How better to beat the mid winter blues in Michigan than to travel to a jungle and a desert?
That’s what we did when the big snow storm came: a day for sledding in the driveway, and a day for heading out to Hidden Lake Gardens and enjoying the bio domes.
Hidden Lake is truly a hidden gem – out in the middle of nowhere, winding paths and lake trails, plants and trees of all kinds. The bio domes offer a desert environment, a lush tropical environment, and a simple greenhouse. Walk inside, and you’re somewhere else.
“Bad light can rob even the most incredible scenes of their visual interest, while good light can transform the most mundane subjects into a thing of beauty.” – Cameron Whitman (via Twitter)
“If you adopt that notion of linear progress, if you expect that your life will just be one straight rocketship to the moon, you will be so disappointed and disoriented when you fall off course, when a tank explodes, when the moon moves and it turns out to not be where you plotted.” – Austin Kleon, in a great Twitter thread.
Amen. I think about how, as we settle into winter, I take fewer photos this time of year. It happens every January, and I know this slow, quiet season is coming.
The thing is: do you accept the season, or try to rebel? Often I’ll pick up a different creative project in the winter – photographer interviews, say – and when spring blooms, I get started on photography projects in earnest. Summer, with it’s light and long days, provides more opportunities to make actual photographs. Toward autumn, I fall in love with the weather and the landscape and the light, and create some of my favorite work.
I heard a story on NPR about the victims of the Camp Fire out in California returning to their unburned homes, finding everything they own still in its place – just as it was they day they left in early November.
That story made me think of what I would do in case our home ever caught fire. There’s the old trope about grabbing the photo albums. Photo albums, the thinking goes, are the only irreplaceable items.
For me, I’d grab the kids, my diabetes kit, and my backup hard drive. That’s where all my photos live.
Yes, I still have photo albums. I cherish them. But a few years ago I scanned all my old childhood photos and backed them up in several locations: Aperture, a backup drive, and Flickr. I would only the grab the backup hard drive by my desk to grab the few photos I don’t have backed up somewhere else.
This may be a good time for an annual reminder: back up your photos, keep them in a safe spot, and keep multiple copies.
I set a reminder to backup my iPhone photos, too, at least once a month. Just in case.
In case of a fire, I’d still be worried about all my photographs – but maybe not as worried as I used to be.
“I’m heading to the woods,” I said after lunch. “If I’m not back in a while, it’s been nice working with you all.”
The woods, they asked? Why?
Because. It’s right out back. At work, our headquarters sits in the middle of a beautiful, hilly forest, with little ponds and lakes all around us. I’ve been dying to get into those woods and explore – dying to get out and shoot, period.
No, the weather wasn’t nice, and no, the light wasn’t perfect. But if felt good to get out and tromp through the fallen leaves on a cool autumn day.
Then my Canon battery died, so I had to rely on my iPhone. Not that that matters.
I made it back by lunch hour’s end, a little wet and a lot refreshed.
“Take only what you need to survive.” – Captain Lone Starr, Spaceballs
How much photography technique is too much?
Is it good enough to learn the techniques to be able to do what you want to do? To be able to say what you need to say?
What good is any more technique?
The liberal artist in me says learn all you can – simply for learning’s sake. I’m a lifelong self-educator. Part of me can’t help but dive into technique and tools and tips just because that’s how my brain works. It’s a sponge.
But then I hit a skill ceiling. I don’t need to learn much more about Photoshop, or exposure compensation, or lighting, because I have just enough to be able to express myself properly.
From here, with what I know now, the rest is just noise.
Out here, where the roads are named after the family farms, we slide into the quiet season.
It’s all warm colors here at Adams Farm: yellows and reds and oranges. A few greens, but mostly the rustic hue of autumn.
The textures are everywhere, from smooth pumpkins and apples to mottled squashes of every different shape and size.
We’re crazy about the foods of autumn. I could live on apples and squash, while the kids transform into sticky hornet magnets with cider and donuts. We wipe our hands of cinnamon and sugar, we feel for the rigid pumpkin stems, and we toss the bumpy buttercup from crate to wagon.
This is what we live for – the texture of the season.
It’s almost like all this is a bit too cool for Jackson.
International mural artists? Tons of people downtown? Beauty where once there was empty brick?
It all happened, thanks to the Bright Walls mural festival, this past week. But really, it started months ago with one of the best marketing campaigns I’ve ever seen. You couldn’t go anywhere in town without seeing that sunrise-and-brick logo. The campaign worked, too, because people – both Jackson natives and out-of-towners – showed up in droves, slowing down traffic in an otherwise sleepy downtown.
Maybe it’s obvious, but here, right in front of all of us, was the power of art on display. It was a spectacle, sure, but it was also a reason to celebrate.
This is usually our springtime ritual, heading to the Hobbit Place, grabbing flowers and thinking about landscape decorations.
For this year, we went full autumn: mums, pumpkins, decorative gourds – the whole thing. As a Tolkien fan, I love the greenhouse’s name. As a person who cares about their yard, I appreciate their selection.
Tick tock goes the beat of the year. On and on we slide into fall.
After our Wisconsin summer vacation, I had the thought to take the photos from the trip and make a little picture book out of them.
This week, I did just that after receiving a discount email from Snapfish. Just $12 for an 8×11″ book with 20 pages? Sold.
I rarely jump on those deals when I get them, but once in a while the opportunity and the idea come together to make something happen.
There are a ton of photo printing companies out there, just begging you to make something. These places are constantly sending out coupons and discounts. Test a few out, see what you like, and then wait for the sale emails to come in. It’s too affordable not to something.
It was about 7:45 p.m. Saturday when I swore for the first time. It wouldn’t be the last.
That first time, it was because Michigan, early on, was looking paltry against Notre Dame, and the weatherman kept interrupting the football game to tell us a thunderstorm was heading toward Jackson.
After that, I swore because a tornado was making a mess of our neighborhood – just 15 minutes later.
The second time I swore was because I watched a giant oak limb fall into our street, snapping the power lines and cutting our electricity. I don’t remember what exactly I said, but it was enough for my wife to spring into action, grabbing the kids and heading to the basement.
After that, it was a blur: torrential rain, downed limbs, no power, giant trees snapped in two, and a little crowd of drenched birds, shivering and frightened, gathered around a spared maple.
With the power gone, we made the best of our quiet night in the house. The next morning, we woke up to a new view of the sky: those majestic oaks that shaded our house were gone, as was a hunk of the magnolia in the back yard. It covered our dining room window, making it feel like we were in the middle of a hedgerow.
We were lucky. Our neighbors got the worst of it, losing most of their front yard trees and a few others – plus it was their power line I watched get cut in two. A block down, a street fell across the street, smashing a Cutlas Sierra. Another oak fell on top of a house, the trunk teetering like a seesaw. Strangely, a block or two in either direction, it looked like no storm had come through at all. Just our luck.
So we spent the next two days cleaning up from the confirmed tornado. Much like some John Mellenkamp song, we were small town people helping our neighbors, chipping in with a rake or a chainsaw when we could.
As with any vacation, getting back home feels like you never left. Even with a week and a modest agenda, time flies on holiday.
But we certainly made the best of it. One or two things per day, venturing out and about this peninsula, we felt like we went on enough adventures while still managing three kiddos.
For my photographic eyes, it was plenty. Those red cherries, that blue Great Lake, those violet lavender blossoms, the golden sunsets, and – just like Michigan – plenty of green everywhere we went.
Two out of the three kids would probably never remember this family vacation. For me, it was memorable enough to consider creating a photo book of our summer trip – a reminder of where we went and what we saw. And perhaps a reminder for if and when we consider this place again.
Taking photos is how I get to know a place. With any new home, or job, or vacation destination, my camera becomes a sixth sense – another way to feel the vibes of a location.
To our family, this little corner of Door County, Wisconsin was completely new, yet spiritually familiar. We knew this lake, we knew these trees, we understood this climate. What was different was the little touches of Scandinavian culture (Lutheran Churches everywhere!), and the supper clubs, and fish boils – those little touches of Wisconsin that made us feel we were really somewhere new.
This cabin, too, reminded me so much of my grandparents’ farm house. The slanted room, the crawl spaces, the outdated furniture – it was like stepping back into my own past.
Here on the other side of the Niagara Escarpment, we felt with our eyes and tasted with our sight.
It’s been a busy month. We had our family vacation (more on that soon), and I did some traveling for work. Along the way, I had big plans for my musicians project, even paying for studio space for the month.
Last night, I had my first subject join me in the space for a portrait session. It took the whole month of July for me to get one musician in the studio. That left 29 other unproductive days.
Finally, after things settled down, I hit a day last week when I got fed up with my lack of progress and jumped back into the project. I sent some emails, confirmed some dates, and boom – photo making.
It’s easy to feel guilty over all that lost time. I’ve beaten myself up all month long, but enough is enough. All it takes is pushing one pebble down the hill, and pretty soon you have an avalanche. For me, the pebble was sending an email invitation to a stranger.
Few things have been constants in my photography hobby. Not cameras, not lenses, not subjects, not styles.
The thing that has remained constant: the On Taking Pictures podcast by Bill Wadman and Jeffery Saddoris.
The duo just wrapped up their last episode, number 325, after putting out six years worth of weekly, hour-plus shows. We, as listeners, tuned in as they discussed the art and craft of photography, the creative method, art culture, and personal struggles. Bill and Jeffery built an audience and a community, and as they did so, On Taking Pictures become a can’t-miss podcast for me each week.
In fact, as I think about my photography practice, I can’t think of a time when I wasn’t listening and learning at the same time. OTP was responsible for one of my first photography projects, and Bill and Jeffery helped me think of projects as larger bodies of work – something that has helped me create my portrait projects, and much more.
Even as my photography practiced has waxed and waned, especially lately, Bill and Jeffery helped me stay in touch with my passion. They reminded me that photography was a worthy hobby, and that some issues – what we view as “good” work, how others see our work, how much of a difference photography can make – may never be resolved. Their point? That lack of resolution was okay. It was normal.
Gear was sometimes a topic, but rarely a subject of their show. Instead, what they focused on was the art stuff: exhibitions, project goals, their Photographers of the Week. Cameras were important, but never as important as the subject.
OTP was a great show – a perfect photography podcast, when so many others have come and gone, or lost my interest. I’ll miss it. The good news is, the shows are archived at 5by5 for future listeners.
“Turns out the stuff that makes you happy is mostly everyday and boring.” – Hugh MacLeod
My bio says that I use photography as an excuse for adventure. But lately, being boring is far more attractive to me.
It could be getting older, becoming a parent, priorities shifting, all that. Anymore, I feel like simply photographing what I see, around the house, or on a walk, is plenty satisfying.
I look back at my early landscape photography, and all the abandoned work I did, and I recognize the “adventure” involved in making those pictures. Part of me misses that phase of my photography – the hunger to wake up early on a foggy morning and watch the sunrise, making lovely images all the while.
When I get the chance, I still do that kind of stuff. But I don’t actively seek it out anymore. I’m becoming boring.
I still have my portrait projects, and the kids are always great photo subjects. I work on the occasional family portrait session. It’s just that the adventure stuff has taken a backseat.
That’s the great part about photography as a hobby: I don’t have to feel guilt about settling into a groove.
Wrapping up my latest project, I thought about what kickstarted the whole thing.
It was the film. Lomography advertised a new, limited-run film stock that you had to buy in bulk – 10 boxes an order. That got my brain, and my math, going: 10 boxes of 36 exposure film equals about a year’s worth of shots, if you took one shot per day.
Boom. A project.
Sometimes we don’t need grand ideas for personal projects. Sometimes it’s the gear that sparks an idea.
Grab a cheap-o camera and see what kind of project you can make out of it. Take a simple piece of equipment – a vintage lens, or twin-lens reflex camera – and see where it leads you.
