photographer

Photographer Interview: Steve Gray

Steve Gray comes from a world a way, and captures his landscape and surroundings in a lovely way. I first learned about Steve through his Borderland project, but I’m recently digging his Postcards from Cambridge, MA series.

Where are you and what do you do?

I am based in the county of Herefordshire in the west of England, close to the border with Wales. It is a region of rolling farmland, wooded hills and (close to the border) dramatic upland moor. I am very fond of this landscape and it features a lot in my photography.  My initial interest photographically was in taking what I guess you could call a traditional approach, working slowly with a tripod, using filters and trying to be out in dramatic light and the start and end of the day. I soon realised thought that this wasn’t really for me and latterly I have pursued a more contemporary, documentary approach to my work (always handheld these days!) – whether shooting in an urban or rural environment.

How did you get started in photography?

My interest led me to enroll in a beginners black and white darkroom evening class back in 2003. I knew next to nothing about photographic technique and so it was a pretty steep learning curve. Very quickly, however, I knew that I was hooked and photography has been a huge part of my life ever since.

What do you like about your photography?

It has taken many years of experimentation and many failed images and projects for me to feel comfortable with my own work, but I’m happy to say I now do. I think it is really important to develop an approach and style that works for you, produce images that make you happy and not worry if others like them too. That said, I do really enjoy sharing my work and hope that some of my images create a positive reaction. If pushed, I guess I would say I like the freedom in my approach to image-making – I work quite spontaneously with little planning. I’m also very partial to photograph patterns, shadows and shapes I find interesting. Lastly, it really appeals to me to have such a personal means by which to share how I see the world around me.

I like that your work explores different locations. Where do you get inspiration for your style/ideas? 

My local landscape is definitely a source of inspiration. I believe the best approach is to photography what’s around you, what you know or where you happen to be, and try to find ways to make interesting pictures. This is in contrast to the trend to travel to well-known and much-photographed beauty spots. I’m not criticising that approach, I’ve simply come to realise it’s not for me and doesn’t produce results I feel happy with.

You’re “Yashica Steve” on Instagram – using film to express your vision. What kinds of themes do you explore with your work? How does film help you accomplish that? 

I set up my Instagram account as @yashicasteve to share new film work when I started working with film again last year. I have really loved photographing this way over the last few months, using a Yashica T4 35mm compact camera loaded with AgfaVista 200. I’m don’t support the notion that film is better than digital (or vice versa), it’s just that I find the feel of the pictures, the atmosphere, really pleasing and it seems to suit my preferred subject matter. I am increasingly enjoying walking around urban environments with no planned route or expectations and simply photographing things I encounter that interest me. I also love the deferred gratification of seeing the images after getting the film developed – digital has made everything so instantaneous this is a real pleasure!

Any upcoming projects or shoots you’re working on?

My focus over recent months has been on a project called Borderland: where England meets Wales, documenting the often forgotten rural hinterland I call home on the border between the two countries. The landscape there is changing in many ways as (very slowly!) this rural landscape modernises and traditional ways of life decline. I think it makes for a fascinating and timely subject and I’m hoping others agree! I have managed all aspects of putting the book together and promoting it myself and am delighted to have sold most of the limited edition of 100 copies. There are some still available, however, and the whole series can be viewed and orders placed on my website.

Follow Steve on Instagram and Twitter, or check out his website for more work. 

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Photographer Interview: Barry Phipps

I first learned about Barry Phipps’s Iowa photos project on Feature Shoot, and, as a fellow Midwesterner, could hardly contain my excitement – it’s my kind of project, full of story and place and changes.

Where are you and what do you do?

I’m in Iowa City, IA. Moved here four years ago from Chicago, where I lived for 22 years. I’m a working photographer and artist.

How did you get started in photography?

I studied photography at The Kansas City Art Institute in the late eighties. I’m old, so we were taught how to shoot, develop, and print film.

What do you like about your photography?

I’m very hard on myself, so it’s hard sometimes to say I like my own photography. That said, I enjoy a means of communication that isn’t blatantly about me. It’s more impersonal and less directly emotive than, say, making music. I’m a former musician who finds it gut wrenchingly difficult to listen to a song I’ve recorded and released where I’m singing, but have no problem digging through old photographs and finding enjoyment doing so.

You cover weddings and portraits along with your Iowa series. Where do you get inspiration for your style/ideas?

I enjoy weddings and portrait work. I still shoot film and approach it in the same way as my Iowa Photographs series, and tend to work for artists, photographers, writers and the like. I don’t really look much at other wedding photographers for inspiration. My studio portrait work isn’t really influenced by other work. I’m inspired by Richard Avedon and kind of jealous of Terry Richardson. I like looking through Vanity Fair and those types of magazines as I’m waiting to get my hair cut. I’d love to do fashion stuff, but not going out of my way to make that happen. I do live in Iowa, after all.

I like that your photos, especially your Iowa series, have a sense of place and purpose. What kinds of themes do you explore with your work?

Thanks! Actually, I feel the Iowa Photographs series gave my photography a sense of purpose, focus, and direction. I photographed lots in Chicago, but moving to Iowa four years ago really gave me a sense of direction. I’m really drawn to this place. I initially just started taking day trips in every direction from Iowa City, just to see what was out there. It was exciting to be in a new place. I assumed I would live in Chicago for the rest of my life. Chicago can be a challenging place to leave. You can drive for two hours and still be in the city sometimes. Here, it’s liberating to be able to just get in my car and drive in any direction and be somewhere new in just a few minutes. Iowa is populated with a million small towns, most never more than six or seven miles from the last one. Iowa was mostly populated within a few years, mostly by European immigrants. So, these towns formed, thrived, peaked and later declined as the original purpose of servicing farming families dried up. There’s a consistency town to town, but also a uniqueness. I’m always surprised by what I find.

Any upcoming projects or shoots you’re working on?

The Iowa Photographs series will continue, but I have wrapped up my initial phase of the project. I’ve photographed every county in Iowa and have accumulated what I consider a fair representation of the state of the state. I’m currently putting a book together of the best stuff from this phase. It will be published by The University of Iowa Press around 2019.

You can purchase Phipps’s Iowa Photographs series in volumes, and follow along on Instagram. Check out more of Phipps’s work at his portfolio site.

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Photographer Interview: Heather Nash

Heather Nash is a photographer in southeast Michigan I’ve been following on Instagram for almost as long as I’ve been on Instagram. I love her unique view of the world, and the way she captures it.

Where are you and what do you do?

I live in Ypsilanti, Michigan and I photograph people, places and weddings.

How did you get started in photography?

I went to school for photography and received my BFA in 2-D studies/Photography. I learned with film, mostly black and white, some color. The transition to digital came later but I still shoot a bit of film here and there with an old Canon AE-1 that belonged to my grandfather. I love black and white photography, specifically the work of Sally Mann.

What do you like about your photography?

I like watching the evolution of my work. I feel like I’m constantly refining my style, honing my technique and improving the way I utilize light in my images. I’m always reading and trying out new ideas. It’s good to keep learning!

I like how you capture your world, and the people around you. Where do you get inspiration for your style/ideas?

I do draw inspiration from other photographers and visual artists, and I’m often inspired by nature. I also love to people watch and observe daily life as it’s happening. I’m very curious and kid-like at times!

You do some paid gigs as well. How do you balance professional vs. personal photography?

I always try to leave room for personal projects, like portrait work, where I can try new things and challenge myself creatively.

Any upcoming projects or shoots you’re working on?

I just returned from a trip to Bali, an island in Indonesia. I took a small Fuji travel camera and documented my whole trip with the goal of putting together a small show this spring. It was an amazing experience to say the least!

Follow Heather on Instagram, or check out her portfolio site and blog for more of her work. 

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Photographer Interview: Nick Bedford

One of the benefits of listening to On Taking Pictures is interacting with the talented community that’s built up in support of the podcast. That’s how I found out about Nick Bedford’s work. Nick is an example of my kind of photographer: he does a bit of everything, and does it well.

Who are you and what do you do?

My name’s Nick Bedford and I’m a semi-professional portrait photographer from Brisbane, Australia.

How did you get started in photography?

In the middle of 2010, I borrowed my friend’s Canon 450D and played around with it and had to get my own, much to the lament of my friends and family who were subjected to my (at the time) very bad photos.

What do you like about your photography?

This is an interesting question. I’ve come to prefer making photographs that tell a story of a time or about a person, so it’s somewhat that story-telling aspect as well as the lighting, which is one of the first things I think about.

I guess the other thing I like is that it doesn’t stick to one type of photography and showcases a (hopefully) consistent vision across many wildly differing genres.

Your work focuses on everything from musicians to one-on-one portraits, plus landscapes and street photography. Where do you get inspiration for your style/ideas?

These days I get a lot of inspiration from Instagram. It’s so easy to find masses of great and inspiring work there. I’ve never tried to shoe-horn myself into any specific genre. I like to think of myself as simply a photographer with a certain way of seeing the world and that manifests in the way I shoot street or portraits or landscapes. I’ve even shot some music videos and I found that I have a love for directing, so I think at the root of my photography is a desire to portray “story” in whatever way that is.

I love lighting and almost every genre I’ve tried requires lighting to add drama and interest to the other aspects of the photo. Street photography is a relatively new thing for me, only from the last few years, but I love doing it. It keeps you on your toes and makes you better at “seeing” quickly, especially when you’re using a manual focus rangefinder where there’s no depth of field preview.

My favourite tool is the Leica M with a 35mm lens and I’ve made a lot of photographs in that perspective, from street to landscapes.

Your Faces project is a lot of fun. What’s the idea behind it?

In 2014, my housemate moved out and took a couch he had in the lounge room which opened up some free space, so I decided to set up a little studio there. I then thought of getting friends around to shoot and after the first session, I decided it would be a “a catch up and a single selected portrait” kind of affair.

We spend an hour or so catching up and having fun shooting some portraits then we import them and run through the images to find one that we both love the most. It’s a slow burn kind of project in that I don’t put any pressure on myself to shoot X portraits a month for it, just whenever someone is up for a portrait and chats, we shoot! As of 19th Jan ’17 I’m up to 19 faces.

Any upcoming projects or shoots you’re working on?

In the end of 2016, I made the decision to go semi-professional (finally) in my portrait work, focusing on those specific genres of traditional and editorial portraits and head shots, so I’ve been working on building more of my new portfolio work as well as shooting a few clients in the first month of the new year. It’s been great and I’m really excited to see where it leads. I struggled to accept the idea of being a professional, with all the business stuff that comes with it, and it took me 6 and a half years to finally say, “I’ve gotta do it.”

Follow Nick’s work at his portfolio website, or follow him on Twitter and Instagram.

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Photographer Interview: Ines Perkovic

I don’t remember where I first came across Ines Perkovic’s (aka, December Sun) photos, but I knew from her Rome shots that I was going to be a fan. I love her mix of gorgeous European landscapes and little slices of life.

Who are you and what do you do?

My name is Ines Perkovic and I’m a photographer and history professor from Croatia.

How did you get started in photography?

Actually, I’ve always been interested in art. I’ve always loved to paint (and still do it) but, not until I stumbled upon Flickr more than 10 years ago did I got interested in photography. I was mesmerized by all the beautiful artwork. It all took off from there; getting my first DSLR, meeting others photographers, etc. Slowly, photography became more than just a hobby to me.

What do you like about your photography?

I think my photos have a simplistic approach to them and, right now, I’m quite satisfied with it. But, there is always room for learning new techniques, upgrading your gear and overall growing as an artist. Also, the ability to freely express myself and learn about the world (and document it) is the best thing photography has brought me.

You do a great mix of lifestyle details and beautiful landscapes. What kinds of themes do you explore with your work?

Anything I find worth documenting. Mostly, the photos are the result of my everyday life whether it’s a day spent at home, socializing, or traveling. However, I do find myself shooting lifestyle and landscape more often than the other.

When I first started, I’ve never thought I’d enjoy landscape photography. But, that’s the fun of it. You just never know where it might take you. One thing always stays the same – I want the photos to reflect my faith in God. So, whatever I do, I try to honor Him with my work. I wouldn’t have it any other way.

Any upcoming projects or shoots you’re working on?

Right now, I’m concentrating on opening up my own business and booking sessions and weddings. I don’t plan on getting a job in education anymore. However, a job that could include history as well as photography would be a dream come true. That is the ultimate goal. Apart from the that, it’s the same old recipe – whatever comes my way.

You can see more of Ines’s work at her portfolio site, on Instagram, and at her Flickr gallery.

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Photographer Interview: Darrell Vannostran

Darrell Vannostran is a photographer and videographer based in Oklahoma City, OK. I follow Darrell on Instagram (@thecontinue) and enjoy his mix of abandoned and derelict locations with beautiful landscapes.

Where are you and what do you do?

I’m a photojournalist, videographer, and photographer based in Oklahoma City. I sword fight in my free time.

How did you get started in photography?

I’ve enjoyed taking photos since I was a little kid. My first camera was a Polaroid OneStep Close-Up, and I mostly used it to take pictures of my television and my dog. When I got into middle school my mother bought an SLR and signed me up for a photography class at the local vo-tech, where I learned to develop black and white film. I eventually took an introductory photography class in college, but I became much more interested in video production. In the last few years I’ve picked up photography again and realized how much I’ve missed still photography.

What do you like about your photography?

I have a lot of trouble remembering things, especially the photos I take, so when I get around to editing I’m constantly surprised at the images I’ve captured. Occasionally it’ll bring back memories and emotions, and sometimes I have no recollection of having ever seen what I’m looking at. Now I focus on making photos that are impossible for me to forget. I love it when I’m able to make a photograph that feels as if it has texture to it.

You do a great mix of decay and beautiful landscapes. What kinds of themes do you explore with your work?

I’m in love with the fact that nothing lasts forever yet something can have a lifespan much greater than my own. I like to think of my photos as mugshots of spaces or objects, without people, that have lost their purpose or have been left alone giving them a sense of isolation or emptiness to them, wether it’s an abandoned warehouse or an open field. This is that object at a single moment in its life and what you see are the details that I think define it.

I also love windows. They have so much character that it’s impossible to ignore them.

Any upcoming projects or shoots you’re working on?

I’m constantly looking for new places and adventures to be had. I love road trips, and I’m hoping to go on several this year. You never know what you’ll find out on the road.

Learn more about Darrell’s work on his website, and follow him on Instagram.

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Photographer Interview: Jamie MacDonald

Jamie MacDonald is an everything photographer – the guy just makes and makes. Jamie and I have shot together a few times, and I always respect his sense of experimentation and adventure.

Who are you and what do you do?

My name is Jamie MacDonald and I am a professional photographer for Olympus Imaging North America, podcast host, and workshop leader. My position with Olympus takes me all over the place doing workshops and promoting not only their equipment, but also my work, and my podcast focuses on the world of mirrorless cameras.

How did you get started in photography?

I got started in photography when I decided I needed a camera for a family vacation back in 2007. I had never owned a camera, and thought one of those fancy interchangeable lens cameras was just what I needed. Once I started shooting I realized it wasn’t just the camera that I needed, it was a reconnection to my past life as an artist that I abandoned after high school.

What do you like about your photography?

I like that my photography is not subject limited. I like that when I walk out the door the world is my muse and I feel as comfortable shooting an impending storm, as I do a senior portrait session or an eagle in flight.

You take a variety of photos – everything from dramatic landscapes to intimate portraits. Where do you get inspiration for your style/ideas?

That is such a difficult question to answer, but I’ll try my best to put it into words. When it comes to inspiration I guess I should say that I am always in this weird state of wonderment about the world around me. The best way to explain it would be to ask you to remember a fond childhood memory, and when you have one picked out, think about how it makes you feel. I have that same sense of excitement and yearning to drink up life as I did when I was a kid. I even tell people that my soul has not grown up yet. So I guess I try to explore things visually in a way that shows I am still in a state of wonder about the world I live in.

What kinds of themes do you explore with your work?

Life. That is the theme I explore. Life is everything, and comes in every conceivable color and shape and form. I get the same level of excitement discovering a patch of weedy flowers growing through the cement, as I do standing atop a mountain shooting the sun filling the valley below me. I imagine that sounds crazy, but it is a part of who I am and how I see my world.

Any upcoming projects or shoots you’re working on?

I sincerely wish I had a glamorous answer for that question, but I do not. I have never once had a project come to mind, and yet I think I need to do some sort of series of photos as a way to grow myself. But I just haven’t had anything come to mind.

I DO however have a lot going on in the way of photography workshops and events this year. I will be presenting at the Out of Chicago Conference in June. There I will be doing a class titled “The Art of the Dramatic Landscape” where I discuss my approach to landscape photography, with an emphasis on my particular post processing methodology. I am also co-leading an astrophotography workshop in the mountains of Arizona in May, a weekend workshop in Philadelphia, and a few events here in Michigan. It is going to be a busy year!

Find more of Jamie’s work on his portfolio site, at @sl33stak on Tumblr, and on Flickr. 

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Artists In Jackson: Kaiti McDonough

Kaiti McDonough

“It’s always related to nature, and silhouettes. I’ve had a love for silhouettes for years now. So when I realized when I put these two things together—bodies, hands, leaves—I was forcing myself to think outside the box. I wanted something that made you look closer.”

When Kaiti McDonough thinks of her photography, or life, or the artistic community in Jackson, she thinks in layers.

She started with art early, as a kid, crafting things with her mother’s materials. That, combined with her father’s love and appreciation of nature, makes her photography rich with depth and overlays.

Together with artists in The Singularity, Kaiti thinks of artists in many layers, too: experience level, professional or hobbyist, optimist or pessimist.

Even her career has taken on layers, from teaching to art curation to event planning.

Kaiti sees her main artistic outlet as photography. That started with a point and shoot camera in high school, posing friends in nature and getting lost on adventures. That all changed when she met Doug Jones. Could she do some live art photos for an upcoming show? 

A digital single lens reflex (DSLR – the fancy ones with interchangeable lenses) later, and she was off making art.

Her style comes from, you guessed it, layers: double exposures, overlays, textures, blending one image into another. The idea came after she saw artists working on body paintings – making one idea on top of another. The photos do more than document a scene or a moment. They pull you in and make you think. 

“It’s always related to nature and silhouettes,” Kaiti says. “I’ve had a love for silhouettes for years now. So I realized when I put two things together – bodies, hands, leaves – I was forcing myself to think outside the box. I wanted something that made you look closer.”

To achieve her style, Kaiti blends images mostly in camera, with a bit of Photoshop work. 

“As soon as I discovered my camera had this option, I went to town,” she says. “This was it.”

Kaiti explores her creativity in other ways, too, like sewing and working with resin on wooden boards to frame her work.

Another form of artistic expression: working with other artists in Jackson and The Singularity to highlight the local creative community. Kaiti was one of the co-founders of The Singularity and has found her calling in organizing and marketing events. The idea of getting artists together and putting on a show – a hang-out session with meaning – was immediately appealing to her.

“I loved the feeling of bringing everyone together and doing something for an evening with all your friends,” Kaiti says. “Four and a half years later, I know what I want to go to college for. I want to know more about event planning and marketing while still working on freelance photography.”

As a fine art photographer, Kaiti recommends getting into local shows as they start, while they’re small and affordable. And to be consistent at getting your work out there.

“If you have a good product, and you can make a lot of it, get into small and big art shows – you have to keep pushing at it.”

Kaiti in Eaton Rapids

She’s also optimistic about Jackson’s home-grown art market. With groups like The Singularity, the How Bazaar show downtown, and the growing collaboration between artists – as well as her own work to get more art in front of viewers – Kaiti sees it as a growth opportunity. 

“Just seeing everything grow, artists being taken seriously, there’s a market for art,” she says. “There’s potential everywhere, in our artists and our city. Jackson’s so little, it’s growing right before our very eyes.”

Buy the Artists In Jackson book | Kaiti McDonough Photography

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