It’s Gone

Until It's Gone

When I scope out an abandoned building, I always run the risk of it being gone by the time I’m ready to photograph it.

It’s happened plenty of times. Luckily, this past winter, I had a chance to document an abandoned building before it was leveled just weeks later. Other times, I have not been so lucky. There are plenty of places that disappeared before I had a chance to photograph them.

So it is with people, too.

If you love someone, or are fond of someone, take the time to get a good photo in before they’re gone. Even if it’s uncomfortable or awkward.

A few recent passings are good reminders that I need to grab portraits of people I care about. You should do the same. You’ll be glad you did.


40mm and Go

40mm And Go

Everyone talks about 50mm being the focal length for 35mm photography. And I mostly agree.

But lately, my 40mm pancake lens is getting a lot of use – for good reason.

Five millimeters north of a 35mm lens, and just a hair wider than 50mm, 40mm sits in a sweet spot. It’s wide enough to get landscapes and cityscapes, and yet short enough to do people well, and get details.

I took a chance on my own Canon EF 40mm f/2.8 STM pancake lens. Not that it’s not a good lens. It’s a great lens. And very affordable – especially when you buy it refurbished, like I did.

No, I took a chance because I thought, “I so love 50mm, why do I bother with 40mm?” It turns out that because of the lens’s size, weight, and utility, it’s now my most-used lens. It’s almost permanently strapped to my 5D. I just pick it up and go.

The 40mm doesn’t stick out from the camera, making it great for close-up shots of the kids at home, or of people out in the city. It’s a great front-seat lens that goes with me to and from work every day for the random landscape shot. It’s flexible for the kind of shooting I do, and I appreciate it more and more every day.

And now that I’ve had it for about a year, I’m getting to see the world in 40mm – just as I did with 50mm (both are natural, of course, being “normal” lenses). My Canonet probably helped warm me up to 40mm before that, as did my Fuji X-E1 with the 27mm (40mm equivalent) pancake lens.

While the 50mm gets all the creative credit in the photo world, it’s good to know there’s a handy, slightly-wider alternative in the 40mm lens.

 


Local Film, Local Photography

Support your local film photography vendor

Friday, during my lunchtime walk, I discovered a new camera store here in Ann Arbor, Michigan.

I walked in, and it had the usual suspects of a camera shop: new tripods, fancy bags and straps, a bunch of new Fuji and Nikon and Canon cameras sitting on shelves. And, a wall full of film.

Joy!

Because there are fewer and fewer places selling honest to goodness film these days, trying to snag a roll was random and difficult. If I didn’t want Kodak instant cameras or Fuji Superia, I was stuck using Amazon or B&H – especially for my favorites, Agfa Vista and Ilford HP5.

But CameraMall had those and more. Medium format film! Kodak Ektar! Weird Ilford film I had never heard of! My beloved Agfa! It was like a candy store. As a bonus, they also develop 35mm film.

It felt really, really good to plunk down the $10 for two rolls of film, knowing that I had a local place to shop from. They benefit (yay, camera stores!), I benefit, and somewhere down the line the photography industry benefits.

And really, the film costs the same in store as it does online, I get to geek out with the guy behind the counter, and it’s an excuse to get out of the office and go for a walk.

Find your local place, if you have one, and shop from their film selection (or memory cards, or tripods, or whatever). Order some prints. Check out their used gear section. I know ordering online is super handy, but the benefits of shopping local are numerous.

I’ll bet that after you do, like me, you’ll feel better about doing it.


Inevitability Of Death

Tragically Hip in Windsor, Ontario

Saturday night, The Tragically Hip played the last show on their most recent “Man Machine Poem Tour” in their hometown of Kingston, Ontario.

The show was notable because Gord Downie, the Hip’s lead singer, was diagnosed with terminal brain cancer earlier this year. Saturday night’s show, broadcast on the CBC to a third of Canada’s citizens, could be the Hip’s last ever – capping a 30-year career.

Imagine that in America. What U.S.-based band would garner a national broadcast on its last show ever? Bruce Springsteen, maybe? What modern music act can unite a country on what night in the way the Hip did this weekend? It’s amazing when you think about it.

I have a great history with the band. My friend Chris took me to a Hip show in the summer of 2000 at DTE Energy Music Theater (Pine Knob to those who remember the good ol’ days), north of Detroit. Since then, I’ve seen the Hip more than a dozen times: in Detroit, in Grand Rapids, in Sarnia, in Toronto, in Windsor (photo above). Their country and my own, I’ve seen them on almost every tour since 2000, sometimes catching them on several dates on a given tour.

Saturday night was emotional for me. It was especially difficult watching Gord, obviously frail and tired, giving it his all. He was spent emotionally, physically, and perhaps even creatively. But he went out with a bang. Here was a guy who has dealt with terminal cancer, on the last night of a country-spanning tour, deliver a three-hour performance in front of his hometown crowd and his nation. That’s grit.

Not that I think about death a lot, but watching my musical heroes pass away over the years makes me think about mortality, and the limited time we have.

It’s hard not to dive into the live-like-you-were-dying cliché here, but hear me out.

What would you do, artistically, if you knew you were on borrowed time?

And what’s holding you back from doing that, right now?

I try not to be morbid about this stuff. But it’s hard, having kids, not thinking about being taken away suddenly, and what kind of situation I’d leave behind. The unexpected happens all the time. Any of us could get a diagnosis that changes everything.

We can’t think about this stuff every day. That would be paralyzing in a way. Then again, that’s the whole point of the your-life-changes-after-you-get-the-news storyline – hardly anyone young-ish sees death coming. Saturday’s concert was a good reminder.

I mean, if a guy with terminal brain cancer can hit the road with the band one more time, travel the country and give it his all every night in the name of art and performance and duty, surely I can get that undone project completed. Right?

Watching Gord’s exhausted face melt into anguish at the end of a barn-burning song? Yeah, there aren’t too many excuses left after seeing that.

 

 


Some Project Ideas

A Few Projects

I’m just going to leave this here, as a kind of in-public to-do list.

  1. Musicians In Jackson: This is my ongoing, maybe-soon next project, featuring musicians in my community. Still stewing on this one, but getting closer to getting started.
  2. Artists In Jackson – part two!
  3. Some smaller, more personal portrait shoots with friends and family. Go somewhere interesting, and just make photographs. I have a few offers out there.
  4. Something here on the University of Michigan campus. I thought about setting up a tripod and asking people on the Diag to stop and get their photo, and see what I can get. There’s so many people here – there has to be something fun I could do.
  5. I’d like to get out and explore more small communities around Michigan. How to pick which ones?
  6. A documentary project highlighting something going on in Jackson. Maybe longer form, maybe one-off, but the idea would be to follow a story from beginning to end.
  7. A zombie/horror movie conceptual photo shoot, with costumes and locations and makeup and all that. I’ve had this one in mind, totally for fun, for a long time. I bet I have some friends who would totally be up for it.

Missing The Shot

Missing the Shot

Patrick LaRoque, at his usual best:

We can never capture everything. But seeing at all times, under any circumstances, is entirely up to us. And for this we don’t need the best camera money can buy or the most expensive lens on the market…we just need awareness.

My brain is full of missed shots.

I remember driving through the upper peninsula of Michigan and passing by an abandoned train sitting next to a pond. It would have made for a great photograph. I hesitated, because to pull over and grab the shot would’ve been something, but I was traveling at a good pace and didn’t feel like stopping. That shot haunts me.

There’s a collection of these shots in my brain, and I add new ones all the time. Maybe it’s as LaRoque says: it’s mostly in the seeing. I’ll remember these scenes in the camera of my mind. The important skill is to recognize new opportunities when they come up.

Or I’ll head back to the spot, and take the shot I missed.


The Open Road

The Open Road

Last week I visited the Detroit Institute of Art to check out The Open Road exhibition, a fantastic collection of photography road trips by some of the great photographers. It was right up my alley (so much so that I bought the accompanying book).

It got me thinking: What if I had been into photography, like I am now, back when I took my country-crossing road trips?

Surely I could have made some sort of project or publication out of my Route 66 trip, or my New England trip, or any of the other big road trips I took in my 20s and early 30s. I went on some pretty great adventures, and I took lots of photos, but I wasn’t into photography. I didn’t have the eye I do today.

Now, seeing what other photographers are doing with Route 66, it makes me wish I could go back in time, hand my younger self a camera and a bit of wisdom, and say, “Fire away.” But that’s not possible.

What is possible is to maybe go on another, similar trip, or somewhere totally different, and do what I do now with a camera.


Todd Hido on Books

Putting together a photo book.

Lots of good stuff from photographer Todd Hido in this interview, but he drops some truth on photo books:

A book is an enclosed and encapsulated medium that you can actually come pretty damn close to perfecting. I also tend to think that the book is sometimes more important than the show, as the exhibit is a temporary thing, often hanging for a month or six weeks and then it goes away.

Maybe a couple of thousand people see it?

But a book is something that I always say is on your “permanent record” and it never ever goes away—so you better get it right!

He also highlights the importance of playing around with the physical layout of a photo book:

As far as putting together the books, I spend hundred & hundreds of hours shuffling around my photographs, making dummies, turning pages, and switching them around and all that. To me that is really the only way to do it, to print the pictures out, paste them in a physical blank book dummy, and turn the pages.

For my Artists In Jackson book, I didn’t quite know what the layout was going to look like. So I printed a bunch of horizontal and portrait-shaped squares, taped them to pages, and moved them around to see how the look and flow would go. It was super helpful to see the book take shape, even if only in the abstract.

It also helps to give it to someone you trust, and ask, “What do you think?”


Walk About

University of Michigan Law Quad

It’s a big campus.

Luckily, my workplace is centrally located at the University, so branching out on my lunch hour is easy to do.

That’s what I do, usually, on my lunch hours now. I wander, and explore, and try to find a spot I haven’t seen before. It’s hard, because I’ve been here so many times, and walked around so much.

For one, it’s a great way to get some exercise on a beautiful summer day. For two, it really is a lovely campus.

And three, as I’ve mentioned, it’s how I explore. Grab a camera, lace up the walking shoes, and hit the road. Chicken out at asking people to take their portrait. Find little slants of light. Remember to look up at the architecture.

Keep walking.

Until time runs out, and I head back to the office.


Stretch First, Then Run

Stretch First, Then Run

I’m taking a new way to work these days, with the new job, and so I can’t rely on my old familiar commute photography stops anymore.

It’s a good thing in that new places equal new adventures. New sites to see. New places to explore. Heck, even a new direction for light and sunrise (I’m heading East now instead of West).

The thing is, it takes me a while to get used to the new commute. As I drive, I study the landscape and look for new opportunities.

This week I made it a point to actually get out and make some photos. After a while, you have to stop looking and actually shoot, right?

A running metaphor, because I’m running these days: My drive is the stretching, the warming up. The shooting is the actual running. For me, it’s important to stretch first.

That’s how it goes for me. It takes me a while to get warmed up to the scenery. After that, I’ll do the work. And after that, I’ll find new paths to explore. On and on it goes.

Call it “getting into the zone.” Whatever. I know this about myself, and I’m watching the process unfold.


VSCO Open Studio

How frickin’ cool:

We know how expensive it is to rent studio space, and that it can be especially difficult to justify the price when it’s for your own passion project. But if it’s a project that excites you, that drags you out of bed at the crack of dawn and keeps you up late at night, we want to give you the opportunity to create it.

BYO camera? Free?

Not many excuses now to not do that thing you want to do, New Yorkers.

Kudos to VSCO. They’re providing platform after platform for photographers (and “”creatives””) to do their thing. It’s fun to see them stretch and grow beyond film-looking presets for Lightroom (that I still enjoy and use).

I’d give anything for a space like this in my area. My next project is dying for a location to shoot some portraits. I don’t need equipment – just space.

 


Take A Break

Don't feel bad about taking a break from photography.

Such good advice from Eric Kim:

If you’re bored of photography, don’t feel inspiration, or feeling lost– take a break. Discover new artistic avenues, and replenish your creative fields.

Feeling like you have to take a photo every single day? Don’t.

This runs counter to a lot of advice out there. And there’s the idea of a 365 project, which Kim says often ends up feeling like a chore.

I’ve felt the pressure first-hand, and the lack of gumption to get out there and shoot—especially after my big portrait project last fall—so I took some time off. I’m taking breaks from Instagram here and there, too.

The kicker to getting over the guilt of taking a break. That’s what I’ve learned to accept lately.

Why feel bad about not doing something that’s totally voluntary anyway?


Race to the Bottom

Samuel Zeller on giving away his photos on Unsplash:

But stock photography is dying, people pay less and less for images. I know, I worked for years in a design agency were we regularly had to buy images for clients, and our clients budgets were always getting smaller.

Why should I need to sell images if I have clients paying me to shoot specific images ? To me working for a client face to face is rewarding, way more than making money on digital sales to people I will never interact with.

Zeller’s approach won’t work for everyone, but it is an alternative to trying to make a few bucks off of an online store.

A lot of workers in the United States are worried about computers and robots taking over their jobs. In the photography world, it’s guys like Zeller that worry the stock photographers. Facing a race to the bottom, photographers may have to give their stuff away and hope a client stumbles on them.

Or you can give your photos away and not worry about the rest.


Spock’s Beard, ‘The Light’

By 2008, Neal Morse had been away from Spock’s Beard for the better part of the decade.

But here, he returns, full force, to perform “The Light,” his first Spock’s Beard song, with his former bandmates.

So great, so celebratory. And the piano interlude at 9:30 is Morse at his beautiful best.


Travel Season

Lobster Landing - Connecticut

Taking a vacation is a good excuse to make some photos. You’re in a new place, with new sights and people to see. Everything is fresh and wonderful (especially when they have lobster rolls along the Atlantic Ocean, as above).

But most of us can’t take a vacation all the time.

So what if you took little trips, around your hometown, or to the cities you’re next to?

I started a little project based on small towns around Michigan a few summers back – little towns that I had never visited, or had only traveled through. I’d take a lunch hour and prowl around main street, and shoot what I see.

You don’t have to go far to see a new place. Chances are, there’s something to see within a few miles of where you are right now. This idea is not new.

August is travel season for a lot of people. Now, challenge yourself to travel a little more local for a new perspective.


How to (Maybe) Make Money Selling Photos

Make Money Selling Your Photos

Here’s the deal: money shouldn’t be the main reason you make photos. The reality is, you probably won’t make very much.

But it is possible to make some gas money selling your photos online. Take this old chestnut:

  1. Make photos
  2. Post them online for sale
  3. ???
  4. Profit!

Step three is the tricky one. Here’s what I’ve found in the few short years I’ve had an online store.

For one, don’t expect any sales. Start there. No one will buy your photos.

Good?

Okay, accepting that, keep doing what you’re doing: Instagramming, sharing your photos on social media, giving prints away to friends and family, and keep shooting.

Then, when someone asks, “Hey, do you sell your stuff? Can I get a copy of this-or-that photograph?” you say, “Sure do!” And send them a link to your store, with a link to the photo they’re looking to buy.

Boom. There’s your profit. And be grateful for it.

You may get a few sales through searches or people stumbling on your stuff. But that’s what all those question marks in step three are: dumb luck.

It’s different if you attend art shows, or do wedding photography, or shoot on commission. Those all involve hustle, investment, and time. If photography isn’t your main gig, it’s more difficult to make a buck.

I have a few sales here and there every month or two, and then it’s only a few bucks – enough for a coffee. If that’s as ambitious as you get, you probably won’t be disappointed.

Me? I put almost every dollar I make from photography—online sales, wedding gigs, etc—right back into my hobby. Because I’m not doing this stuff for money, I’m doing it for fun.

Make the photos you want to make. Post them online for people to buy. And when people do want to buy your photos, make it easy for them. One, two, three.

I can’t think of a better, less sleazy, way to do it than that.


Marketing, Not Photography

Setting Up A Photography Store

Brooks Jensen on LensWork Podcast ep. 948:

The minute people starting thinking about money—about selling their art work and marketing, etc.—the art of photography was diminished.

Jensen says his wife enjoys gardening, but doesn’t expect to be paid for planting something in her own yard.

So maybe the switch between “I make photos for art/fun/etc.” to “I make photos for money” is what makes so many people take the same kinds of photos.

It’s marketing, not photography.

 


Why Buy Photographs

Why Buy Photographs?

We are, each of us, dripping wet with photographs. Culturally speaking, we are drowning in them.

Limited Editions are a Useless Floodgate: the ocean of images cannot be tamed. — infinite industries — Medium

So why buy photographs?

“Value is not held within the [physical] object,” Travis Shaffer writes. “Rather, it is the opportunity to stand before the work which we desire.”

Which is exactly why I’m a small-time collector of the photographs I enjoy. The idea of (a) supporting emerging artists and (b) collecting appealing work is reason enough to spend a little money of not-so-limited prints.

I don’t do it because it’s a potential investment. And I surely don’t do it to be Mr. Art Collector Guy.

I do it because I want it hanging on my wall.


Making Up Limitations

Making Up Limitations

Craft inhabits whatever medium or tool you work with, if you let it.

I revisit Craig Mod’s articles every once in a while, just to feel what he’s feeling at these times of digital/analog transition.

The above, from 2014, recall Mod’s thoughts about how mobile phone photography – always connected, quality digital files, the idea of a singular photograph changing – was growing into its own.

With everything set to automatic, where was the craft in an iPhone photo?

Mod’s point: It’s all in the restrictions you put on yourself.

It’s one reason why I love using a 10 year old digital camera to make most of my images. Almost nothing is automatic, there’s no video setting, and only 12 megapixels. Every day is a limitation.

But even with cameras with auto HDR and leveling and intervalometers and all that, you can make using your camera feel like driving a manual transmission car if you still want that experience.

Turn the display off. Turn auto everything off. Set your aperture, shutter speed, and ISO on manual. Don’t use built-in filters (or do, and treat it like film stock). Etc.

Cameras these days have few limitations. So make up some, and start a new project.