8/13/13 – Treat Yourself to Cancer
A brick wall I pass every day on my commute to and from work, in Concord, Mich.
Love that, even after it’s been hacked, it hasn’t been fixed.
photography
My Two Weeks With A Fuji X100
Renting a camera is the perfect way to try before you buy. It’s also the perfect way just to try – and that’s why I rented a Fuji X100 for two weeks. Just to try.
I see other photographers that I admire doing fantastic work with the Fuji system, and speaking its praise as the Next Big Thing. Being a Canon guy, it was tempting to see what all the fuss is about.
I also rented it because I was covering a wedding for two co-workers, and thought it would be fun to take it to their destination ceremony in Petoskey, Mich.
There, it performed very well. I had to make sure to keep it on a setting that worked for whatever situation I was in, but from there I just pointed, framed, and shot.
The things this camera can do with mixed light situations, dynamic lighting, and low light is spectacular. And sharpness? Just perfect.
There were times when I felt lost. That feeling probably comes from knowing my Canons so well. I also like having things like ISO and white balance ready at a button push. Too often, with the X100, I had to dive into the menu system to switch up the settings.
I’ve read that people use the X100 as a slower device. Take your time, adjust your settings, frame your shot, click. So maybe throwing it into a fast-paced wedding situation wasn’t entirely fair.
For those instances where I could take my time, it was perfect. The size, too, made it a handy carry-around camera. It’s a throw-it-in-the-front-seat-of-my-car camera – a walk-around-the-neighborhood camera. And it was light enough to feel like a regular accessory to the day.
The film modes are fun (like the Velvia setting above), but were an extra step in the process. I found taking the RAW files and adjusting them was more my style.
At first, I blanched at the idea of using the Electronic Viewfinder. But the rangefinder-style Optical Viewfinder missed focus points just enough to get pretty annoying, so I switched as time went on fairly easily.
Switching to Macro Mode, however, to get those close shots was not easy. I never quite got the hang of it, and would often forget which mode I was in and shoot in the wrong mode.
The picture files? Glorious to work with. Plenty of flexibility to lift shadows or pull back highlights – again, especially in those mixed lighting situations. Skies, especially, were lovely. For a lot of my shots, using the VSCO Film Fuji profiles worked well.
All in all, using the Fuji X100 really was like shooting with a film camera. The photo files had personality, and flexibility, and were a lot of fun to play around with.
The camera itself was an adjustment. I feel like, with more time, I’d get used to its particular quirks. Maybe not.
But sometimes it was nice to set the setting and not touch them, and just worry about making nice photos.
8/12/13 – Sweet Corn
This time of year is both happy and sad. Happy because, hey, it’s still technically summer.
But it’s sad because it’s the Sunday of summer – the last little bit before fall starts creeping in. Nothing says this more than harvest time, especially this cool summer in Michigan that feels like half-fall anyway.
Fall is a lot of people’s favorite season, but not mine. The crops, though. Man, I’ll take those all autumn long.
Michigan is known mainly for its cherries, apples, and blueberries, but we’re lucky in that a lot of crops grow well here. Peaches, melons, corn.
“You can tell it’s a Michigan [insert crop here],” my family used to say. “They don’t grow these like they do in Michigan.”
I’m not positive that’s true. But I do know that everything tastes pretty darned good this time of year.
8/11/13 – Slow Strangle
Never realized this rope was tied around my dying apple tree in the backyard. Hm.
Also, this one was edited in Aperture for old time’s sake. Do most of my editing/culling in Lightroom, and export to Aperture for management.
8/9/13 – Antenna To Nothing
Lots of abandoned goodness in Albion, Mich. Took a little drive Friday afternoon during lunch and spotted a row of buildings that looked like they used to be thriving businesses.
But no longer.
8/7/13 – Hosed-Down Horse
It’s county fair time here in Jackson County.
Despite some thunderstorms, the fair went on – muggy, sticky, and steamy.
For a horse, that means bath time, obviously.
8/6/13 – Nest
This is the stuff nightmares are made of.
Bald-faced hornet nest. Huge. Hanging.
To keep a safe distance, I stuck with the EF 85mm f/1.8 for this one.
Darkroom Woodshed, or How VSCO Beats the Film Companies At Their Own Game
VSCO Film recently released their newest set of film emulation presets, a lovely set of slide film reproductions that model classic Fuji, Agfa, and Kodak positive film.
And while the digital version of those classic films doesn’t exactly mimick the original, it’s enough to feed into the back-to-our-roots photographic trends that Instagram, Hipstamatic, and VSCO itself kick-started. Pros, amateurs, iPhoneographers – a lot of us are using film-style presets these days.
That got me thinking: why does it take a company like VSCO to come out with these film simulations? Why the hell didn’t Fuji, Kodak, and Ilford – with their diminishing film stocks and questionable financial future – come out with this kind of product?
Why leave it to a digital competitor to develop a copy of your signature films?
No, VSCO-style simulations won’t keep New York cities humming with manufacturing, but they could’ve helped film companies ease into the digital realm.
I take it that Fuji is doing okay with its new X-Series cameras. They’re supplementing their film business with a great series of cameras – cameras that, yes, are simulating Fuji films like Velvia and Astia.
But Ilford? Kodak? Agfa? How are they doing in this modern photographic age? Are they comfortable with staying a hyper-niche product for hobbyists and the declining number of professional photographers who still use film?
Why not say, “Hey, no one knows our film better than we do. We’ll help photographers simulate our classic films with a set of presets that we can sell for real money.”
It used to be that film stock, with quality glass, was how you achieved a certain look. Velvia was different from Portra was different from Polaroid. Now, in the digital age, it’s a combination of camera, software, lens, and (for those who use them) presets.
For film companies, their role in that process should be in the software/presets realm.
“Great photo!” an imaginary film company representative says. “Now make it look how you want it to look with our specially-engineered family of film simulations.”
Instead, companies like VSCO swoop in with the right mixture of finesse and quality and eat the film companies’ lunch. They also offer options for today’s photo enthusiast: desktop and mobile software.
Kodak? Their mobile app offerings look like a messy discount aisle in a dimly-lit drug store: nothing but apps for purchasing film(!) and printing photos (that last one is pretty handy – at least they’re encouraging people to keep printing photos).
Fuji is at least doing a bit better in this space. But still. Why keep those X-Series film simulation modes exclusive on the cameras? Why not make a few bucks selling a mobile camera app with those simulations, and beat VSCO at its own game?
I love Camera Noir and Hueless for my iPhone. But where is the Ilford app?
Don’t get me wrong. There are tons of photo filter apps – more than one could ever want or use. But shouldn’t the film companies be in this space and doing it better than anyone? Shouldn’t they have been here first, for crying out loud?
Developing software and apps doesn’t replace the film business. I get that. But what else are the film companies going to do? Wait it out like some passing phase?
When the world switches, you switch with it. As it stands, disrupting upstarts like VSCO are taking the film companies out to the darkroom woodshed.
(Photos courtesy Bryan Costin, with my “VSCO” addition, and Kevin Dooley on Flickr)
8/5/13 – Majestic
Found in a random spot in the outside wall of an abandoned church in Albion, Mich.
8/4/13 – Red to Black
Early- to mid-June is raspberry season in Michigan. Everyone knows that.
But I didn’t know that blackberries ripen in late July. And there they were. Smaller than the kind you usually buy in the store, and not quite as sweet. Finding a bush full of free ones, though, was all right.
My grandmother’s house growing up had one of every kind of berry: red, white, and black raspberries, blackberries, blueberries, and grapes. Diving into the pricker bushes was so worth it, just to get at those suckers.
8/3/13 – First Big Crop
It took a while, but this year’s garden crop is finally starting to produce.
The plentiful rain, the sunshine – a totally different than the hot and dry weather we had last year here in Michigan.
Tomatoes, squash, green beans, zucchini. All the usuals. This year’s new edition is cucumbers. I’m not a huge fan, but it’s fun to grow something new.
Nice to see my vegetable budget pretty much disappear during these months, too.
8/2/13 – Waiting for Action
I pass almost nothing but farmland on the way into work. Vast soybean and corn fields.
Not sure exactly what this machine does, but it looks like it’s waiting for something.
Really, I liked the colors of this scene on my way into work Friday morning. Stop in the middle of the road, check behind me for approaching cars, snap the photo, and drive on.
Bingo.
8/1/13 – Driveway Grass
Today’s photo was a quick one – I hadn’t pulled out of the driveway for my morning commute when I saw the sun reflecting (as it so often does) on my front lawn grass.
There are lots of pretty views on my way into work each morning. Usually the sun is rising over some mist-covered field, or the sky is painted with dawn colors. It’s one of my favorite parts of the day, my morning drive.
It’s getting to that time of year where the sun wakes up a little later each day, so by September the mornings will be perfect. Just perfect.
7/30/13 – Tagged
Sure, the big stuff in Detroit is great. The bridges, the Renaissance Center, the athletic fields, the Fox Theatre.
But so is the stuff in the alleyways between those great monuments. Everything is tagged. Right down to the dumpsters.
There’s not a surface that doesn’t have spray paint on it: from billboards to the stands that hold them.
‘On Taking Pictures’ Project
This Friday, I started the photo-a-day challenge from the guys at On Taking Pictures.
One photo. Each day. For at least a month.
This shot, from Woodward Ave in Detroit, isn’t the first. But it’s the first one I’ll share, along with some catch up from this weekend.
I’m in Detroit for some Google Adwords training, and spent my time after the seminar to do a little photo walk around downtown – something I’ve been meaning to for ages. And with the unseasonably cool temperatures here in Michigan this week, it made for a nice walk.
On the project: Taking a photo every day shouldn’t be too hard for me, usually. Usually I have my iPhone on-hand to grab an Instagram shot while I’m out and about.
What will be hard is taking some time and putting some thought into each shot. If I grab a bunch of photos, like I did tonight, which one will I share? What will I do if I’m not somewhere fun like Detroit?
The way I see it, this project will give me a perfect chance to play with my newest toy: the fire-sale’d Canon EOS M (only wish they hadn’t discontinued the white model!) with the 22mm f/2 lens. So far, so good, as you can see above.
It’ll also give me an opportunity to flex some creative photography muscles. Maybe try some different things.
When I get a chance, I’ll also share the photos on Google+ – and to the OTP Community.
Here goes nothin’.
7/28/13 – Slant of Light
I’ll say this about my photography hobby: it’s taught me to see the light.
Not just see it. See It.
I’m lucky in that, around my house, the light hits the main rooms in a lovely way, morning and sundown. The front and back yards, too. Just gorgeous light comes pouring in during sunrise and sunset. It doesn’t matter the season either. The Light is there.
7/27/13 – Almost There
A summer garden has been a tradition for me since 2010 – even before I had my very own garden.
While this year’s has had a bit of a late start, it’s going much stronger than last year. More rain. Plenty of sun. A bit of tending.
Here come the tomatoes.
7/26/13 – No Parking
Head to downtown Jackson on the last Friday nights during the summer, and you’ll find Cruise Night.
And at Cruise Night, you’ll find some interesting characters who may or may not normally walk down the middle of Michigan Ave.
Nostalgia, Ink: Going Out of Business
I remember first walking into Nostalgia, Ink. at 10 years old and feeling like I was discovering a whole new world.
Up to then, collecting comics was a catch-as-catch-can operation. I’d find a few titles at book stores, or at the pharmacy, and once in a while I’d see a classified ad of someone selling their collection.
But a whole store? Devoted to comics? Heaven.
From that time on, I’ve had an on-again, off-again comic habit. In the early days, I’d bike down West Washington Ave. in Jackson by myself once a month to get the latest issues. As an adult, I’d drive to the shop on Wednesdays to get the newest editions.
Then the editors of Amazing Spider-Man would piss me off with their latest bad idea, and I’d quit buying for a year or two. A habit’s a habit, however, and I’d always make my way back.
So a month ago I get my usual Superior Spider-Man and Uncanny X-Men issues, and I notice a flyer on the counter: Leonard’s going out of business. He’s retiring.
I nearly cried.
I’ve been coming here since I was a kid. Through the comic bubble of the early ‘90s, through a Magic: The Gathering card collection, and now into adulthood.
Not for long.
Until Labor Day, everything’s on sale at increasingly-discounted rates. Back issues, books, everything.
Leonard says it’s time to retire. He’s been looking for a buyer, for a way out after almost 30 years. No one (as of yet) has come forward to take the business over. But there are a few things in the works.
For now, he wants to unload everything. Clear out the inventory.
And what an inventory. Miles and miles of long boxes. Bagged and boarded. Organized, roughly.
Not just comics, either. If you were into D&D, or Magic, or – hell – old issues of Playboy, Nostalgia was your place. Toys, shirts, posters, cards. Everything.
Hunting for the thing you wanted was half the fun. If Leonard didn’t have it, he could order it.
Lots of good memories in this place. Maybe someone will swoop in and help spirit Leonard away to retirement properly. Until then, we’ll help him clear out that inventory.
All the best, Leonard.
– – – –
View the full set on Flickr.
Read MLive’s coverage of the store’s closing.
(All color images edited with VSCO Film. Photos created with a rented Fuji X100. Many thanks to Leonard for allowing me all-access to the store.)
Approved by VSCO Grid
Pleased to announce that the Visual Supply Company has approved my VSCO Grid account.
Check it out and follow along.
Playing with the new VSCO Cam has been a lot of fun (even if the vignette feature is missing from iPhone 4/4S). I’ll share some Grid-exclusive stuff from here on out. Call it an alt-Instagram.
June
June
Came upon us much too soon
Then was gone
Gone
Like the mountains of the moon
At dawnThen the sun came up on a sleepy day
And never went down at night
And the crowd kept on singin’ “Waste Away”
but it just didn’t feel right
And the prince and the drummer and the fire girls
Couldn’t get our guitars in tune
And I knew it was over when the sound man said
“I wish we were still in June”
Call of the Wild
My pal and graphic designer Brandon Kish used one of my shots from this past (snowy) winter for a Call of the Wild cover re-do.
Originally, this shot
first appeared on Instagram and was taken with KitCam.
That morning’s drive into work was harrowing, and beautiful. There were quick a few shots that came out of that commute.
Glad to see it appear on something creative.