After two years of work, interviews, and shooting, my newest community portrait project, Musicians In Jackson, is live and available.
The project, like my previous Artists In Jackson project, is available on the web and in book form. It features local musicians doing interesting things. Each of them represents a unique facet of Jackson’s creative community, from musical theatre to rap to folk, and many styles and media channels in between.
Together, they help make our small Midwestern city a great place to live, work, and play. They help entertain us, heal us, remind us, and connect us. Our musical scene is small, but tight-knit, and gets a ton of support thanks to local venues that value arts and culture. Jackson musicians are just as talented as anywhere else.
Musicians In Jackson took longer than I expected, and I struggled along the way to get the portraits, interviews, and stories done. Something snapped in me earlier this year, where I said to myself, “Enough is enough.” This summer, I made an arbitrary deadline – autumn 2019 – put it out into the world, and then worked like hell to finish the project.
And here it is. I’m excited to share these 14 local musicians with you, and I ask for your support: purchase the book, visit the website, and help me spread the word.
That’s it. After almost two years, I finished my musicians project.
And what a relief. So many ups and downs with this project, from a failed Kickstarter to wondering whether I could complete the project at all, that it feels pretty good to have the thing finished.
There in the last few months, during February and March, I tried to schedule a photo session with a well-known musician here in town. After a few reschedules, I finally gave up trying, and finished up the last week of March with my final musician: my wife.
I saved her for last as a sort of friendly torture. She hinted at me plenty these past two years – “You know, I’m a local musician, too” – but I gave her vague answers, or avoided the question all together. But I knew all along she’d be in there. She’s a performer, a teacher, a music therapist, a multi-instrumentalist. She’s a natural.
Now the second part of the hard work begins: writing up all those interviews, getting the last of the film developed, selecting the final photos, and assembling all of that into a book that makes sense. There’s also keeping all the musicians who participated up to date and informed. The secret to that is, it keeps me honest. I’m now accountable to that audience. They want to see the finished product!
The conversation, the sharing of experience, the laughing and joking around. Remembering local history. Swapping stories. Sharing a complete and consuming love of music.
Last time, it was about art and creativity, about the Jackson market and the struggles of being a small-city artist.
This time, it’s a lot of same, except you swap paint brushes and cameras for guitars and microphones.
Ken Shenstone, owner and operator of Albion Anagama ceramics kiln in Albion, Michigan, is the focus of my new documentary, Albion Anagama.
Ken (with Anne Beyer, blurred behind him) gave me full access to his pottery studio last fall, and I followed his team through the whole kiln firing process.
The Albion Anagama kiln is the largest of its kind in the United States.
My dear artistic friend Colleen here (one of the artists featured!) is helping me with event and art details. It’s a great location, and I can’t wait to throw a big party for all my new artistic comrades.
Just for fun, here’s a behind-the-scenes portrait editing session in Lightroom I put together using a photo from my Artists In Jackson project, featuring painter Colleen Peterson.
This is a simplified editing process, but I don’t spend a ton of time on each photo. I have my process down pretty well.
Contrast, exposure, sharpening, and VSCO. Just that simple.
“This place lacks confidence. That comes out in so many ways, and it’s important to me for people to recognize that they’re valuable.”
A few years back, while living out west, Doug Jones came across an art gallery in Sante Fe, New Mexico, and noticed the gallery was featuring a single artist.
Doug was attracted to the work’s bright and bold colors, so he walked in. After talking with the gallery director, he found out the artist – who was selling his work for thousands of dollars – was from a little town in Michigan.
The town? Doug’s town. Our town. Jackson, Michigan.
That discovery got Doug thinking.
“There was this fire inside of me that wondered, ‘Why do I have to move away from Jackson? Why can’t someone make it as an artist here?’”
Now, it’s almost a mission for him: finding untapped potential and creativity, and letting it loose on the world.
It wasn’t always that way for Doug, a corporate lawyer turned community developer turned painter and art community organizer. He was going to turn his University of Michigan education into big money somewhere outside of Jackson.
But a couple of things happened that brought him back. For one, a trip to New York during college switched on the aesthetic part of his brain. For two, working at Lifeways helped him identify with the needs of the community, spiritually and artistically.
“I found myself surrounded by incredible history and remarkable talent in Jackson,” Doug says. “And people here didn’t seem to recognize it. So I started to encourage people around me to paint.”
That encouragement came in the form of live painting and art events – bringing creative people out of the wilderness, in a sense. It all comes from understanding what the power of positive reinforcement and encouragement can do.
“I remember what it was like when someone first took notice of me,” Doug says. “If I can encourage someone to do something positive, I’m passing on the beauty and blessings that I’ve been given.”
Personally, art acts as an outlet for the suffering and pain Doug sees in the world. Working with Lifeways and other non-profits, he saw and heard gut-wrenching stories from clients about pain and loss. He saw a tough guy break down in front of him, and he helped a girl struggling with suicide.
“I saw things that helped me realize how fleeting life can be,” Doug says. “With all the stuff going on around me, I have to get it out and do something with it.”
Doug recognizes the pressures that a small, blue-collar town can put on up-and-coming artists. Helping artists realize that what they’re doing is valuable? That’s the goal.
“That self-actualization makes my entire world better,” he says. “It lets me know that the generations that come after us will be better because of what’s happening today.”
While there is more happening in the Jackson arts community – a Public Arts Commission, more and more shows popping up, collectives (like his own, The Singularity) forming – Doug sees a lack of self-confidence in town. One way to help is to bring in more creative professionals from outside.
“People recognize what Jackson has on the outside,” he says. “We just need people here to feel that, too.”
“It’s true for most artists, but I’m an extremely emotionally-driven artist. I want people to feel something when they look at it. I put my heart and soul into what I do.”
You don’t have to look far to find great talent, says Melissa Morse.
“All the real artists aren’t in the big cities,” she says. “They’re everywhere you go. And we have our own arena of talent here in Jackson.”
Melissa would know. As a painter and mixed media artist, she’s seen what it’s like to be an artist in the biggest city – New York. She traveled to the Big Apple in college and lived there for many years as an artist.
After several years in New York, she came back to Jackson wiser and embraced her home community.
“It was the best thing for me, to stay in Jackson and raise my daughter,” Melissa says. “Coming back here, you realize that you can run all over looking for a place to be happy. But if you have inner peace, you can be happy in Jackson.”
Melissa explores happiness, loss, and faith through her art. She’s also a bit of a self-made artist, stretching her own canvases and creating her own frames from recycled materials.
“I think it makes for a better product. You put more into it,” she says.
Putting more into her art is a goal, Melissa says, whether that’s trying out new styles or putting pieces together to make something new. It helps her express what’s inside.
“It’s true for most artists, but I’m an extremely emotionally driven artist,” Melissa says. “I want people to feel something when they look at it. I put my heart and soul into what I do.”
And as is true for most people, that heart and soul can go through dark times. That’s where art can help, like when Melissa lost her parents.
Melissa participated in Grand Rapids’s ArtPrize showcase the year after her mother died. Melissa doubted that she was even worthy of being there. But the year before, her mother encouraged her to participate in the event.
“There was so much healing in that,” Melissa says. “It was a difficult journey, but in the end, when I was there and sharing my story, it was just what I needed to do.”
Being an artist involves going through ups and downs. It’s true of creatives everywhere. But it is possible to be successful in Jackson, Melissa says. Artists just have to be willing to communicate and work together.
Take art shows. She notices that when there’s low turnout at an area show, it’s often because people are what she calls “touch lazy.”
“I see a little bit of procrastination,” Melissa says. “Someone will say, ‘Maybe I’ll go to it,’ and then not show up. Something needs to shake it up a bit.”
In her own creative life, Melissa is the opposite of lazy. Recently, she became an art teacher for kids at Ella Sharp Museum during their summer camp series.
“It’s the best kind of challenge, working with kids that age. But it’s so rewarding,” she says. “When you can learn as much as the other people are learning, I really love that.”
