I take plenty of people-focused street photographs, but some of my favorite photo outings include urban scenes without people—simply capturing light, shadow, and textures.
“What have people left behind,” Sean asks in this video, which is a great discussion about how street photography can include remnants of people if not people themselves.
I originally shared a list of projects photographers could tackle during the initial COVID lockdowns five years ago.
In my latest video, I take a colder take on that list, though the advice is the same: take winter time and do some photography maintenance.
This weekend, I made a thing.
It’s funny to see the recent digicam craze. Everything old eventually becomes new again, and sure enough, it’s the classic point-and-shoot camera’s time to shine.
So, after a big snowstorm this weekend, I hiked into the Kate Palmer Wildlife Sanctuary here in Jackson, Michigan, to take my trusty Canon PowerShot SD750 on a photo walk in the woods. I also shared a few classic and recent shots with the PowerShot – a camera I used for years, on many trips, from 2007 up until I bought my Canon Rebel T1i in 2010.
Bringing it out into the woods reminded me of a few things:
I can see the charm. These younger generations want something imperfect. Film is difficult and expensive, so classic digital is the practical (and affordable) way to go.
This PowerShot will stay with me until it’s dead. It’s still fun to bring it out once in a while and remind myself that, for a long time, this was the best I had.
Ali from One Month Two Cameras discusses her needs and wants for her everyday carry camera—the one you use for just about everything.
For 12 years, that was the Canon M for me. Earlier this year, I upgraded to the Canon M200, but I’ve had second thoughts. And those thoughts came right as Ali’s video went live last week.
Put shortly: she’s on to something…
Amazing.
One of my core philosophical pillars is the belief in using older gear to do creative work. And because the OG Canon M is still one of my favorite cameras, seeing it come back to life as a cinema camera using Magic Lantern warms my heart.
FoxTailWhipz’s video series has me exploring this option with my beat-up-but-still-working EOS M. While I can’t get that fancy M-Lite rig anymore, I can invest in a few other pieces of gear to make my M a video powerhouse.
Fifty-five million likes don’t matter – creating photos you enjoy taking does.
Most of the photos I take, you – dear reader – will never see. And that’s fine.
Great video.
Beautiful little film about Italian camera repairman Gian Luigi Carminati.
With the new wave of analog, I bet many Americans could do a good side business fixing analog cameras.
Every year for Christmas my wife makes these great molasses cookies – a ton of them, with homemade frosting.
We take a day and decorate them in our favorite themes and characters, and then we share with friends and family over the holidays. It’s a great little family tradition.
I’ve missed working on video stuff so much since leaving Albion that I grabbed my Canon 6D, a 50mm lens, and took some video and photos. It was fun to edit footage and make a little film again. The process is one of those flow state situations, and I do miss it.
In photography, think about photo projects or series as opposed to single images. So many of us simply capture little snippets of video of family, friends, and outings. With all the (free!) tools at our disposal, it’d be fun to see more people put in the effort to making video stories, not just clips.
One of the great parts about my day job is working with talented students on fun projects, like our recently-launched Albion 1995 throwback video.
The idea? What Albion College was like in 1995, told through music and technology.
The team did an amazing job starring in this thing, grabbing vintage (”vintage” – oy, I remember 1995!) clothing, and being good sports. For my part, it was all shot on an iPhone 5S, often using the VHS Camcorder app for the ‘95 scenes.
Check out the full video.
Pretty proud of how this (and the previous video) turned out: Albion College faculty read mean comments from Rate My Professor.
Appreciate all the faculty who (a) had a good sense of humor and (b) were willing to participate.
Presenting: Bringing Back the Bohm
My debut as a documentary filmmaker is now live.
Proud of how it turned out.
You want to know how to make love to a Stratocaster?
Didn’t get much better than Dire Straits.
Pretty great, and visually interesting, video for “Under the Pressure” by The War On Drugs. Lost In The Dream is easily one of my favorite albums of the year so far. Every song is beautiful.
And man, talk about making a good video on the cheap.
TGIF Friday Jams: The Cult – “Fire Woman”
Doesn’t get much more rock and roll than Ian Astbury in The Cult’s heyday. Not hair metal, not the AC/DC-style stuff of Electric. Just polished rock.
“Fire Woman” was a staple of our local rock station, and I could never get enough.
“In a strange way, I know somehow we’re doomed.”
Now if only they’d hurry up and make a “Telepathy” single/video.
Starved Rock State Park, where John and I spend a day looking for waterfalls that aren’t there.
And so it went last weekend in Las Vegas with three of my good friends: Andrew Krukowski, Chris Driver, and Keith Coates.
My experience with Vegas before last weekend was more like sticking my toe in the pool. I stopped there during a rush-hour traffic jam along I-15 coming home from the Route 66 trip. Then there was last summer, when I flew in and out of Vegas during my driving tour of the western national parks.
But I had never done Vegas righteously. Last weekend I finally got the chance, and did it as it should be done: with good friends to enjoy the spectacle.
The entire weekend was like one long-running comedy routine, with new in-jokes appearing from the sights, sounds, and people of this city. We took our accommodations and had a lot of fun with it, both with the people that we saw and the location of the hotel. Staying off-Strip means you get to see that other Vegas you always hear about – the one we saw, in full color, along Fremont Street.
Ah, Fremont Street. You take the old Vegas that appears in movies, the Vegas that Sinatra and Martin knew, you put a roof over it, and you turn it into an amusement park. It was still my favorite part of the trip. The Strip seemed like a giant themed shopping mall. But Fremont Street was the Vegas that I always pictured in my head: lights, mutants, cheap booze, the whole works. If I ever go back, I’ll be sure to spend more time on Fremont Street.
No one in our little group struck it rich, nor did anything too crazy happen. The trip was four guys who know each other so well taking this spaceship of a city as it is. We walked, and took in a ball game, and saw a show, and took a trip to the Hoover Dam. And then there was karaoke. Lots of that in a bar called Ellis Island, where tourists and locals both meet for cheap (but good) beer and lots of fun.
My role in these types of trips is usually the documentarian – a role I relish. Between photos and the video above, I feel like I captured some of the best parts of the trip while still leaving those fun parts – the ones only us four guys would get – locked away in memory. That’s as it should be.
The title of the video comes from a brief snippet of Fremont Street. The showgirls, the ones on either side of the gentlemen where one whispers something in his ear, walk around ready to pose for pictures. When I stood there to get my own picture taken, the one whispered “We do work for tips, okay?” into my ear.
Nothing is free in Vegas. Not really. And that’s okay.