But if I’m going to make this daily blogging stuff a thing, why not try another experiment? Something I rarely do?
We’re going all monochrome.
Call it another challenge. Color photography appeals to me. I respect black and white photography, especially using the magic of film. But I see the world in color, literally and artistically.
So let’s switch it up, just for fun. Nothing but monochrome.
Give me a month, and a new idea, and I’ll make a project out of it.
Quitting coffee for a month? Done that. Quitting alcohol for a month? Done that (in January). Doing Lent, even though I’m not Catholic? Done that. Drive cross country a few times? Check!
I’ve done the workout thing, the running thing, the daily photo project thing, the portrait project thing, tried the vegetarian thing, a few documentary things.
A lot of my inspiration comes from Benjamin Franklin, who challenged himself with all kinds of fun personal projects. And because the idea of learning new things and applying what I’ve learned is immensely gratifying.
By pushing up against your limits, even if those are just perceived limits, can help you figure out more about yourself.
Can you quit meat/coffee/alcohol? What does that mean for the rest of your life? Does it makes things better, overall, or worse? What did you learn by doing that? Etc.
Here lately, I’ve had a few more personal projects in mind:
I used to maintain an (almost) daily blog about a subject I was passionate about. It did well, and was a lot of fun for that period of my life.
For this stage, I’m focusing my blogging efforts on photography. I try to share a photo (or two) every day, and a longer, more thoughtful series on Wednesday evenings.
What can I say? I like routines.
Sometimes that breaks down on weekends, and on holidays, or when I leave for vacation. But for the most part: a photo a day.
What if I didn’t just share a photo, but also shared…something else? Some bit of insight, how-to, or project every single day? Could I do it?
Chilvers’ insistence on the daily blogging stuff appeals to me. I like to write. I like to share. And I like little projects and personal challenges. Plus, I’ve been looking for a project to start on the first day of summer this year.
Ken Shenstone, owner and operator of Albion Anagama ceramics kiln in Albion, Michigan, is the focus of my new documentary, Albion Anagama.
Ken (with Anne Beyer, blurred behind him) gave me full access to his pottery studio last fall, and I followed his team through the whole kiln firing process.
The Albion Anagama kiln is the largest of its kind in the United States.
Had a chance to see one of my favorite recent discoveries, Ghost, in Grand Rapids with my pals Don and Joe.
Ghost put on a great show in a small venue, and Papa was in rare form chatting with the crowd and encouraging us to enjoy our Friday night.
As Don pointed out, it was one of the calmest, most respectful crowds we had ever seen. Everyone was there to have a good time. And there was even a kid! That’s good parenting.
I haven’t been able to shut up about Ghost since discovering them last summer. It was so great to see them perform live. They have the Satanic shtick, but deep down there fantastic musicians and great songwriters.
It’s a documentary on the Albion Anagama, a ceramics kiln owned and operated by Ken Shenstone – the largest of its kind in the country.
Albion Anagama was my last big project for Albion College, a documentary about community connections and creativity, and how two Albion alumni (Ken and Anne Beyer) run this crazy kiln on the outskirts of town.
They fire up the anagama kiln once a year, and we covered it for the college last fall. I interviewed Ken and Anne as they were starting the kiln process, and followed them through the whole project.
The story is right up my alley: couple of artists, tucked away in the countryside, making great work with this esoteric process that goes back thousands of years. Ken’s studio is a great setting, the people were fun, and watching the magic happen was something special.
In the film, Ken and Anne talk about the process of ceramics, what it takes to get the kiln fired up, the kinds of art they hope to make, and what kind of legacy Ken hopes to leave behind. It’s a lot to cover in 30+ minutes, but we did it.
Making Albion Anagama was a lot of fun, and I can’t thank Ken and Anne enough for seeing my crazy idea through. This film was a different animal than my last venture, Bringing Back the Bohm: It features two people instead of a half dozen, and follows one project from start to finish as it happens. It’s a story on a smaller scale, but it’s still a good story.
Now it’s available for everyone to see. Please give it a watch. I’ll bet you’ll learn a thing or two, just like I did.
“You should bring something into the world that wasn’t in the world before. It doesn’t matter what that is. It doesn’t matter if it’s a table or a film or gardening — everyone should create. You should do something, then sit back and say, “I did that.”