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Some Advice (Not From Me)

Artists In Jackson

In sharing my Artists In Jackson project, I reached out to some artists for feedback. What did they think? What can I do differently next time?

One artist in particular – raised in Jackson, went on to great success – gave me some really great advice. For one, he was worried about me producing a book. “Nobody buys books,” he wrote, “not even if you price them at $10 a piece.”

He, however, knew how to sell books. Case in point: a $500 book, limited to 50 editions, and he sold out of his print run in just a few weeks. This artist offered an experience, not just a book. It became a pride point to own one of his books.

“The book was only a bonus and personal brag piece to tell their friends the damn book cost $500,” he said. “It’s the experience, not the money.”

His experience was, he only printed 50 of them, and he included a personal sketch inside each one.

You can’t rely on friends and family to support your art, he told me. And people in the community who say they support the arts? They’re mostly fibbing. Few back up their support with actual dollars.

Some of this I wished I had heard before I started the project, though I doubt that would’ve dissuaded me. I wanted to make a quality book for people to buy, and I felt like I had enough of an audience to sell a decent amount.

Aside from the book, my main motivation was to brag about the artistic talent in Jackson, and to get to know some local artists. Take economics out of it, and I feel like my project was very successful.

Put economics back in, and I think the advice I received was pretty spot-on. My “experience” was a limited run of books signed by me, with a free eBook download and dibs on info like extra editions and events. I could do a lot more to up the “experience” level.

I don’t think that a high price tag would go over well in the community, however. Jackson is a pretty cheapskate kind of town.

Granted, this artist has a huge following, and sells work for thousands of dollars. He works on a totally different level than this local photographer with a super local project.

But for future projects, his advice is worthwhile.

Thanks Dominic!


Albion Circa 1995

Albion, circa 1995

One of the great parts about my day job is working with talented students on fun projects, like our recently-launched Albion 1995 throwback video.

The idea? What Albion College was like in 1995, told through music and technology.

The team did an amazing job starring in this thing, grabbing vintage (”vintage” – oy, I remember 1995!) clothing, and being good sports. For my part, it was all shot on an iPhone 5S, often using the VHS Camcorder app for the ‘95 scenes.

Check out the full video.


Low-End Photography: Canon 5D Classic

Taking something like low-end photography (much like low-end computing) seriously involves using classic gear to get your artistic goals accomplished.

The “classic” part is the key. It’s not enough to use any old retro digital camera. It still has to work well and produce good files.

That’s why I ended up grabbing a Canon 5D (mark I, natch) a few months ago off of fredmiranda.com. Many would agree that it’s a classic camera: sturdy, innovative at release, and capable of producing beautiful photos.

It’s also my first foray into the world of full-frame digital photography. My Canon Rebel T1i has done me well these past four years, but I’m prepping myself for a Canon 6D purchase this summer. Before I take that plunge, I wanted to test out a full frame camera, so I went shopping for a 5D.

It has not disappointed. It’s built like a tank, it produces sharp, beautiful photo files, and it’s not that much bigger or heavier than my T1i. And the reach! Those EF lenses are at their best when they showcase their maximum focal length.

What doesn’t it do? It doesn’t do movies. Or HDR (thank goodness). Or double exposures. Or even Auto ISO. The Canon 5D is closer to a photographer’s camera – purely focused on photography – that just about anything released these days. All you can do is make photos with it.

Grab a CF card (still available) and a card reader, and Lightroom has access to everything the 5D produces. In that way, it’s as relevant today as it was when it was released almost a decade ago.

No, the ISO isn’t as bump-able as today’s Mark III version. And the file size is smaller. But I share my photos mainly online, with a few 8×10″ prints here and there, and for those reasons the classic 5D is good enough. And I’m not alone – some of my favorite photographers working today still use the 5D (with one lens!).

I also saved a bunch of money on a full-frame camera.

Eventually the thing will wear out. The 100k shutter lifespan is quickly approaching. Even when it does die, I imagine I’ll have taken lots of photos with it. It will serve me well in, what, a few years? Maybe more?

It’s a low-end approach to photography: buy a classic camera that’s in good shape, save some money, and enjoy the benefits of Good Enough.


US-12 Yard Sale

Imagine it: 180 miles of LPs, kids clothes, and missing-piece puzzles.

That’s the US-12 Yard Sale – a giant bargain bin stretching across southern Michigan.

We typically check out the local section, stretching from Clinton and Saline in the East to Allen (Antique Capital!) in the West. The tough part isn’t the driving – it’s the figuring out which yard/garage sale is worth stopping at.

This past year, I had no complaints: I picked up a Canonet in fantastic condition for $5 in Jonesville. Everything beyond that was gravy.