On Greatest Hits

 

Ghost, performing in Grand Rapids, Michigan

You know that new thing where a band goes out on tour and plays an entire classic album of theirs live?

For the fans, it’s great, especially if it’s a truly beloved and well-known album. It’s a well-worn reminder of why you love the band and their music.

What if we could go back and try our hands at an old project, and reinterpret it years later?

William Christenberry made a career out of it, coming back to the same location year after year, watching it fall apart.

I often wonder what i would do if I took my life-changing Route 66 roadtrip and did it all over again, but with the photo skills I have now. It would probably be a longer trip out of necessity.

Pulling over, after all, takes time.

A greatest hits in photos, knowing what I know now? Let’s hit the road.

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365 Singles

365singles:

Blackest Eyes, Porcupine Tree

Many, many years ago, this post by @365singles led me to one of my now favorite bands. All because I gave it a chance (and the artwork was so cool).

It’s fine to share your own work. But it’s worth sharing the stuff you dig, too.

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Fail In Private

 

Failing In Public

Here’s the thing about failed projects:

It’s fine to start something, and give up after you begin – midway, almost done, whatever. Sometimes things don’t work out.

I’ve done that quite a few times. A new project will pop into my head, and I’ll start on it, but then I give up. Lack of interest, lack of time, whatever.

The trouble starts when you share a project you haven’t thought through to completion. You make a big announcement, “Hey! I’m doing a thing!” You share the thing. Everyone’s excited.

And then? Crickets.

People that follow your work are left in the lurch. Nothing more comes of your big project after that first big thing, or the announcement. Do that a few times, and people start to question your credibility.

Maybe it’s better to fail in private. Then you’re only disappointing yourself.

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Outlasting

Outlasting

If you have critics, maybe you’re on to something. Adam Smith, in You and Your Work Aren’t For Everyone, says that the Wright brothers had their share of naysayers, but they kept experimenting, until…liftoff.

“Nothing shuts critics up faster than producing results,” Smith says.

But just because you have critics doesn’t mean what you’re doing is great. You just have to outlast them, and keep producing the kind of work that’s right for you.

(via Jon Wilkening)

Paid Stuff and Fun Stuff

Paid Stuff vs Free Stuff

Working on personal projects is something I still try to do, it’s very important to me. I also believe it plays an important part in developing your own style, staying creatively motivated, exploring new ideas and learning new things…I try hard to produce personal projects fairly regularly, even when I’m busy with actual work. I try to produce and post something usually once or twice a week.

GIF artist Al Boardman talks about personal projects in a way a lot of artists do: It’s important to do the fun stuff and the paid stuff.

The paid stuff keeps the lights on, but the personal stuff keeps you, you.

And it’s usually the personal work that makes people sit up, take notice, and ask if you’re for hire.

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On Discomfort

On Discomfort

Will I ever get over the awkwardness of asking people to take portraits, or for their help in starting a documentary project?

Probably not, which is why I try to do it often.

It’s kind of weird, to go up to someone, or send someone a note, and ask to make their portrait. How well do they know you? How well do they know your work? Do they know you at all?

I like to think it’s flattering to ask someone to take their portrait. It kind of says that I think the person is interesting enough to inquire. It also says that I want to spend a bit of time with the person – to get to know them better.

But I’m also a guy, and sometimes it feels like the bad guy stereotypes come through when I ask someone to join me in making photos.

For documentaries, it’s really weird, because here’s someone who does a cool thing but doesn’t know who I am, or what I’ve done. That was the case with my Albion Anagama documentary. I learned after the project was done that Ken and Anne had no idea what to expect. Thankfully, they were pleasantly surprised with the outcome.

But what if they weren’t?

That’s the risk of making something: you don’t know what the participant will think. You only hope that they’ll be pleased enough to continue a relationship and work with you again.

Getting over the hump of asking in the first place? I have no idea how to solve it. I’m going to keep trying, though, no matter how much discomfort it causes me.

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A Confession

 

University of Michigan Museum of Art

Sometimes, when I just need to unwind at work, or kill some time in the grocery line, I’ll look at the For Sale board on Fred Miranda.

I don’t need anything, and I’m sure as heck not going to buy anything. But it’s fun to read the equipment listings, especially when I don’t recognize something. That’s always a good research opportunity, and I love few things more than doing research.

Granted, I have picked up a few good finds on Fred Miranda. My go-to Canon 5D is from that listing board, as was my Fuji X-E1 and my 20mm lens.

I look at Fred Miranda like a car person reads a hot rod mag. No harm in that.

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My Two Wedding Photography Rules

Jolly Pumpkin - Ann Arbor, Michigan

This weekend I’m shooting my once-per-year wedding gig.

I have two rules for photographing someone’s wedding:

  1. I have to know you.
  2. I have to like you.

Those stipulations help me to be super picky about the gigs I agree to take.

I don’t need the income. I don’t need the images for my portfolio. I see it as a way to use my skills for someone I know and like.

It’s also fun as hell.

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While There’s Still Time

Go make something beautiful.

There’s so much ugliness on display in the world lately.

Our oceans are dying. Our neighbors and protectors are dying. Political compromise is dying. Common sense seems to be dying.

It’s enough to make you think about building that bunker out in the backyard and waiting the whole thing out.

Artists, musicians, religious leaders, and poets will help us try to make sense of it all, over time. In the meantime, there are photographers on the front lines of these terrible events, witnessing first-hand the terrible things that humans do to each other.

As they’re doing that, try to get out and capture something beautiful, while there’s still time. While it’s still there.

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Other Art

Check out other art other than your own.

If you’re a photographer, do you only check out other photographers’ work? Is there value in digging into architecture, say, or sculpture?

I follow lots of photographers whose work I enjoy. Usually, their work is so different from mine. Lately, I’m trying to follow other artists, too, just to get a broad view of the creative world. Photography is great, but so is music, dance, painting, film.

Artists have a lot to learn from each other.

Don’t be afraid to stretch beyond your own artistic corner of the world.

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