All Day to Do It
“A vacation is having nothing to do and all day to do it.”
Robert Orben
photography
Riley May
I’ve spent the last week enjoying our new baby daughter, Riley May Lawrence.
She arrived early Tuesday morning, purple and gooey, and has been either eating or sleeping since. We got back home on Friday afternoon, and took most of the weekend getting settled: spending time with the other two kids, getting our routine down, and taking care of the baby.
This baby – the c-section, the hospital stay, our sleep cycle – has been a smooth one. We’re lucky. We’re also lucky to get lots of help from grandparents and friends. And our new house is prepped enough to make the living part easy.
I’m taking this next week off of work, too (the first time in my working life I’ve had two consecutive weeks off), to help with the kids, enjoy the new baby, and help my wife around the house. Plus photo making, of course.
Life gets really simple when you have one big (or tiny, as it were) priority. I find it surprisingly relaxing to tune out everything else and concentrate on this crying, squeaking little person.
Everything else takes a distant second.
Go Outside and Play
Last summer, at our former house, we noticed something more and more: of all our neighbors, we were the only ones who spent any measurable amount of time outside.
Whether for grilling, or for playing on the swing set, or going for a simple walk around the block, our family was largely alone. We didn’t see some neighbors for weeks. Others only went outside to mow the lawn, or get in their car and leave. My wife and I would sit in the backyard, after putting the kids to bed, just to read and drink and watch the birds. Again: all alone, all by ourselves.
Granted, we lived in a rural neighborhood, and most country folks stick to themselves. But we couldn’t shake a thought: how weird that other people in our neighborhood weren’t enjoying the lovely Michigan summer. So far, it’s been the same story at our new house.
Maybe a lot has changed since I was a kid (“Go outside and play!” my mother would shout, and we did – all day long). There are a lot of new time suck options, from Netflix to Facebook, even in rural areas. Given that more people (especially children) are spending less time outside, my values probably differ from my nation’s.
On the other hand, it’s easy to fall into nature worship, and praise fresh air so much that you become annoying. I’ll admit that not everyone craves Thoreau’s “tonic of wilderness” like I do. We sent our son to a nature center for preschool, and he spent most of his school day outdoors in the woods. That’s not for everyone.
But, I do think that if you have a yard, you should spend time in it. If you live on a road, you should walk up and down it from time to time.
And if you’re a photographer, getting outside should be a part of your practice. Take your camera, grab your kids or pet, and go outside to see what the season has accomplished.
(Coincidentally, a recent Roderick On the Line podcast episode had a discussion about this subject, specifically about people playing sports outside. Good listen.)
Using Your Family As Photo Subjects
A generous On Taking Pictures listener gifted me a copy of Sally Mann’s Immediate Family for our gift exchange during the holidays, and it has me thinking about family photos. As a parent, family photography came naturally. Is there a better way to capture your kids growing up?
Unless you’re a parent, a lot of this won’t be clear. But for those parents out there, you instinctively know how important family photography is.
In her memoir, Hold Still (which is a great read, by the way – give me a memoir over an autobiography any day) Mann tells her photography students:
Photograph what is important to you, what is closest to you, photograph the great events of your life, and let your photography live with your reality.
“Your reality” could include dreams, or emotions, or flowers by a big window. For parents, “what is closest” is often our children, especially at first. And what is photography if not to capture something before its gone?
Photographing the family has a few side benefits. For one, it’s just good practice. Think about shooting something every day, week after week, and then add in that you have a readily-available subject who more or less cooperates. Want to try out a new technique? Want to test a new piece of gear? Need to sketch out an idea? “C’mere, kiddo. Stand here.”
Second, while I love a good snapshot, I love making art with my family even more. I put feelings into the photos I make of my family, and that lends them a greater weight. Maybe they don’t mean anything to the casual observer. And maybe the kids, themselves, will look back and wonder why I made such a fuss. But with my family photos, I’m the audience (okay, maybe the grandparents, too).
Can I show someone that I love them by taking their photo? I believe so. That’s the ultimate reason I photograph my family. All you need is love, as John Lennon sang. It’s the ultimate personal project.
So now, I look for examples of good family photos, a genre I would never had been interested if it weren’t for exploring image making with my own kids. If I get the same sense of fondness and artistic expression – artists living with their reality, as Mann says – then the photographer has succeeded.
This Other Hunger
Frank Chimero, in “Back to the Cave“:
Making things is putting the world in your mouth.
I make things for the same reasons babies put things in their mouths: to better understand the world, to sooth ourselves, and learn what to say.
Agreed. Whether it’s a new job or a new house, I use photography as a way to explore and absorb new surroundings and situations. This makes going anywhere new a thrill, because I bring along my camera and chew the hell out of the place.
(via Craig Mod)
Easter Sunday
Maybe it’s the colors, or maybe because it’s Spring, but Easter is always one of my favorite holidays to shoot.
We had a good (and busy) one this year, full of Nintendo gear and jelly beans. And the weather was fantastic.
Birth. Rebirth. The world waking up. The birds chirping. Our collective sweet tooth, satisfied.
How Learning Works
“How learning works: ‘you practice music scales so you can forget them when playing music.'” – Luke Wroblewski
Same goes for technique and photography, or color theory and design. Make the technical stuff muscle memory, then go out and do what you feel like doing.
(That’s The Neal Morse Band in Cleveland, Ohio. Great show, and great new double concept album.)
Getting Some Fresh Air
Back on New Year’s Day, I came down with something terrible: fever, chills, aches, and an all-encompassing drowsiness. It was so bad I had to cancel holidays plans with my family.
By day three, I was going stir-crazy, so the boy and I headed outside during an unseasonably warm January day to get some fresh air. It had to help, even a little, to take a walk around the neighborhood.
We walked our usual path down by the lake, and through the neighborhood trails – to the giant pile of concrete rubble that sits on the farm property just outside the residential zone.
The walk didn’t end up helping all that much, long-term, but to my feverish head and aching lungs, breathing that foggy Midwestern air provided a much-needed break.
Change of Pace
John Carey at 50 Foot Shadows, after his X-Pro broke, picked up a classic Canon 5D after a long absence.
Funny thing happened in that, I found myself inspired by the change of pace. The original 5D has such a beautiful sensor, it’s like changing film. While I miss flexibility in ISO and dynamic range the photos I get from the 5D are moody, colorful, contrasty, they really have a life of their own, in fact, as some of you already know, the camera defined my style 10+ years ago when I started to shoot with it.
Carey took a look back to when he first put down his 5D. His feeling then matches my own now: “This is a still photo camera. There is no shame in that.”
No shame, indeed. In fact, I see it as a point of pride. When you want to take pictures, you pick up a picture-taking machine.
Old Michigan Avenue
Fun look back at the history of US-12 at Concentrate Ann Arbor:
Michigan Avenue has been recognized for its significance as a Historic Heritage Route. Given the fact that it’s persisted so long and been so essential to the state, it seems more than fitting to refer to this road, which spans the entire east-west length of the state, as Michigan Avenue.
US-12 has fed a life-long fascination for me, and is becoming a long-term photography project. It’s a road, and an area, rich with history.
Parts two and three are up, too.
New Camera Strap
Maybe it’s waking up out of winter, or maybe it’s just a little more sunshine affecting my brain – but I recently splurged on some photography gear.
This year, to kick off my project, I treated myself to a new camera strap from Gordy’s. It’s not going to make my photos better, and it’s not one of those $100 artisan leather products that get all the reviews. It’s a simple leather strap that holds my Canonet around my neck. And it’s dark brown, with red and burgundy accents.
It’s half fashion, half pragmatism. My old strap was a simple nylon affair, thin and unassuming. It did the job, sure, but not well, and it wouldn’t win any beauty contests. With this new leather strap, at least I feel like human beings made it with attention and care.
I also have this thing where all my camera straps need to be brown. Whatever.
Gordy’s does this nice thing where they feature photographers’ cameras on their photo gallery. A nice way to show off gear, and their product. They have a great Instagram account, too.
Borderland
Great-looking series from Steve Gray on the area between England and Wales. It’s my kind of project, full of place and time and atmosphere.
Gray made a photo book to accompany the project: 36 images and limited to 100 copies. Let’s help him sell out.
Thirty Six
Today is my birthday. I turn 36.
Today is also the start of a project – one that I’ve thought long and hard about since the holidays. It involves taking a photograph every day for a year and not sharing it with anyone.
Then, at the end? I’m not sure. I’ll figure it out when I get there.
That number keeps circling around my brain: 36. Thirty six. More than halfway to Old Man.
An idea is brewing.
One Afternoon, One Roll of Film
Time to break out the Canonet.
After thinking about my favorite type of camera – small, single lens, 35-45mm range – I loaded a roll of Agfa Vista 400 and hit the streets for a just-starting-to-feel-like-spring afternoon in Ann Arbor.
From loading to dropping film off at the camera store took less than an hour. I had 24-ish chances to capture something walking around an unfamiliar neighborhood. And I had 40mm to express what I saw, with a rangefinder focusing mechanism to express it.
I also had a serious limitation: the bright, sunny afternoon was killer when the Canonet’s highest shutter speed was 1/500. That, combined with a 400 ISO film speed, meant having to pull the ISO down a bit, or else the camera refused to take a photo. Chalk it up to one big learning experience.
The point is, I took the Canonet for a spin, and blew through a 24 exposure roll of film. That old saying about potato chips, that you can’t eat just one? Same rule applied to that roll of Agfa Vista. It was easy to just keep visually snacking.
Unpacking
Life has been a bit hectic lately, with weeks of unending illness in our house (seems to be that way for everyone this year), the move, getting the house in order.
Oh, and a new baby on the way later this month.
So yeah, thing like unpacking boxes and making decisions about decorating? We’re putting those off.
In the meantime, we’re just trying to get through a week without a late-night sickness episode or a trip to the hospital. The kids take it all in stride, of course. They’re more concerned with where their toys are, and how much of a mess they can make. They don’t know that their parents are doing lots of planning, wondering, and worrying.
Finding a new groove takes a while when you move into a house. This time, it’s taking even longer. We’re still unpacking.
Still Life Photography: Beating the Winter Blues
Keep yourself busy, that’s what I say.
Last winter, off my big portrait project, I needed something to keep me entertained during these cold Michigan winter months. I needed a photo project to keep my mind and camera busy, and something that I could do inside.
When Sandhill Crane Vineyards invited me to be their featured artist for May, I felt like I needed to show some fresh work in their gallery. Wine would be fun. But what if I did more than wine still life photos? What if I made it bigger?
It ended up being my big still life project.
A few months back I was invited to speak to the Jackson Civic Art Association about the project. One of the members, Carrie Joers, dug my still life shots. More than liking them, she wanted to paint them, and figured a how-to session on setting up a still life setting would be good for her drawing and painting friends.
Here’s what I told the group in terms of restrictions and things to think about:
- Look at good still life paintings and photos to get an idea of what you like. I started with the Dutch masters, and went through to good product photography. Keep an idea board (I used Pinterest).
- Get yourself a theme. Doing random stuff is fun, but I found a theme (seasons, with food as the focus) easier to keep myself focused and organized. Pears go with winter, acorns go with fall, and colors matter, etc.
- Look for materials and items around the house, and keep texture in mind (the more, the merrier). Figure out what you don’t have on hand, and then go bargain shopping: yard sales, thrift stores, stuff in your parents’ attic, that kind of thing. Fabrics, containers, decorations – all that stuff can be had for cheap. To get the fresh ingredients, I went grocery shopping.
- Set up near a window for good light, and make your own backdrop. This was a lot of fun for me: I got to experiment with painting on a canvas, and setting a mood (here’s my simple set up at home).
- Experiment and practice. Move stuff around. Try a bunch of shots. Take 50 photographs to find the one killer shot.
- Challenge yourself. I went with one camera, one lens – and a 100mm macro lens at that. Set restrictions, stick to your theme, and don’t make it easy.
I’m making my slideshow (with notes) available as a download (PDF), since I can’t give my presentation to you, the reader. It should give you some background, some ideas, and some inspirational crumbs to follow.
Art Requires You To Move On
“Making decisions about art based entirely on commerce is a recipe for regret.” – CJ Chilvers
What Time Looks Like
In those “check out these photos from the 19X0s” articles, it’s often the background of the picture that’s the most interesting. The ways signs looked, the clothing people wore, the neon lights or the font on the side of a delivery truck.
What did the 1980s look like?
My wife recently shared a photo of her and her dad goofing around in the living room. People thought the photo was cute, but most of the discussion took place over the TV set in the background. Memories! Remember those old console TVs?
I think about this truism – that we’re often most interested in the background, not the subject, of photographs – every time I take photos of the kids in the living room, or the window signs in downtown Ann Arbor. In the future, we’ll look back on these photos and remember what our time looked like.
For every photo we make, we’re recording a little slice of history.
(via Shaun, via Andy Adams)
Obsolete Media, Photography Edition
Fun trip down photography’s memory lane at the Obsolete Media Museum.
For instance, did you know there was once a film size between 35mm and medium format? Turns out.
A classic hardware buff (ahem) could get lost in a museum like this.
(via @splorp – naturally)
War Against Seeing
Rob Walker in “How to Pay Attention“:
From looming billboards to glittering shop windows to the myriad distractions flowing through the pocket-sized screens we carry everywhere, vast and sophisticated efforts prod us to look in specific directions, at specific things, in specific ways. Taken together, they add up to a kind of war against seeing. I try to be part of the resistance.
Walker’s tips are all good strategies for design, writing, and photography exercises. What do you spot that’s interesting, new, or unseen? There’s a photo project in the making.
Notice things that aren’t meant to be noticed creatively – “attend to some recurring thing that is ubiquitous” Walker says – and you get one of those cataloging projects that are such a joy. For myself, that includes handmade yard sale signs. It’s a little thing, but it’s fun.
(via Austin Kleon)
The Whole Instagram Culture
Ines Perković on Instagram and starting fresh:
I decided to get off the mainstream wagon and search for modest streams with great and unique photos. Not that I think my photos are great and unique but, you have to do things differently in order to get different results. I just want to go back to the basics. Honestly, I’m tired of kayak on a lake and feet sticking out of a van photos. I mean, it’s all good photography but when you see the same thing over and over again, it becomes boring.
Couldn’t say it better myself.
Look for the unique, the different, and the you.
(By the way, I profiled Perković for my photographer interview series – she does great work.)