Because where is there anything on these junk sites that has anything to do with creating images. It’s all about the gear, the whole gear and nothing but the gear.
Much of what passes for photography “reviews” these days is exactly this. Rubbish. As David says, there’s no such thing as a bad camera making bad images these days.
It’s fun to be “into” the gear. Just don’t fall for the gear lust that most of these review blogs and sites inspire.
I live in central New Jersey, outside of New York City. For my day job, I’m a Product Manager in Technology for an investment company. I’ve been a part time photographer, doing portraits, weddings, and events for about five years now. Recently I started a food/product photography business called Santé Photography. The goal is to have a focus on food and beverage photography for commercial work.
How did you get started in photography?
I had been doing family photos and videos since my daughter was born in 1998. Little by little I realized that the pictures meant a lot because of the subject, but I wanted to learn how to make them look more professional, so I started to read magazines and what ever I could find on line, over my crappy dial-up connection.
I taught myself how to edit digital video after I got my first video camera and then got a job at a local Photo/Video Studio. Officially I was doing the wedding video editing, but I took the opportunity to learn as much as I could about shooting video and stills. Over time I realized that I really enjoyed shooting stills more than video. I started second shooting weddings and things great from there.
What do you like about your photography?
Depends which day you ask me. Some days, there’s nothing I like about it.
You do a few different types of photography: products, portraits, still life. Where do you get inspiration for your style/ideas?
I try to keep my eyes open as I move through my day. I don’t really believe in inspiration. I think it can be a crutch for people. You want inspiration? Keep making pictures. Is everyone going to be brilliant? Nope. Ansel Adams said something like he felt it was a good year if you got a few good pictures from it. Look at the website of a photographer you really admire. You’re seeing their best, not their entire Lightroom catalog or hard drive like you do your own. You don’t see their crap, but you do see your own crap, so people think the good ones were inspired, but they are not. Just keep working.
Through the work, you will get better and maybe come up with a few that others can attribute to inspiration. The muses come to you when you are working. Not the other way around. I make pictures of things and people that interest me. If I like it first, then I’m on the right track.
What about food/beverage photography gets you excited?
The lighting. I’ve gotten the feeling that people look at product shots as less than artistic. Try doing a really good job lighting a few different reflective surfaces without having blown highlights or weird reflections. It’s hard to do. Not taking anything away from other photographers, but nailing the lighting on product shots will make you really know how to use your lights and make you better at portraits or even seeing light on the street. I find it to be a challenge.
What kinds of themes do you explore with your work?
The above mentioned lighting. That and trying to connect with a person or place. Lately I’ve been bored with pretty pictures. I’m trying to find another level beyond the sunset, the guy in a red jacket walking down the street or the pretty landscape. I’m not there yet…I’ve thrown out a lot of pictures lately, but I feel like there’s something right around the corner. I can almost see it, but I just keep missing it. Finding another meaning, another level another element. If it has good light and interesting to look at, sometimes that is enough. I don’t know, sometimes it seems like pretentious art gallery bullshit. Nailing the lighting on a product shot makes me happy, lighting a good looking plate of food does too. The rest of my photography, I’m looking for something else and I haven’t quite yet found it.
Any upcoming projects or shoots you’re working on?
I’ve been experimenting with some liquid motion photographs. It’s still a work in progress, a messy work in progress. Nothing ready to be shared yet, but getting there.
You can follow Freddy and see his work on Twitter and his G+ profile.
Scrolling through my Flickr feed every day, I know an Enrica Brescia photo when I see one. Lush, rich, and always fashionable.
I was first attracted to Enrica’s work in the Canon EOS M group on Flickr. New to the camera, I wanted to see what others were doing with it. And Enrica’s photos, often paired with EF lenses, caught my eye. Now she’s one of my favorite portrait photographers.
Who are you and what do you do?
I am an Italian photographer based in Rome. I’m a fashion and portrait photographer.
How did you get started in photography?
I started to get into photography at the age of 15. I’ve always had a huge passion for art, particularly photography.
What do you like about your photography?
With my photography, I like the atmosphere that I can attribute to my shots.
Your work includes people, still life, landscapes – and it’s all so beautiful and rich. Where do you get inspiration for your style/ideas?
I take my inspiration from photography books and from the big fashion photographers from the history of photography.
What kind of themes do you explore with your work?
No themes specifically, I try to capture the souls of people.
Any upcoming projects or shoots you’re working on?
Here’s one from one of my many favorites on Instagram, Becca Waterloo (@oolretaw – get it?). Becca is an architect and photographer in Chicago.
I love Becca’s use of light, her explorations around the Windy City (a truly great city), and collaborations with other creatives.
Who are you and what do you do?
I am Becca Waterloo, an architect working in the West Loop. I graduated from IIT in 2011 with a bachelor’s of architecture. Being a photographer is a weekend hobby,. I typically take portraits, engagement sessions, city hall weddings and family portraits. I also frequently co-host/attend Instagram meetups, #communityfirst is important to me and I love collaborating with talented Chicago photographers.
How did you get started in photography?
I’ve had a camera as long as I can remember, whether it was the film cameras you load and have developed at Walgreens, manual SLRs, and now digital cameras and smart phones. I have a couple of photography classes on my repertoire from high school and college. It’s just always been a personal interest since I was a little girl. Visual memories are important to me to keep.
What do you like about your photography?
With an architectural background, I love honing in on the details that people don’t really notice. I am obsessed with composition and geometry in photography, negative spaces, natural light, and color. I can’t get enough color. I am complemented for my ‘laser vision’ and noticing the things that people never see, so to have that natural eye is something I am thankful for.
I like your work for its variety – urban scenes, lush greenhouses, bits of where you are and what you’re doing. Where do you get inspiration for your style/ideas?
Thank you! I’ve always been drawn to texture and color (brick walls, graffiti) so thankfully living in an urban metropolis allows me to find a lot of that. I LOVE the West Loop and Pilsen because there’s endless amount of murals, stickers, graffiti, and opportunities, so I frequently bring people there for their portraits. Conservatories are also tied for a favorite place to shoot. You cannot beat the light anywhere else, and the textures, colors, and compositions are so easy to work with.
What kinds of themes do you explore with your work?
I think playing with light is my favorite thing to do. I am really bad with the technical side of photography, so I rely heavily on natural light and the subjects I’m given. I love negative spaces and silhouettes, so you’ll see a lot of places and things that are just shown through the lighting from that day. If a room is too dark, I don’t even bring out my phone/camera. I LOATHE the flash, and I time my shoots when the light is best and most flattering. An Instagram meetup is the farthest I’ll go with exploring, so my Instagram is the best way to represent how I see life day by day.
Any upcoming projects or shoots you’re working on?
I booked an entire year of sessions with my cousin, Sam, a personal stylist who hires me to take her photos for her social marketing. Having a monthly session with her let’s me toy and use her for ideas that I’ve want to try. They don’t always work, so I enjoy laughing with her when that happens. She doesn’t judge when I want to get artsy, and let’s me practice the technical stuff, because I barely ever use my SLR.
I also co-host Instagram meetups with my friends a couple of times a year, so follow along @oolretaw to learn about the next one!
There’s something magical about Utah. I call it America’s Surprisingly Beautiful State, just because the two times I’ve been there, I didn’t know what to expect. Photographer Quinn Hall captures the American southwest perfectly.
Who are you and what do you do?
I’m Quinn Hall – but I go by “strayfoto” across most social media. I work in environmental consulting doing GIS (geographic information systems – mapping) of fossils in and around the western states. Photography, although it’s paid a few bills in the past, is mostly a hobby, albeit one I’m quite passionate about.
How did you get started in photography?
I always had a point and shoot growing up, but I bought a Pentax ZX-50(?) in about 1997. A few weeks later I bought a Pentax ME Super at a pawn shop and I was hooked. Over the years I’ve worked my way though the Pentaxes, Leicas, bigger Pentaxes, and Hasselblads. I had a wet darkroom in my basement for about six years, but I moved and had to let it go. I’ve been about 90% digital since 2009.
What do you like about your photography?
I usually hate my own photography… Not really, but I can find things to complain about. I like the creative process most. It hardly matters what I’m shooting as long as I’m creating something. I like the post too – culling and editing, looking for something I may not have noticed in the field. Photography keeps me busy. I love a good project.
Your work really shows off the American southwest. Where do you get inspiration for your style/ideas?
I lead guided tours of Arches National Park during the summers and it’s interesting to see how people from all over the world photograph the park. Sometimes someone will look at a feature in a way I’ve never even thought of and I’ll use that and try to expand on it. Sometimes it’s the opposite – I’ll think “I’m going to go shoot over here just to avoid that crowd…” and it works because I end up seeing something most others don’t.
“For me, a camera is my way to…”
Stay busy. Create more, consume less.
What kinds of themes do you explore with your work?
I went through a Leica – lots of old cameras and Tri-X film. I spent a lot of time on “street” photography forums. In rural Utah there’s not a lot “street” style photography, but I think that time influenced my taste. I don’t mind people in my landscape/nature photos, and often find they add to the scene – in a national park a shot with people in it is more honest. I often go for form or composition over ultimate subject.
Any upcoming projects or shoots you’re working on?
I recently completed shooting a couple projects and I need to move those closer to a final product. I’ve been working on a project of shots I’ve taken while running and hope to push that a little further this year.
Toward the end of last summer, as I was wrapping up my Artists In Jackson project, I went to an art show here in town to discover other Jackson-area artists. I left with one piece of art: Jenna VanDusen’s “Jackson” light painting photographer (top), and it now hangs in my home.
Jenna is a local fine art and portrait/wedding photographer, and her work is great. She uses light painting in great locations to make her work, and she works on family and wedding portraits through her Dream Real Photo & Video studio.
Who are you and what do you do?
I’m Jenna! A mother of a little three year old sweetie, a freelance videographer, and operator of Dream Real Photo & Video, LLC.
How did you get started in photography?
My father is a photographer of many many years, so of course that’s where it began. With my interest in video, I took classes for photography as well. I thought it was important to know my camera in this way while using my DSLR for video.
What do you like about your photography?
Simplicity, natural beauty, imagination, try to be original!
Your work with light painting is a lot of fun. Where do you get inspiration for your style/ideas?
It is a lot of fun! Inspiration began when learning about long exposure! I was blown away seeing work from photographer Gjon Mili as he captured light paintings with figure skaters and Picasso! Those images are so magical to me, done around 1947. Patience is key, to do it over and over, fixing your mistakes. Planning and visualizing what you want and how you’re going to pull it off is key. Being at a certain location is where the inspiration starts and then what to draw, or vis versa.
For any photographer I think to reach out to or connect to someone is a goal, but to add the light is to add a feeling too, and adding color can easily change the feeling.
What kinds of themes do you explore with your work?
Everything. My goal is to appreciate and do all types of photography. I feel like not only am I practicing about that way to shoot or technique but it’s an insight into … everything, which is what I enjoy most, the experience. Photography documents the beauty in life – which can be narrowed to two very broad categories: people and nature, together or apart, in many aspects!
Everyone is a dreamer. I’m all for realistically accomplishing your dreams. My hope is that my photography lets viewers to escape reality, but also brings inspiration for them in their lives.
Any upcoming projects or shoots you’re working on?
Projects are constant! Creatively I have a few ideas that i’ve been thinking about for as long as a year. Ideas just snowball and get bigger, which means more planning and taking steps for correct resources.
As much I appreciate and won’t stop doing light paintings free hand, I’m beginning a even more modern take on it, and incorporating light more into video and with clients, which is really exciting.
I’d like to work more with artists in Jackson with light painting [Wonder Woman with Doug Jones, above]. Everything I draw is very simple, which I love! But I think there is much to be done.
I’m also doing a personal 52 Week Photography project with Hayley Woodward, where we pick out a theme/subject/shooting technique and practice!
Color, shadow, light – these are the “paint” a photographer uses to make photographs. It’s fun to see when a photographer like Maarten Rots use these materials in an abstract way: pure color, pure shadow, depth, and layers, and light.
I like following Maarten because he’s a maker – a guy who tackles living, breathing projects like his March & Rock magazine. He creates tangible things with his abstract photos.
Who are you and what do you do?
My name is Maarten Rots and I’m a full-time artist with a camera around my neck. I live and work in Amsterdam, the Netherlands, where I also graduated from the Gerrit Rietveld Academy in 2010, studying audio visual art. Besides capturing the world around me, I really enjoy taking the next step and try to figure out an interesting way to present my photography. One of the outcomes is my self-published photography magazine March & Rock.
How did you get started in photography?
I actually filmed quite a bit before really making the jump to still photography. I used to go out with my video camera in a way that’s similar to how many street photographers work, hoping to catch an interesting scene.
It was in the summer of 2014 when I had to replace my broken video camera when I decided to go for a DSLR. I quickly (re)discovered the power of the still image and have mainly been photographing since.
What do you like about your photography?
It helps me see the world through a different lens. Literally but also figuratively – by being very clear about what I decide to have inside and outside the frame I construct my own version of reality, with photographic evidence. There is a beautiful sense of abstraction to be found in everyday life and I really enjoy emphasizing that through photography. The challenge is to do it all in-camera, I refrain from removing or adding elements and filters. Everything is already there when I shoot it, what I see is what you get.
I love the style of your photography – it reminds me a lot of Saul Leiter. Where do you get inspiration for your style/ideas?
The discovery of Saul Leiter’s work has undeniably had an impact on my own development. I really like to create layered images, and that’s where reflections can play an important role. When there are people in my shots they are mostly passersby or entourage, whereas in Saul Leiter’s work they are much more the subject of his images.
I really enjoy the work of photographers such as Alex Webb and Harry Gruyaert – both members of Magnum, but I am interested in other fields of art as well. A more recent discovery is the painter Lyonel Feininger, whose abstraction – the way he abstracted reality in his paintings – is something I strive for with my photographs.
Victor Kossakovsky’s film Tishe (Hush) is one of the films that has been of influence on my work. Not so much style-wise, but the concept behind the film. He shot the whole thing from his apartment, capturing what was happening right outside his door. The conviction that an interesting story can be found anywhere is something he applied again in his 2011 film ¡Vivan las antipodas! – where he filmed life in opposite ends of the world.
Fill in blank: “For me, a camera is my way to…”
Capture and share how I see reality.
What kinds of themes do you explore with your work?
I function really well in urban environments and architecture takes an important place in my photographs. I like to explore and go to new places as often as possible.
I carefully construct the compositions in my photographs by taking different positions and distances from the situation I want to capture. I can take quite some time to find the best way to frame a shot as I try to restrict myself to take only a single image. In that sense I think you could compare my process more to that of a painter than a street photographer. I don’t want to rely on the “lucky shot” – I take care to make sure the image is as it comes out before I press the shutter release button. Abstraction has become a more and more important theme in my photography. Trying to capture multiple layers in a single exposure helps me add a level of abstraction as I construct a new reality.
Any upcoming projects or shoots you’re working on?
In July last year (2015) I did the first edition of my photography project, Siting. This project revolves around a simple concept: I photograph a fixed area for one week and choose one photograph each day that will be printed on a larger scale and becomes part of an exhibition afterwards. The area to work in is designated by the space I use to do the project; it serves as the center point of a one-mile radius, which then becomes the area where I can take photographs. The first edition took place in Amsterdam.
I am planning to expand this project worldwide, I have a few options for this year and chances are high that there will be editions in Las Vegas and Antwerp in the coming months.
Next to that I am always working on the next edition of March & Rock, my photography magazine. My wife and I recently bought a VW camper van which enables me to go and shoot in a lot of different places. This will definitely show through in coming editions of March & Rock!
My name is Candy Hernandez. Born and raised in mid-Michigan. I have worked for General Motors the last 21 years. I am a weekend roadtripper, lake lover, nature addict, and photographer of all things beautiful.
How did you get started in photography?
I’ve always liked taking pictures since I was a little girl. My dad would take me camping and fishing on his weekends all over the state. He always had his camera with him. I would take pictures of the landscape as we drove from town to town looking for our next adventure. That passion stayed with me as I grew older. Now I’m the adventurer that my daddy was.
What do you like about your photography?
I love that it’s what I like to see. When I make a picture, it’s for me, from the subject to the way I edit it. The choices are mine and they evoke what I am feeling about it.
Where do you get inspiration for your style/ideas?
Lately I’ve found my inspiration from a few photographers on Instagram that I follow: Lennonjames and danpricephoto. They can take the simplest thing and make it look magical. They have such a talent.
I also admire TODD and Brad Reed from Ludington. They have a way of capturing nature in its raw form. It’s beautiful to see.
You work a lot with locations and travel photography. Why is it important to capture your surroundings?
What I love most about what I do is I get to share these beautiful places with people that they may never even know exists. There are older people that remember visiting these places growing up, or taking their children there for summer vacations but now it isn’t possible for them to travel there or hike those trails like they once did. I make it possible for them to see it now by sharing my photos.
What kinds of themes do you explore with your work?
I don’t know if I have a theme. I know I’m drawn to Lake Michigan and Lake Superior. So I guess it would be nature. But I do enjoy urban landscape as well.
Any upcoming projects or shoots you’re working on?
Right now I’m waiting on some ice to form. We’ve had a couple cold winters and its left a craving for ice caves and icy lighthouses. I don’t think I will get to walk across Munising Bay to Grand Island this winter, but there will be icy lighthouses to shoot.
For more of Candy’s work, follow her on Instagram.
I’m a sucker for golden hour photography, especially with portraits. That’s why I was so drawn to photographer Mila’s work on her Flickr gallery, We The People.
Something I’ve noticed, seeing more and more photography, is all the great stuff coming out of Russia. Talent is world-wide, but there’s something about Russian photographers – they keep popping up in my Tumblr and Instagram feed.
Here’s my chat with Mila.
Who are you and what do you do?
My name is Mila, and I’m a photographer from Moscow, Russia.
How did you get started in photography?
As a child, I played with Dad’s film cameras. It was the starting point for my interest.
What do you like about your photography?
Photography by itself! 🙂 This is one of the main passions in my life. I’m just happy when I can shoot something.
You take great portraits, but you also explore other photographic subjects. Where do you get inspiration for your style/ideas?
I think creative people draw inspiration from everywhere. Depending on the moment, the mood of different things can cause the need for self-expression through photography.
To be more specific, I’m love nature and sunlight with all my heart. Any natural light, especially at sunrise or sunset, is so beautiful! It’s always inspiring. Photos in this light are always a little magical. Often I see the place first and instantly imagine what theme I want to shoot there.
You capture really great moments with your portraits. How do you get the photos you’re looking for when working with a model?
When I work with a model, the final result is the merit of both of us. With any model, you can always get a couple of good shots, but the work becomes really interesting when the model knows her job and understands what purpose and mood I am pursuing.
What kinds of themes do you explore with your work?
I really love a free, natural style, with small ethnic and boho elements. I don’t always stick to this theme, but it’s really “mine.”
Any upcoming projects or shoots you’re working on?
Unfortunately, now my town is in snowy winter, and I don’t like shooting in the studio. Therefore, I have many ideas, and and all of them are waiting for the arrival of spring and warmth.
My name is Kathryn Trattner and I write and photograph things. I work full time for the Metropolitan Library, my local library system in Oklahoma City, and when I’m not second shooting I spend the rest of my free time with my two toddlers.
How did you get started in photography?
I started taking photography seriously about a year ago. A very dear friend (@robynicks) is a talented wedding photographer and she needed an assistant. I volunteered and loved it. It’s so amazing to be included in someone’s big day, to see everything come together, and Robyn is amazing and fun to work with. Over time assisting became second shooting, I bought a DSLR, and photography has taken over my life. In a good way.
What do you like about your photography?
I love the details. I make a point of noticing them because so often they’re the first things I forget. I tend to get lost in the big picture stuff so it’s nice to take a moment and notice something that might otherwise be overlooked. Especially at weddings, you remember the faces and the main event, but it’s easy to forget how the flowers looked or the lace on a dress. Those little things add a layer of richness to memory.
Right now I have a three and one year old and I’m constantly taking pictures of their hands or feet, photos of them sitting with their backs to me. I’m always going to remember the big things, like the first tooth or first steps, but the way their hair curled just the tiniest bit after a bath, the little hands no bigger than my palm, I don’t want to forget those either.
You describe your work as capturing details, and little slices of life. Where do you get inspiration for your style/ideas?
Everywhere. I feel like I’m constantly taking pictures in my head, even when I don’t have my iPhone or DSLR handy. Anything and everything can be beautiful or interesting or arresting.
Why is it important for you to capture your surroundings?
Part of my obsession with details in my desire to always add another layer to my writing. I need to be able to paint a picture with words and photographing details feeds my writing. It’s also a nice escape when I’ve sat too long at my computer and it feels like my brain has turned to mush.
What kinds of themes do you explore with your work?
I’m not sure there are any themes to my work. Maybe someone outside looking in would see a pattern but for me there isn’t one.
Any upcoming projects or shoots you’re working on?
Over the next year I’ll be second shooting lots of weddings and special events. But the biggest thing I’m excited about personally is my upcoming trip to San Francisco. I’m so excited to photograph a city so different from the one I live in.
Kris Matheson is a Tokyo-based photographer whose urban and abstract work has been a lot of fun to watch. Kris and I both participate in the On Taking PIctures podcast G+ group, and he keeps an archive of the show’s Photographers of the Week and Weekly Assignments.
What I like about Kris’s work is his exploration of different photo subjects. You’ll see him venture down a certain road, project-wise, and then change gears and create totally different work. It’s a lot of fun to watch.
Where are you and what do you do?
I’m from a small town in Northern Ontario (Canada) but have been living and working in Tokyo for the past nine years. I currently work as a freelance English Language Instructor, and walk around a lot with my camera.
How did you get started in photography?
I got into photography to document my experiences in Japan for family and friends back home, this was way back in 2006. It wasn’t until 2012 that I shifted focus onto what I wanted to photograph to show how I see the world around me. So really, moving to Japan is what got me into photography.
What do you like about your photography?
If I am open and honest, I walk a fine line of having a love-hate relationship with my photography. It’s taken sometime to find what I am interested in rather than shooting to please other people. I like just being able to take my camera with me day after day to explore. I often revisit the same areas — when I have breaks at work I go out, so I’ve been walking some of the same streets for years now and still manage to find something that interests me.
Your photo work is varied and exploratory. Where do you get inspiration for your style/ideas?
Most of my inspiration comes from what I see on the street as I walk around. This past year I started using Instagram and have found it to be a great source of inspiration. I am also inspired by the work of Dennis Hopper, Saul Leiter, and Uta Barth.
What I love about your photo work is that you’re always giving yourself little projects, or themes to explore. Talk about why you feel the need to keep yourself “photo busy.”
Probably one of the best things I started doing in recent years to help keep myself busy is having an Idea Journal (full of terribly bad ideas). This helps me to keep track of places to revisit (and “why”), I also write down interesting things I listened to or read, and things I’ve seen, it’s also a place to write out ideas for images or a project I would like to explore. Some of these ideas get turned into mini-projects, most don’t get posted online since they die shortly after I start them (some live and die inside the pages of my journal). Having this journal is great because I can look back for old ideas and inspiration, and can re-explore when I want. I feel its important to constantly explore the world around me, and having small projects engages and pushes to always be out photographing or thinking about new things.
What kinds of themes do you explore with your work?
I explore a lot of urban scenes and more recently abstraction, often with the focus more on colour and geometry. As a side project I have also started exploring memory and destruction in photography, there’s a personal project I’ve been working on around that theme and hope to expand it in the coming year — the theme of destruction in art has really been interesting, creating something and then destroying it is fascinating to me, it’s a little more difficult in digital photography but still intriguing to explore.
Any upcoming projects or shoots you’re working on?
This year I will continue exploring abstraction in photography, and try to incorporate portraits into this theme. I am also working on some collaborations with other photographers and artists, hopefully see what that brings as the year progresses.
Spent some time the last few weeks going through my CD collection. I bought two of those big binders, and am working on putting all my physical music into those and recycling (if possible) the jewel cases.
Some of them are pretty hard to part with. Some come in lovely gatefold digipacks, and deluxe-edition album editions. But all that plastic is taking up a lot of space.
So now, instead of four slots in our IKEA Expedit shelf, all that music is taking up two – one for the two big binders, and one for the box sets that I just can’t part with (Pink Floyd, I’m looking at you).
I am keeping the booklets, so at least I’ll have lyrics and liner notes. Although I did think about dumping those because everything’s online these days. Part of me just can’t part with the album art.
You want to test your emotional discipline, start eliminating bits of the stuff you love the most.
This one is personal – Tiffany Cornwell has shot my family, engagement, wedding, and maternity photos (and my current profile pic)! She’s a family and wedding portrait photographer, local to Jackson, Michigan, who is super fun to work with.
Who are you and what do you do?
My name is Tiffany Cornwell and I’m the owner and sole photographer of Tiffany Marie Photography LLC. I received a bachelor’s degree in photography from Saginaw Valley State University in December 2011.
How did you get started in photography?
I was about eight or so when my grandpa would come visit from Arizona. On his week-long trips, he would buy me a couple of disposable cameras and tell me to go to town and document whatever I wanted while he was there. Before he left, we would get them developed and we’d check out my photo treasures together. Ever since, I had been known to always have a camera of some sorts all through middle school and high school!
What do you like about your photography?
My own photography excites me. I love that I can capture a moment that turns to a memory. Of course then, through post processing, I’m able to put my own artistic spin on the image to make to my own piece of art.
My favorite pieces have lots of color or emotion in them. I get a sense of joy and pride when I look at images where I shot exactly what I was looking for. I’m also a huge advocate of getting work printed! To see the hours poured into an image, then having it printed seems to bring the moment back to life!
Where do you get inspiration for your style/ideas?
I’m 95% a happy person, so I tend to lean towards images I can produce that emit that same feeling. That could be why I love shooting weddings…the love and happiness in someone’s big day brightly shows in their images.
I love a lighter feel in images. The grungy, dark, mysterious images tend to make me feel anxious, so I shy away from styles that could evoke that within someone else.
For ideas within a session, it usually stems from the person or couple I’m photographing. Seniors tend to have their own sense of style and their own passions, so we try to collaborate for at least a few quirky and unique poses that really shows their personality. One senior played drums for marching band, so we thought it would be cool to put glitter on them so that as she was playing, there would be clouds of glitter flying up. It was captured pretty nicely!
Your work focuses on families and couples, with some portraits in there. How do you get comfortable working with people on these intimate photos?
Meeting with them first beforehand has helped tremendously! Having in-depth discussions about their desires for the session, wardrobe choices, their likes and hobbies, and what they wish to accomplish from their session is key. It breaks the ice for seniors and couples alike to know I’m interested and invested in them. They tend to open up more during their session because they also invested the time to have their session be great and they know what the end goal is.
I’m also a bit quirky, so if they’re still a bit jittery during their session, it doesn’t take long for them to laugh at my clumsiness! Little kids are a bit more work…I tend to get a workout in from jumping around getting them to look my direction and maybe unlock a smile!
What kinds of themes do you explore with your work?
Love, closeness, growth, future. All things that tend to strengthen a family or a person. As I stated above, I love capturing special moments! I love helping seniors find confidence and strength in themselves through having their portraits done with me. The excitement and relief in a mother’s eyes when she sees I got not one but many great images of her three amazingly independent children make me beam with pride. I adore my brides when they’re crying tears of joy seeing the love between her and her new husband in their photos. I feel like I accomplished what I set out to do for them knowing I did my job to the best of my abilities so they can have memories to cherish forever.
Any upcoming projects or shoots you’re working on?
I would love to set up a fun bridal shoot with multiple women in bridal gowns and accents of a wedding day to showcase what I love, and perhaps it even becoming a promotional piece for those involved. But it has barely been put to paper so plans are still in brainstorming mode.
I would also love to continue my ferris wheel series throughout 2016. I have three or four favorite images I’ve taken and would love to create a series of fine art images focusing on the ferris wheel that people can purchase as a collection or separate pieces.
Super excited about Gregory Crewdson’s next body of work, Cathedral of the Pines. He’s been all over the news in the past few weeks, but do me a favor and listen to Jeffery Saddoris’s interview with him on Process Driven.
Good Sunday listening by one of the great modern photographers.
If you’re a landscape photographer, it helps to live in a gorgeous part of the world – like Adam King in Edmonton, Alberta, Canada.
I’m always a sucker for mountains, especially the Rockies, so it was great to learn about Adam’s work.
Where are you and what do you do?
I was born and raised in Edmonton, Alberta, Canada. I’m currently a second year student at Macewan University, taking my Bachelor of Science, hoping one day to get a job in the computer science field! All that aside, I also have a pretty serious artistic side that I like to express mainly through photography nowadays.
How did you get started in photography?
I remember taking my first photograph at the age of 8. I was in Drumheller with my family which is located in the Southern Alberta Badlands. This is an area which is known for its rich fossil deposits and important dinosaur related discoveries. Badlands are landscapes that are intricately eroded, steeply sloped, and largely devoid of vegetation. This area was so new and different to me I remember wanting to capture every little detail about the trip while we were there.
My family eventually noticed how much interest I had in photography and let me take some photos that trip. When we finally got the photos back from the local drugstore, I was given the photos that I had taken in a little scrapbook, which I still have to this day. I must’ve looked through them all a couple dozen times alone that first day. Ever since then, I’ve been interested in documenting and recreating important trips and events in my life through photography.
What do you like about your photography?
I guess what I like most about my photography is being able to return to a certain point in my life through a collection of photos. Getting back into the mindset of 13 year old me, for example, and figuring out why the subject of the photo was important to me is something I find myself doing often while looking at old photos. On a more superficial level, I feel really fortunate to live so close to the Rockies and share them with the world.
You live in very photo-worthy part of the world. Where do you get inspiration for your style/ideas?
I gather inspiration everywhere I can. My time in the National Parks of Alberta are usually spent just walking around (or hiking the side of a mountain) with one or two friends and taking photos of whatever I come across. One of my biggest inspirations when I first joined Tumblr a couple years ago was man-and-camera.com. I really felt the artistic approach behind his work, and it really motivated me to attempt to recreate something similar with my own perspective. Other than that, there definitely isn’t a shortage of great Alberta-based photographers out there to follow.
I notice you do a lot of your landscape work in portrait orientation, which is not typical. Is there a method behind your technique?
I honestly lean towards it out of instinct nowadays. My preference for portrait orientation is definitely heavily influenced by my high school communication technology teacher. He was an outspoken advocate of experimentation with your art and remembering that you can turn the camera on its side and shoot that way too. Since then I find it easier to create interesting compositions with the added vertical space.
What kinds of themes do you explore with your work?
Documenting nature in all of its forms. Mostly landscapes of Alberta and British Columbia, however I am going to be posting some shots from my trip to London a couple years ago. Fitting an overarching theme isn’t something I’ve really thought too much about. I just find myself always drawn back to nature.
Something I want to do in the upcoming year is diversify a little bit and try out some portrait work. I feel like learning the nuances of a different theme and bringing those ideas into your photography can be really beneficial.
Any upcoming projects or shoots you’re working on?
As I mentioned above, I definitely want to try some portraits and see how I can integrate that in with my current focus. I also just started as a volunteer at @lensblr-network, helping the team find the best in original photography here on Tumblr. I couldn’t be more excited at this opportunity to broaden my artistic eye and share the best this site has to offer with such a wide audience. It’s a really great feeling finding someone that is more than deserving of recognition for their work and having a hand in facilitating that for them. I’ve already found at least a dozen of artists that I’ve really fallen in love with since starting that I otherwise probably wouldn’t have found!
Follow @adm-kng here on Tumblr for more of Adam’s work, or catch his stuff on his Flickr account.
During the winter, especially in January, it’s hard for me to make photographs. Usually, I tackle some other kind of project during the cold months – a photo book, or a portrait project idea, or just catching up on editing photos I made during the warmer months.
This year, I’m trying something a little different.
Over and above photos, I like making things. Books, videos, graphics, tinkering with electronics, etc. Keeping my hands or my brain busy is important to me.
It’s why, above and beyond portraits, my Artists In Jackson project is so multi-layered. I wanted a book and a website and an eBook, and so on.
So this January, I’m sending some photographers I like questions, and each week I’ll feature a different photographer profile. The profiles will include a sample of their work, some background, and then a question and answer session.
Portrait photographers, landscape photographers, abstract photographers – I’m working on getting a variety of styles.
It’s a way for me to learn more about my favorite photographers, and to share the work that I appreciate. It also gives them a tiny bit of promotion – my way of sharing the love. And the editor in me loves this kind of project, where I mix and match a bunch of good material into a cohesive whole.
I may be old-fashioned, but I believe there is such a thing as a search for beauty – a delight in the nice things in the world. And I don’t think one should have to apologize for it.
