photography

On Greatest Hits

 

Ghost, performing in Grand Rapids, Michigan

You know that new thing where a band goes out on tour and plays an entire classic album of theirs live?

For the fans, it’s great, especially if it’s a truly beloved and well-known album. It’s a well-worn reminder of why you love the band and their music.

What if we could go back and try our hands at an old project, and reinterpret it years later?

William Christenberry made a career out of it, coming back to the same location year after year, watching it fall apart.

I often wonder what i would do if I took my life-changing Route 66 roadtrip and did it all over again, but with the photo skills I have now. It would probably be a longer trip out of necessity.

Pulling over, after all, takes time.

A greatest hits in photos, knowing what I know now? Let’s hit the road.


Fail In Private

 

Failing In Public

Here’s the thing about failed projects:

It’s fine to start something, and give up after you begin – midway, almost done, whatever. Sometimes things don’t work out.

I’ve done that quite a few times. A new project will pop into my head, and I’ll start on it, but then I give up. Lack of interest, lack of time, whatever.

The trouble starts when you share a project you haven’t thought through to completion. You make a big announcement, “Hey! I’m doing a thing!” You share the thing. Everyone’s excited.

And then? Crickets.

People that follow your work are left in the lurch. Nothing more comes of your big project after that first big thing, or the announcement. Do that a few times, and people start to question your credibility.

Maybe it’s better to fail in private. Then you’re only disappointing yourself.


Outlasting

Outlasting

If you have critics, maybe you’re on to something. Adam Smith, in You and Your Work Aren’t For Everyone, says that the Wright brothers had their share of naysayers, but they kept experimenting, until…liftoff.

“Nothing shuts critics up faster than producing results,” Smith says.

But just because you have critics doesn’t mean what you’re doing is great. You just have to outlast them, and keep producing the kind of work that’s right for you.

(via Jon Wilkening)


A Confession

 

University of Michigan Museum of Art

Sometimes, when I just need to unwind at work, or kill some time in the grocery line, I’ll look at the For Sale board on Fred Miranda.

I don’t need anything, and I’m sure as heck not going to buy anything. But it’s fun to read the equipment listings, especially when I don’t recognize something. That’s always a good research opportunity, and I love few things more than doing research.

Granted, I have picked up a few good finds on Fred Miranda. My go-to Canon 5D is from that listing board, as was my Fuji X-E1 and my 20mm lens.

I look at Fred Miranda like a car person reads a hot rod mag. No harm in that.


My Two Wedding Photography Rules

Jolly Pumpkin - Ann Arbor, Michigan

This weekend I’m shooting my once-per-year wedding gig.

I have two rules for photographing someone’s wedding:

  1. I have to know you.
  2. I have to like you.

Those stipulations help me to be super picky about the gigs I agree to take.

I don’t need the income. I don’t need the images for my portfolio. I see it as a way to use my skills for someone I know and like.

It’s also fun as hell.


While There’s Still Time

Go make something beautiful.

There’s so much ugliness on display in the world lately.

Our oceans are dying. Our neighbors and protectors are dying. Political compromise is dying. Common sense seems to be dying.

It’s enough to make you think about building that bunker out in the backyard and waiting the whole thing out.

Artists, musicians, religious leaders, and poets will help us try to make sense of it all, over time. In the meantime, there are photographers on the front lines of these terrible events, witnessing first-hand the terrible things that humans do to each other.

As they’re doing that, try to get out and capture something beautiful, while there’s still time. While it’s still there.


Other Art

Check out other art other than your own.

If you’re a photographer, do you only check out other photographers’ work? Is there value in digging into architecture, say, or sculpture?

I follow lots of photographers whose work I enjoy. Usually, their work is so different from mine. Lately, I’m trying to follow other artists, too, just to get a broad view of the creative world. Photography is great, but so is music, dance, painting, film.

Artists have a lot to learn from each other.

Don’t be afraid to stretch beyond your own artistic corner of the world.


Just Another Asshole

Just Another Asshole

A year or two ago, I thought about doing a book called “So You Bought a Fancy Camera.” It would be for friends who had just bought a DSLR or mirrorless camera and needed to get started with the basics.

Instead, I spent my time making another book (and another after that), covering something other than how-to material, and I feel like that was time better spent.

Who needs another asshole talking about focal length?


On Switching Gears

Switching Gears

Here’s what I used to do with my free time:

I’d take an old Macintosh, either from eBay or an e-waste drive, plug it in, fire it up, and fix whatever was wrong.

I’d add RAM, or install a new PRAM battery. I’d clean out the vents and get the gunk off the keyboard. Make sure the mouse worked. Install the latest version of the operating system. Try out a different hard drive.

This went on for three or four years. Take a random Friday night, put on The Verve Pipe’s Villains, grab a six pack, and tinker. And then I’d write about it.

I loved it.

And then I walked away.

In its place, I picked up a new hobby, and slowly let the former one slip into the past, like Saturday morning cartoons or homecoming dances.

This happens to lots of us. Often, several times during our lives. Maybe we outgrow our hobbies after a while, or situations change in life. We get married, start families, switch jobs. Our priorities change.

I used to feel bad about leaving my Mac hobby behind. I still love tinkering, and I still play with my old PowerMac and Newtons.

But just like I left behind playing Magic: The Gathering, and staying up late trying to beat Super Mario Bros. 3, I switched gears.

It’s okay to try on new things, and leave old things behind. Maybe photography won’t be “my thing” forever, and that’s fine, too.

There are plenty of hobbies out there.


Cameras Are Like Pets

Ann Arbor, Michigan

For a long time, I used disposable cameras and point and shoots to do my photography. It wasn’t quite a hobby yet, but I used those two tools to do a lot of shooting – particularly on cross-country road trips.

But then something flipped, and I wanted to take photography seriously. I had the drive, and the intent, so I saved up money and bought my first DSLR in 2010. I saw it as an investment in a new hobby.

I get the sense that many people buying entry-level DSLRs are buying the “fancy” camera to take “better” photos.

Don’t buy a fancy camera unless you have the patience and time to do it right.

For most people, a smartphone camera is all they ever need. Point and shoots are great, and affordable.

Buying a DSLR or mirrorless camera is like buying a pet: it needs feeding, care, to be taken for a walk, etc.