photography

The Spark You Need

The Spark You Need

Wrapping up my latest project, I thought about what kickstarted the whole thing.

It was the film. Lomography advertised a new, limited-run film stock that you had to buy in bulk – 10 boxes an order. That got my brain, and my math, going: 10 boxes of 36 exposure film equals about a year’s worth of shots, if you took one shot per day.

Boom. A project.

Sometimes we don’t need grand ideas for personal projects. Sometimes it’s the gear that sparks an idea.

Grab a cheap-o camera and see what kind of project you can make out of it. Take a simple piece of equipment – a vintage lens, or twin-lens reflex camera – and see where it leads you.

All you need is a spark.


Twelve Times

Riley

Our youngest, Riley, turned one this week.

So this week, like every month this past year, we’ll set her up in a little photo shoot, and take a bunch of pictures. Every month is labelled with a little sticker we put on her. Doing this, we have 12 portraits of our baby through the year.

At the minimum, 12 good photos of your baby in a year is pretty good. I shoot a bunch more of her, but I know that each month we at at least get one, and we make it a ritual: change her outfit, the backdrop, put props in, that kind of thing.

The fun part? Going through and seeing the photos sequentially, from the start. There’s our Riley, one year ago, with a hint of who she would be 12 months later. There’s the first time she sat up on her own. There’s the one with the drool…

I’d like to say we kept our ritual going with the other two kids after they passed 12 months. But babies really are easier to pose, and goodness knows I take plenty of the other two doing their kid things. It’s fine. At least we have those first 12 months.


Fixed On Prizes

Follow You Follow Me

“There are too many awards and prizes for any of them to make sense any longer, yet people still have their eyes fixed on them,” says Jörg M. Colberg. So what makes a successful photo?

It’s not where it appears, or how many awards it earns, Colberg argues. Success is derived from intent – in achieving a goal.

I know it’s easy to fall into the awards abyss, especially the seeking. I used to love it when a random Tumblr photo blog would feature my stuff. It felt like worthwhile recognition, when really it meant nothing. Another photo would replace it in the blog stream, and the handful of people who saw it wouldn’t think much of it. Rinse, repeat.

What did matter to me was earning recognition from a body of work. That took effort, doing research, talking to subjects, planning out the project, thinking about my audience, and pounding the pavement to get the word out. The project was more than a group of photos with a goal – it was the whole workload.

We see “award-winning photographer” enough, don’t we? How about “completed successful project that mattered photographer?”


Finding Your Likes

Slowly Giving Way

Photographs I enjoy taking:

  • Portraits of characters in my community
  • Slashes of light in darkness
  • Scenes of small, quiet moments around the house
  • Colorful scenes around the city
  • The change of seasons here in Michigan

Photos I don’t enjoy so much:

  • Lanscapes
  • Birds and wildlife
  • Traditional street photography

Things I’ve tried and am still working out:

  • Still life
  • Abandoned buildings and homes
  • Wedding and event photography

I can only make a list like this by actually trying out these types of photography. That means experimenting, testing, doing something over and over again to see if it catches.

It also means stumbling into something, with no warning or preparation, and loving it by chance. My light and shadow stuff developed slowly, over time, and only by looking back and seeing a theme did I realize the kind of work I wanted to make.

Finding your likes may mean finding your dislikes as well.


Time for Photos

I haven’t done this in a while: tromp around outside on a snowy morning (in April!) and take some sunrise photos.

It’s one of the benefits of the new job. I now have some time to stop and make pictures, and this week I realized how much I missed that.

As soon as I saw the sun rising in the backyard, and the light catching the snow crystals, I knew I had to grab the macro lens and get out there.

Maybe it’s a good practice to schedule these types of things. Or maybe it’s good enough to have some time in your schedule to let serendipity happen. Maybe, as Forest Gump says, it’s a bit of both.


Two Weeks Off

It’s a weird time right now. I have two weeks off in between the old job and new one. I’m car shopping, I’m playing stay at home dad. And I’m thinking about the future for the first time in a while.

There’s the portrait project that I need to restart and finish this summer. Should I get into the studio space again? Will my head be ready?

Summer is not far away. What’s our vacation going to look like this year? What will the new job entail? Where’s Madelyn going to go to school in the fall?

It’s probably too much, and I’m probably not ready. So I’m back living day to day, capturing the sunshine as it comes, and getting the house ready for the warmer weather. These two weeks, I’m taking it as it comes.


In Like a Lion

In Like a Lion

“It’s good to see you taking photos again,” my wife told me this weekend.

Indeed. Maybe it took a freak March 1 storm that had both soaking wet rain and giant snowflakes. Maybe it took the light coming back in the morning and the evening. Maybe it took some hope on the horizon.

March is in like a lion. Me? More in like a lamb for a while. Let’s try that.