Pleased to announce that the Visual Supply Company has approved my VSCO Grid account.
Check it out and follow along.
Playing with the new VSCO Cam has been a lot of fun (even if the vignette feature is missing from iPhone 4/4S). I’ll share some Grid-exclusive stuff from here on out. Call it an alt-Instagram.
June
Came upon us much too soon
Then was gone
Gone
Like the mountains of the moon
At dawnThen the sun came up on a sleepy day
And never went down at night
And the crowd kept on singin’ “Waste Away”
but it just didn’t feel right
And the prince and the drummer and the fire girls
Couldn’t get our guitars in tune
And I knew it was over when the sound man said
“I wish we were still in June”
My pal and graphic designer Brandon Kish used one of my shots from this past (snowy) winter for a Call of the Wild cover re-do.
Originally, this shot
first appeared on Instagram and was taken with KitCam.
That morning’s drive into work was harrowing, and beautiful. There were quick a few shots that came out of that commute.
Glad to see it appear on something creative.
Ah, summer.
It’s only summer, especially in Michigan, that you can take a group of co-workers, head out onto the college quad, and have an impromptu grill out.
And take pictures of co-workers’ bare feet in the grass.
I use a camera in a lot of my work social situations. It’s an easy way to get some practice in, and it seems my co-workers appreciate some of the shots. Especially when kids are involved.
At work, I’m “the camera guy.” So much so that I’ll purposefully leave the camera behind just so it doesn’t become an expectation.
“Where’s your camera, Dave?”
“Not here.”
But beautiful sunny days in May? Count on me.
A series of Instagram shots posted over the last few days, called “Cloud Atlas.”
It’s amazing what can happen when (a) the weather rolls in just right and (b) luck and timing line up for photo opportunities like this.
I created each image using the fabulous new Mextures app, which I’m really excited about – especially with landscape stuff, and running them through VSCO Cam.
The world of mobile photography is exciting, especially lately.
My little wooden Buddha has the best spot in the house, in terms of keeping an eye on me. He rests right above my TV, facing the couch, in the living room.
And it’s a good thing, too, because I trust his insight.
Or my insight, as it were. Because my little wooden Buddha reminds me to develop that insight through an on-again, off-again meditation practice I’ve tried to keep up with since 2006.
When I am practicing, I find it helpful. I can relax, concentrate, and unspool the tangled wires in my mind. But finding the time, as with anything, is hard. And even when I think I’m starting the habit again, it doesn’t take long for me to fall out of practice.
I often share the National Geographic story that helped me tinker with meditation as a way of life. I figured, if a Buddhist monk was, on paper, the happiest person alive because of meditation, surely it’s worth a try.
There’s also something about a philosophy/religion that tackles attachment and confronts desires that appealed to me. It still does.
So my little wooden Buddha sits up there, eyes closed, palm in palm, waiting for me to sit my butt on a cushion and close my eyes for 10, 15, or 20 minutes. And breathe.
I picked him up in a little gift shop on State St. in Madison, Wisconsin, in 2005 – when the idea of some sort of meditation practiced first took hold. Now, all these years later, he’s still sitting there calmly, waiting for me to begin again.
A few months ago, a friend asked me, “How do you take all those cool Instagram shots?”
My simple advice: pull over.
A lot of my Instagram photos are snagged on my work commute, through back country roads with great views of the sky. Some are grabbed when I’m traveling for work, or out doing errands. But the common thread is that I pull my car over, get out, and snap the shot.
Sure, keeping an eye out for possibilities helps. Also, I try to keep locations in mind so that, if I return, I can pull over and grab the shot.
But the kicker is to just get out of the car. That’s it. If I see something noteworthy, or worth grabbing, I pull over and snap the photo. This is how I avoid banal Instagram shots like food or coffee.
Step one: go somewhere. Step two: see something cool. Step three: pull over and take the shot.
There are times when I’m concerned about traffic, especially on highways. And if someone’s behind me, I tend not to pull over. Something about being on an empty road makes me more likely to pull over. But that’s why I keep a mental inventory, for times when I am alone on the road. If a car does happen to pass by, sometimes I’ll pretend like I’m looking for something along the road.
It also helps to make sure no one’s on the property. You avoid awkward questions that way.
I’m usually not afraid to take pictures of someone’s property. Sometimes the shot is worth it. In general though, and for the style of photos I like to share, #abandoned property is best.
For the above shot, I stopped by a house that I pass fairly often. I noticed the For Sale out front, and saw that some of the barns in the back looked pretty rough. So I pulled over to walk around the property to grab some shots.
I probably looked mighty suspicious to neighbors, who had a clear view of the property. But the light was just right, and the abandoned buildlings were in disarray. It was a great opportunity to do some iPhoneography.
All I had to do was pull over.
What can be said about the iPhone that hasn’t already been said?
Personally: I (gladly) waited for the second one. I love having a camera with me at all times. I sync it every night.
It’s my everything. My muse. My camera. My window to the world. My mobile fact checker. My jukebox. My communicator.
I’ve broken it. Dropped it. Had to replace it. Upgraded it. Traveled with it. Did my work on it. Everything.
I waited a long time between the 3G and the 4S models, and in a lot of ways that worked out well. Now I think I’ll stick to the “S” updates: the good made better. The beautiful, revised.
And when the new one comes out, I’ll get that one, too. Gladly. What else would I do?
// VSCO Kodak T-MAX 3200+ (switched to color mode)
At heart, I’ve always been a photographer. I was the one snapping pictures on family trips, at fraternity parties in college, and on cross-country vacations.
But besides some disposable Kodak film cameras (remember those?), it’s always been digital.
As I got more into photography, the more I toyed with the idea of playing with a film camera. There was a local camera shop in town that still processed film. Film is still relatively cheap. All I needed was a camera.
Then, last summer, we were cleaning out the attic at work when one of my co-workers stumbled on his old Pentax K1000 – the camera our communications department used before we switched to digital.
He was nice enough to offer it to me.
So I gained a whole new side hobby: film speeds, new lenses, not-quite-automatic exposure controls. Pretty cool.
I definitely use the Pentax differently. The shots are a bit more thoughtful, more composed, and (I’ll just say it) more artsy. With film, there’s only one shot to get it right. So maybe it’s a bit more my methodical speed.
It did take me three wasted rolls of film before I learned how to load the thing probably, though. So there’s that.
But the first developed roll turned out just fine. I stuck to fairly boring landscape shots, but I’m getting the hang of it.
I’m reminded how much I like my AM/FM GE radio every time I have to replace the batteries in my shower radio.
It’s always the GE that comes to the rescue on mornings that I don’t feel like switching out the batteries. Plug it in and turn it on.
The GE comes in rescue, in general, all the time. Washing dishes, cleaning house, working on a project – switch that thing to the classic rock station or NPR and I’m good to go.
Everything I said about this little radio before remains true: sometimes the simple things are the best. An off/on switch, a tuning dial, and an AM/FM switch. That’s it.
And that’s what I love.
All of my “Things I Like” photos were taken with a Canon EF 50mm F/1.4 lens, pictured here – except this one, obviously, which was taken with an 85mm.
But the 50mm is my favorite. I, like a lot of beginning photographers, cut my teeth on the 50mm prime lens. Originally, I had the f/1.8 model that served me well for two years. In fact, I took a lot of my favorite photos – hell, maybe a majority of my photos – using that “Nifty Fifty.”
Over the holidays, I found Canon dropping the price on the f/1.4 model by $100 or more. I thought about it, and thought about it, and finally pulled the trigger in January. Canon has been updating – and raising the price on – their other primes, like the 28mm. I figured with the recent 50mm price drop, Canon would refresh it next. So I pulled the trigger and took advantage of the deal.
I use a 50mm f/1.4 almost exclusively at work, with a Canon 7D. It’s my go-to portrait and classroom lens. I love the quality, the color, and the contrast the lens produces. And I’m super glad to have one of my own now.
There are tradeoffs to having a 50mm lens on a cropped-factor camera like my T1i: you need space to work in, and you can’t capture a whole lot in the field of view. But I find it often takes intimate photos that can’t be beat.
The dream is to someday hook it up to a full-frame Canon. Some day.
For now, though, it’s still my go-to and favorite lens.
One time I got something stuck in the headphone jack of my iPhone 3G.
Being the DIYer that I am, I decided to fish it out with a Q-tip. Bad move.
From then on, no audio jack plug worked with my iPhone. The fibers from the Q-tip became stuck inside the audio jack, preventing a secure connection. Stupid, stupid, stupid.
This meant I couldn’t listen to albums or podcasts on my morning commute. Thankfully, my trusty iPod Shuffle came to the rescue. I used it every single day as my on-the-go audio device until I purchased an iPhone 4S.
To say the iPod Shuffle is simple is to be coy. There’s no visual interface. Just a few buttons and a clip. But its simplicity is its beauty – and its usefulness. I use mine all the time.
The blue one was my first one. It was a refurbished model, all of $50, that lasted until I left it in a pants pocket and it took a trip through the wash cycle (I’m hard on my iPods). Try as I could to save it, it was done. Retired.
But I didn’t want one of those goofy 3rd generation Chicklet models. No, I wanted real buttons. So I bought a 2nd-gen model on Amazon – a low-key silver one that works like a dream.
These days I mainly use my Shuffle for gym workouts. The clip is everything: it helps the iPod stay out the way, stay secure, and stay with me. And it does one thing well: plays audio. Boom.
The one complaint I have is that, if you accidentally his the Reverse button, you erase all the progress on a podcast – meaning you have to fast forward through to the point you left off. It’s annoying, and it happens enough that I’m complaining about it.
But despite the abuse, despite it’s simple nature, and despite being a two-generations-ago model, I do appreciate the little bugger.
When I bought my first iPod, it opened me up to an idea: instead of carrying stacks of CDs in the car with me on road trips, with an iPod I could carry something the size of a pack of cards and have all of my music with me.
No more fishing for CDs, so more jewel cases slipping between the seats – everything about it was better.
The same thinking has not occurred to me with books, however. Maybe it’s that I don’t have a dedicated e-reader, so I don’t know what I’m missing. But I haven’t felt compelled to buy an e-reader, either.
So I still buy books. Good ol’ fashioned bound, paper, heavy books.
My favorites range all over the place: Carl Sagan takes the cake, of course, but also John Irving, a few political biographies, and a wide range of fiction and non-fiction. I like the heft of books, being able to open one anywhere and continuing where I left off. The smell of an old bookstore, the feel of the paper, my notes scribbled in the margins.
Some of that you can replicate with e-books. But not everything.
It’s not just books. It’s everything involved with books: libraries, book stores, “free books” carts in the classroom hallways. There’s a lot of infrastructure around books, and I like all that, too.
I understand that a lot of it is not necessary. Libraries are already evolving into “media centers.” Book stores are having a helluva time. Just as we don’t read scrolls anymore, the days of the book may be limited.
Unlike when we upgrade our video media, however, you can always pick up a book. It always works. It’s never obsolete or incompatible.
Maybe someday I’ll grab an e-reader and switch full-bore. Maybe. In the meantime, though, I’ll keep reading Dr. Sagan as I always have.
It had been so long since I booted up my Newton eMate that, before taking a photo of it, I had to recharge its meager battery.
But like clockwork (and like all of Apple’s Newton PDAs), it started up like no time had passed – it’s familiar grid of app icons hinting at future Apple products.
It used to be that I ran a decently popular blog, Newton Poetry, writing about the eMate and its MessagePad cousins. There used to be not a day that passed that I wouldn’t scribble on one of these green screens, hacking my Macs to get them to install new software, or discovering some long-abandoned app that still, after all these years, seemed useful.
But now my eMate sits on a shelf in my office, along with my Newton MessagePad 110, a few non-working iPods, and other miscellaneous Apple products. It’s joined the assorted classic Macintoshes that I just haven’t found room for in my life.
Not after buying a house, and not after taking up photography as a full-time hobby.
The truth, though, is that booting this little green guy up made me happy. It made me happy to still see it working. It made me happy to see all the apps I installed to monkey around with. And it made me happy thinking about all those fun blog projects, from 2007 to 2011, that I tackled.
I keep thinking I’ll kick-start the blog again, instead of leaving it languishing with a few random photo posts here and there. There’s a collection of articles just waiting for commentary. The project stuff, though – there just doesn’t seem much room for that stuff. Not any more.
Still, my eMate and I? We had a lot of fun together. And now that I brought it back to life, maybe we’ll have some more fun.
[Here’s something new: a series of things I like and use an awful lot around the house.]
I like coffee, so liking coffee mugs seems obvious.
But my coffee mugs tell a story: where I’ve been, where I’ve worked, what friends have given me gifts. My mugs come from Las Vegas, and Chicago (above), and Yellowstone National Park, and even Texas. I have mugs from my alma mater, my former employer, and a marketing company in Columbus, OH.
There are mugs I’ve designed, and mug I’d wished I’d designed. There are Beatles mugs, and NPR mugs, and patriotic mugs.
A lot of my mugs have broken handles. That’s because I’m a klutz. It usually happens when I’m washing the dishes. Either I’ll drop a mug and break it against another dish, or I’ll drop a mug on the floor trying to put it away. I drop lots of things.
There’s another class of coffee mug: the travel mug. These don’t last as long because they get more use. But here again, something always breaks. Usually it’s a seal, and so the mug starts to take on water, and I make a mess on my morning commute.
So I keep collecting them. And using them.
// edited with VSCO Kodak T-MAX 3200+ (switched to color mode)
I’m a frequent Instagrammer – usually averaging two photo posts a day. I also try to post a photo to Flickr every day, and some of them are iPhone photos.
So how do I edit my photos to share with the world? Like this:
When taking a photo, I’m not picky. Usually the default iPhone camera app, accessed from the lock screen, does a good enough job.
If I’m not in a rush, and I want to take more time on composition and framing, I’ll usually use one of these three camera apps:
I prefer not to have a camera app store each photo in the app itself. The iPhone photo gallery is usually my go-to place. But sometimes the app doesn’t allow for this kind of photo storage.
I like VSCO cam because the shutter is fast (however, it does have a tendency to corrupt photo files).
KitCam (above) is great because you get a preview of what the film/lens combo will look like before you snap the photo. I tend to like the Brooklyn film and Accent lens presets. But you can have a lot of fun (and get a lot of flexibility) out of various combinations, à la Hipstamatic (another camera app I enjoy using).
And Camera + is a good, all-around camera app to use.
When it comes to editing iPhone photos, my number one editing app is PicFX (shown above). The combination of editing styles and filters – plus the ability to layer effects on top of each other – makes it a killer app.
As shown above, I tend to stick to straightforward filters. The vintage film effects, the PFX 15/150 filters, and the greenish Meadow and Creek filters are my favorites.
PicFX is nice because it crops photos in the square format, too, making it easy to share with Instagram when you’re done editing. In fact, sharing your edited photo with Instagram is as easy as hitting the Share button.
For “problem” photos (like the one above, where it’s a bit underexposed), I try Camera+’s “Clarity” scene preset. It tends to lighten the shadows a bit – although sometimes (as with the photo above) you get a glossy HDR effect. I’m not a fan of this look, so I usually try some of the other scene modes to see what looks appropriate.
Camera+ offers some nice filters as well. I try to avoid the obnoxious ones. The black and white whites tend to be good on certain photos.
My newest editor is VSCO Cam. You can import photos from your default gallery into VSCO, or take the photo from the app, and turn its film-style effects loose on your image. I’m a big fan of VSCO film packs for Lightroom, and you get a bit of that old-school look with this app – especially that faded, grainy look that’s so popular now. A nice, subtle vignette is easy to do with VSCO cam, too.
After editing, I save the finished photo in a photo album called “Instagrammable.” Rarely do I post a photo immediately after snapping it – I usually save it in the album until a certain mood catches me.
My Instagram album is full of photos. I’ll dip in and grab a photo that fits whatever I’m thinking about that day, or fits a song lyric I like, or is weather-appropriate. There’s no hard and fast philosophy.
Often, I’ll take a photo and re-edit it if I find a filter I really like. Also, rarely do I use the standard Instagram filters anymore. Not that they’re bad. I just like a unique look, and I find the third party editing apps do a better job of creating the look I like.
For posting, I do two Instagram posts a day: one in the morning that’s shared with other social networks (Facebook, Twitter, sometimes Flickr). The other one gets posted at night, usually before bed. The evening photo is exclusive to Instagram. It’s also where I play around with styles, and get creative trying out different looks.
Find me on Instagram to see what I’m up to, where I’ve been, and what I find beautiful or interesting in the world.
Sometimes taking your time on the morning commute is safer, and more enjoyable.
If you are among those who simply love to shoot for the sake of shooting and do it for the love of exploring the world through a few sculpted pieces of glass without the need to justify that simple joy then by all means carry on…keep in mind that sometimes the love of the art is more than enough.
“You don’t have to be Michael Jordan. You can still play in the NBA.” – Jeffery Saddoris, On Taking Pictures, ep. 39
Sometimes, just walking out your front door and snapping a few shots around the neighborhood is enough. Get outside and get something done – it’s often plenty.
Mr. Saddoris was right: I don’t have to have some big project in mind in order to take photos. Sometimes I’ll get lucky and find stuff, as with the shot above.
I guess that’s my goal this year. I don’t have to have some overarching message to communicate (although I do have an idea for one – more on that later). Instead, I can lug my camera to more places and find beauty in the everyday. I feel like I already do that with my iPhone (and Instagram).
You know what’s really helped? Seeing more activity in my Flickr feed. Some days just one post by a contact can spark my creativity enough to say, “You know what, I can share something today.” Even if it’s a photo that’s been sitting in my to-edit queue for months, the drive to post something can be enough to finally finish the thing.
I still like the big photo projects, the big weekend adventures, the hours spent in Lightroom culling the good from the meh – but it doesn’t have to be all that. Maybe a photo a day will seem like less work. More fun.
A photo a day. A mini project. Surely that’s doable.
Flickr is not dead. It is very much alive. It’s just not the creature everyone wants it to be. Fortunately there are other places for personal snapshots of daily life. Flickr is where I will continue to go for everything else.
Stephen Coles, courtesy of Grant.
I’m in agreement. I use Flickr as an archive, as a way to discover great photos, and as a way to share photos with friends. I’m also using it for work: we’re switching to Flickr for our website photo galleries. It’s so much easier than using Joomla! tools, it’s not even funny.
An interview at PetaPixel with one of my photography heroes and inspirations, Thomas Hawk.
My favorite quote:
People have asked me over the years if I’d like to do photography full time and my answer has always been no. Part of working as a professional photographer means that you may end up having to shoot things that are not your passion.
I totally agree. Photography is a hobby. Getting paid is nice, but I’m always nervous it’ll take the fun out of one of my passions.
Beautiful series, promoting a service I adore.
And that’s the thing: you wonder whether this is an Instagram-sponsored web series. If it is, it’s not obvious. If it’s not, well…good for them.
Sometimes you need to just do stuff, and see how it turns out.
(Pilgramers – Episode 1 (Official))
