Ι’m Alexia. A writer and photographer living between London and Athens (Greece). I work in magazines and am the managing editor at Makeshift.
How did you get started in photography?
I began photographing with my mother’s camera at the age of 14. It was a Nikon FM3. My first subjects were my school friends. At 16, I photographed my best friend in my first ‘semi nude’ project.
What do you like about your photography?
That what you capture is slightly – or very – different from what you aim for. It’s always a surprise. It keeps me on my toes.
Where do you get inspiration for your style/ideas?
I think I am very influenced by paintings and Japanese art. I also get constantly influenced by other photographers; old and contemporary.
Fill in blank: “For me, a camera is my way to…”
turn reality into fantasy; escape
Your photography has a documentary approach. What kinds of themes do you explore with your work?
It’s both documentary and ‘art’ photography (I don’t like distinguishing things too much, or put labels on them).
My major themes are urban landscapes, flowers, and human bodies. I lately have an obsession with hands.
Any upcoming projects or shoots you’re working on?
I’m planning an exhibition in Greece (Feb-March 2016), and I’m now shooting street, mostly. I now use my phone camera a lot.
I want to shoot nude women again, in the near future.
Daniel Donnarumma and I have followed each other for a bit now, and I always love to see his landscapes and exploration photos cross my feed. Based out of Rochester, New York, Daniel shares lots of his travel and nature work on his @danieldonnarumma Tumblr blog and Instagram account.
Who are you and what do you do?
My name is Dan Donnarumma. I live in Rochester, NY, but I’m originally from NYC. I’m a photographer, Jiu Jitsu and Muay Thai practitioner, adventurer, lover of music, art, and films, as well as animals (especially greyhounds, sloths, and cats), a dreamer, a nerd, and someone that wants to travel the world. For a living, I work at a non-profit that works with employed or unemployed individuals assisting them with finding work or training.
How did you get started in photography?
I’ve always had a strong affinity for photography ever since I was little kid. When I was in high school, I’d regularly buy Kodak disposable cameras to basically document my time hanging with friends, going to punk and hardcore shows, and being idiots. I still have a bunch of my photo albums from this time, and it’s always cool to look back on them.
As I got older, and my interest in photography grew, I bought myself a Canon DSLR and eventually figured out how to work it properly. At first, I thought that I’d automatically take amazing photos just because I had a DSLR. When I quickly realized that wasn’t the case, and that I’d have to actually learn how to properly compose a photo, use the camera, etc., I started reading photography books, studying the work of photographers I admire, and teaching myself photography.
What do you like about your photography?
I have to say that this is a really good question, and I really had to stop and think about this for a moment. I’m constantly picking apart my photos and thinking about what I don’t like about them, that I tend to overlook what I do like about them.
One thing that I love about my photos is that they are a way for me to really express my emotions, whether it’s in the actual mood or image of the photo, or in the title of it. For me, that is very important. Photography is an outlet for me to be creative and to share with others the craziness that goes on inside my head, and that is something that I do truly love about my photos and photography in general.
Additionally, I love that my photos are a means to document my experiences, and to be able to share them with others. There’s so much beauty in this world, and my goal is to see as much of it and to share that with others. My photography has forced me to focus more on traveling and doing things that I might have found excuses not to do prior to really getting into photography, and that’s something I’m truly grateful for.
You have a nice variety to your photography subjects: landscape, urban, nature. Where do you get inspiration for your style/ideas?
First and foremost, my biggest source of inspiration is the work of other photographers. There are seriously so many amazing photographers and artists at our fingertips nowadays, that it it’s insane. I spend probably way too much time on Tumblr, but I am able to find so much phenomenal work that it’s nearly impossible not to get inspired to be creative. I’m currently crushing pretty hard on the work of Sebastiao Salgado and Theo Gosselin, and their work makes me want to drop what I’m doing, drive as far as I can, and take tons of photos a long the way.
Secondly, music is a huge source of inspiration for me. When listening to a certain band or song, I tend to get sucked in and ideas, thoughts, emotions just start flowing. I’ve been listening to the bands of Dan Barrett a shit ton lately -Have a Nice Life, Giles Corey, Black Wing – and that has really been inspiring in a way that I haven’t felt in quite sometime.
Traveling is also something that very heavily inspires me. I live in an area that is surrounded by a plethora of lakes and parks, I’m a few hours away from the Adirondacks and Canada, so it’s hard not to think about wanting to see everything this area has to offer and not want to photograph all of it.
Fill in blank: “For me, a camera is my way to…”
Express my thoughts and emotions, and an outlet to share my experiences with others.
What kinds of themes do you explore with your work?
Lately, especially with some of the titles of my photos, I’ve tended to focus on more sullen or melancholy emotions. Those are emotions that I sometimes struggle with, and I tend to find myself drawing on that with my photos. Additionally, I do try to instill a sense of yearning or a desire to just adventure and experience life, because that’s something that I still really aspire to do, and it’s something that has exponentially become important to me as I’ve gotten older. Ultimately, though, if a photo of mine is able to elicit any kind of emotion in someone who’s viewing it, than that to me is the icing on the cake.
Any upcoming projects or shoots you’re working on?
As of right now, I’m planning on traveling through the Midwest for a month this coming summer, and I can’t even begin to express my excitement. I’m really looking forward to documenting those travels, as well as just getting to spend some time in the national parks out there.
I’ve recently started to explore a few projects that I’m really excited about. Both projects involve my fiancee, because she’s awesome and puts up with being my model for me. The first one is my attempt to focus on the freedom that travel provides, the lasting memories that they create, and how that may affect us. Secondly, I’ve started taking more portraits of my fiancee and I, since she’s my partner in crime, and I can’t imagine traveling without her. My photos, more often than not, tended to focus on places that I had experienced, but very rarely on the people that I got to experience them with. Since she’s practically always my travel buddy, I want to focus more on how she and I get to experience new places together.
I live in central New Jersey, outside of New York City. For my day job, I’m a Product Manager in Technology for an investment company. I’ve been a part time photographer, doing portraits, weddings, and events for about five years now. Recently I started a food/product photography business called Santé Photography. The goal is to have a focus on food and beverage photography for commercial work.
How did you get started in photography?
I had been doing family photos and videos since my daughter was born in 1998. Little by little I realized that the pictures meant a lot because of the subject, but I wanted to learn how to make them look more professional, so I started to read magazines and what ever I could find on line, over my crappy dial-up connection.
I taught myself how to edit digital video after I got my first video camera and then got a job at a local Photo/Video Studio. Officially I was doing the wedding video editing, but I took the opportunity to learn as much as I could about shooting video and stills. Over time I realized that I really enjoyed shooting stills more than video. I started second shooting weddings and things great from there.
What do you like about your photography?
Depends which day you ask me. Some days, there’s nothing I like about it.
You do a few different types of photography: products, portraits, still life. Where do you get inspiration for your style/ideas?
I try to keep my eyes open as I move through my day. I don’t really believe in inspiration. I think it can be a crutch for people. You want inspiration? Keep making pictures. Is everyone going to be brilliant? Nope. Ansel Adams said something like he felt it was a good year if you got a few good pictures from it. Look at the website of a photographer you really admire. You’re seeing their best, not their entire Lightroom catalog or hard drive like you do your own. You don’t see their crap, but you do see your own crap, so people think the good ones were inspired, but they are not. Just keep working.
Through the work, you will get better and maybe come up with a few that others can attribute to inspiration. The muses come to you when you are working. Not the other way around. I make pictures of things and people that interest me. If I like it first, then I’m on the right track.
What about food/beverage photography gets you excited?
The lighting. I’ve gotten the feeling that people look at product shots as less than artistic. Try doing a really good job lighting a few different reflective surfaces without having blown highlights or weird reflections. It’s hard to do. Not taking anything away from other photographers, but nailing the lighting on product shots will make you really know how to use your lights and make you better at portraits or even seeing light on the street. I find it to be a challenge.
What kinds of themes do you explore with your work?
The above mentioned lighting. That and trying to connect with a person or place. Lately I’ve been bored with pretty pictures. I’m trying to find another level beyond the sunset, the guy in a red jacket walking down the street or the pretty landscape. I’m not there yet…I’ve thrown out a lot of pictures lately, but I feel like there’s something right around the corner. I can almost see it, but I just keep missing it. Finding another meaning, another level another element. If it has good light and interesting to look at, sometimes that is enough. I don’t know, sometimes it seems like pretentious art gallery bullshit. Nailing the lighting on a product shot makes me happy, lighting a good looking plate of food does too. The rest of my photography, I’m looking for something else and I haven’t quite yet found it.
Any upcoming projects or shoots you’re working on?
I’ve been experimenting with some liquid motion photographs. It’s still a work in progress, a messy work in progress. Nothing ready to be shared yet, but getting there.
You can follow Freddy and see his work on Twitter and his G+ profile.
Scrolling through my Flickr feed every day, I know an Enrica Brescia photo when I see one. Lush, rich, and always fashionable.
I was first attracted to Enrica’s work in the Canon EOS M group on Flickr. New to the camera, I wanted to see what others were doing with it. And Enrica’s photos, often paired with EF lenses, caught my eye. Now she’s one of my favorite portrait photographers.
Who are you and what do you do?
I am an Italian photographer based in Rome. I’m a fashion and portrait photographer.
How did you get started in photography?
I started to get into photography at the age of 15. I’ve always had a huge passion for art, particularly photography.
What do you like about your photography?
With my photography, I like the atmosphere that I can attribute to my shots.
Your work includes people, still life, landscapes – and it’s all so beautiful and rich. Where do you get inspiration for your style/ideas?
I take my inspiration from photography books and from the big fashion photographers from the history of photography.
What kind of themes do you explore with your work?
No themes specifically, I try to capture the souls of people.
Any upcoming projects or shoots you’re working on?
Here’s one from one of my many favorites on Instagram, Becca Waterloo (@oolretaw – get it?). Becca is an architect and photographer in Chicago.
I love Becca’s use of light, her explorations around the Windy City (a truly great city), and collaborations with other creatives.
Who are you and what do you do?
I am Becca Waterloo, an architect working in the West Loop. I graduated from IIT in 2011 with a bachelor’s of architecture. Being a photographer is a weekend hobby,. I typically take portraits, engagement sessions, city hall weddings and family portraits. I also frequently co-host/attend Instagram meetups, #communityfirst is important to me and I love collaborating with talented Chicago photographers.
How did you get started in photography?
I’ve had a camera as long as I can remember, whether it was the film cameras you load and have developed at Walgreens, manual SLRs, and now digital cameras and smart phones. I have a couple of photography classes on my repertoire from high school and college. It’s just always been a personal interest since I was a little girl. Visual memories are important to me to keep.
What do you like about your photography?
With an architectural background, I love honing in on the details that people don’t really notice. I am obsessed with composition and geometry in photography, negative spaces, natural light, and color. I can’t get enough color. I am complemented for my ‘laser vision’ and noticing the things that people never see, so to have that natural eye is something I am thankful for.
I like your work for its variety – urban scenes, lush greenhouses, bits of where you are and what you’re doing. Where do you get inspiration for your style/ideas?
Thank you! I’ve always been drawn to texture and color (brick walls, graffiti) so thankfully living in an urban metropolis allows me to find a lot of that. I LOVE the West Loop and Pilsen because there’s endless amount of murals, stickers, graffiti, and opportunities, so I frequently bring people there for their portraits. Conservatories are also tied for a favorite place to shoot. You cannot beat the light anywhere else, and the textures, colors, and compositions are so easy to work with.
What kinds of themes do you explore with your work?
I think playing with light is my favorite thing to do. I am really bad with the technical side of photography, so I rely heavily on natural light and the subjects I’m given. I love negative spaces and silhouettes, so you’ll see a lot of places and things that are just shown through the lighting from that day. If a room is too dark, I don’t even bring out my phone/camera. I LOATHE the flash, and I time my shoots when the light is best and most flattering. An Instagram meetup is the farthest I’ll go with exploring, so my Instagram is the best way to represent how I see life day by day.
Any upcoming projects or shoots you’re working on?
I booked an entire year of sessions with my cousin, Sam, a personal stylist who hires me to take her photos for her social marketing. Having a monthly session with her let’s me toy and use her for ideas that I’ve want to try. They don’t always work, so I enjoy laughing with her when that happens. She doesn’t judge when I want to get artsy, and let’s me practice the technical stuff, because I barely ever use my SLR.
I also co-host Instagram meetups with my friends a couple of times a year, so follow along @oolretaw to learn about the next one!
There’s something magical about Utah. I call it America’s Surprisingly Beautiful State, just because the two times I’ve been there, I didn’t know what to expect. Photographer Quinn Hall captures the American southwest perfectly.
Who are you and what do you do?
I’m Quinn Hall – but I go by “strayfoto” across most social media. I work in environmental consulting doing GIS (geographic information systems – mapping) of fossils in and around the western states. Photography, although it’s paid a few bills in the past, is mostly a hobby, albeit one I’m quite passionate about.
How did you get started in photography?
I always had a point and shoot growing up, but I bought a Pentax ZX-50(?) in about 1997. A few weeks later I bought a Pentax ME Super at a pawn shop and I was hooked. Over the years I’ve worked my way though the Pentaxes, Leicas, bigger Pentaxes, and Hasselblads. I had a wet darkroom in my basement for about six years, but I moved and had to let it go. I’ve been about 90% digital since 2009.
What do you like about your photography?
I usually hate my own photography… Not really, but I can find things to complain about. I like the creative process most. It hardly matters what I’m shooting as long as I’m creating something. I like the post too – culling and editing, looking for something I may not have noticed in the field. Photography keeps me busy. I love a good project.
Your work really shows off the American southwest. Where do you get inspiration for your style/ideas?
I lead guided tours of Arches National Park during the summers and it’s interesting to see how people from all over the world photograph the park. Sometimes someone will look at a feature in a way I’ve never even thought of and I’ll use that and try to expand on it. Sometimes it’s the opposite – I’ll think “I’m going to go shoot over here just to avoid that crowd…” and it works because I end up seeing something most others don’t.
“For me, a camera is my way to…”
Stay busy. Create more, consume less.
What kinds of themes do you explore with your work?
I went through a Leica – lots of old cameras and Tri-X film. I spent a lot of time on “street” photography forums. In rural Utah there’s not a lot “street” style photography, but I think that time influenced my taste. I don’t mind people in my landscape/nature photos, and often find they add to the scene – in a national park a shot with people in it is more honest. I often go for form or composition over ultimate subject.
Any upcoming projects or shoots you’re working on?
I recently completed shooting a couple projects and I need to move those closer to a final product. I’ve been working on a project of shots I’ve taken while running and hope to push that a little further this year.
Toward the end of last summer, as I was wrapping up my Artists In Jackson project, I went to an art show here in town to discover other Jackson-area artists. I left with one piece of art: Jenna VanDusen’s “Jackson” light painting photographer (top), and it now hangs in my home.
Jenna is a local fine art and portrait/wedding photographer, and her work is great. She uses light painting in great locations to make her work, and she works on family and wedding portraits through her Dream Real Photo & Video studio.
Who are you and what do you do?
I’m Jenna! A mother of a little three year old sweetie, a freelance videographer, and operator of Dream Real Photo & Video, LLC.
How did you get started in photography?
My father is a photographer of many many years, so of course that’s where it began. With my interest in video, I took classes for photography as well. I thought it was important to know my camera in this way while using my DSLR for video.
What do you like about your photography?
Simplicity, natural beauty, imagination, try to be original!
Your work with light painting is a lot of fun. Where do you get inspiration for your style/ideas?
It is a lot of fun! Inspiration began when learning about long exposure! I was blown away seeing work from photographer Gjon Mili as he captured light paintings with figure skaters and Picasso! Those images are so magical to me, done around 1947. Patience is key, to do it over and over, fixing your mistakes. Planning and visualizing what you want and how you’re going to pull it off is key. Being at a certain location is where the inspiration starts and then what to draw, or vis versa.
For any photographer I think to reach out to or connect to someone is a goal, but to add the light is to add a feeling too, and adding color can easily change the feeling.
What kinds of themes do you explore with your work?
Everything. My goal is to appreciate and do all types of photography. I feel like not only am I practicing about that way to shoot or technique but it’s an insight into … everything, which is what I enjoy most, the experience. Photography documents the beauty in life – which can be narrowed to two very broad categories: people and nature, together or apart, in many aspects!
Everyone is a dreamer. I’m all for realistically accomplishing your dreams. My hope is that my photography lets viewers to escape reality, but also brings inspiration for them in their lives.
Any upcoming projects or shoots you’re working on?
Projects are constant! Creatively I have a few ideas that i’ve been thinking about for as long as a year. Ideas just snowball and get bigger, which means more planning and taking steps for correct resources.
As much I appreciate and won’t stop doing light paintings free hand, I’m beginning a even more modern take on it, and incorporating light more into video and with clients, which is really exciting.
I’d like to work more with artists in Jackson with light painting [Wonder Woman with Doug Jones, above]. Everything I draw is very simple, which I love! But I think there is much to be done.
I’m also doing a personal 52 Week Photography project with Hayley Woodward, where we pick out a theme/subject/shooting technique and practice!
Color, shadow, light – these are the “paint” a photographer uses to make photographs. It’s fun to see when a photographer like Maarten Rots use these materials in an abstract way: pure color, pure shadow, depth, and layers, and light.
I like following Maarten because he’s a maker – a guy who tackles living, breathing projects like his March & Rock magazine. He creates tangible things with his abstract photos.
Who are you and what do you do?
My name is Maarten Rots and I’m a full-time artist with a camera around my neck. I live and work in Amsterdam, the Netherlands, where I also graduated from the Gerrit Rietveld Academy in 2010, studying audio visual art. Besides capturing the world around me, I really enjoy taking the next step and try to figure out an interesting way to present my photography. One of the outcomes is my self-published photography magazine March & Rock.
How did you get started in photography?
I actually filmed quite a bit before really making the jump to still photography. I used to go out with my video camera in a way that’s similar to how many street photographers work, hoping to catch an interesting scene.
It was in the summer of 2014 when I had to replace my broken video camera when I decided to go for a DSLR. I quickly (re)discovered the power of the still image and have mainly been photographing since.
What do you like about your photography?
It helps me see the world through a different lens. Literally but also figuratively – by being very clear about what I decide to have inside and outside the frame I construct my own version of reality, with photographic evidence. There is a beautiful sense of abstraction to be found in everyday life and I really enjoy emphasizing that through photography. The challenge is to do it all in-camera, I refrain from removing or adding elements and filters. Everything is already there when I shoot it, what I see is what you get.
I love the style of your photography – it reminds me a lot of Saul Leiter. Where do you get inspiration for your style/ideas?
The discovery of Saul Leiter’s work has undeniably had an impact on my own development. I really like to create layered images, and that’s where reflections can play an important role. When there are people in my shots they are mostly passersby or entourage, whereas in Saul Leiter’s work they are much more the subject of his images.
I really enjoy the work of photographers such as Alex Webb and Harry Gruyaert – both members of Magnum, but I am interested in other fields of art as well. A more recent discovery is the painter Lyonel Feininger, whose abstraction – the way he abstracted reality in his paintings – is something I strive for with my photographs.
Victor Kossakovsky’s film Tishe (Hush) is one of the films that has been of influence on my work. Not so much style-wise, but the concept behind the film. He shot the whole thing from his apartment, capturing what was happening right outside his door. The conviction that an interesting story can be found anywhere is something he applied again in his 2011 film ¡Vivan las antipodas! – where he filmed life in opposite ends of the world.
Fill in blank: “For me, a camera is my way to…”
Capture and share how I see reality.
What kinds of themes do you explore with your work?
I function really well in urban environments and architecture takes an important place in my photographs. I like to explore and go to new places as often as possible.
I carefully construct the compositions in my photographs by taking different positions and distances from the situation I want to capture. I can take quite some time to find the best way to frame a shot as I try to restrict myself to take only a single image. In that sense I think you could compare my process more to that of a painter than a street photographer. I don’t want to rely on the “lucky shot” – I take care to make sure the image is as it comes out before I press the shutter release button. Abstraction has become a more and more important theme in my photography. Trying to capture multiple layers in a single exposure helps me add a level of abstraction as I construct a new reality.
Any upcoming projects or shoots you’re working on?
In July last year (2015) I did the first edition of my photography project, Siting. This project revolves around a simple concept: I photograph a fixed area for one week and choose one photograph each day that will be printed on a larger scale and becomes part of an exhibition afterwards. The area to work in is designated by the space I use to do the project; it serves as the center point of a one-mile radius, which then becomes the area where I can take photographs. The first edition took place in Amsterdam.
I am planning to expand this project worldwide, I have a few options for this year and chances are high that there will be editions in Las Vegas and Antwerp in the coming months.
Next to that I am always working on the next edition of March & Rock, my photography magazine. My wife and I recently bought a VW camper van which enables me to go and shoot in a lot of different places. This will definitely show through in coming editions of March & Rock!
My name is Kathryn Trattner and I write and photograph things. I work full time for the Metropolitan Library, my local library system in Oklahoma City, and when I’m not second shooting I spend the rest of my free time with my two toddlers.
How did you get started in photography?
I started taking photography seriously about a year ago. A very dear friend (@robynicks) is a talented wedding photographer and she needed an assistant. I volunteered and loved it. It’s so amazing to be included in someone’s big day, to see everything come together, and Robyn is amazing and fun to work with. Over time assisting became second shooting, I bought a DSLR, and photography has taken over my life. In a good way.
What do you like about your photography?
I love the details. I make a point of noticing them because so often they’re the first things I forget. I tend to get lost in the big picture stuff so it’s nice to take a moment and notice something that might otherwise be overlooked. Especially at weddings, you remember the faces and the main event, but it’s easy to forget how the flowers looked or the lace on a dress. Those little things add a layer of richness to memory.
Right now I have a three and one year old and I’m constantly taking pictures of their hands or feet, photos of them sitting with their backs to me. I’m always going to remember the big things, like the first tooth or first steps, but the way their hair curled just the tiniest bit after a bath, the little hands no bigger than my palm, I don’t want to forget those either.
You describe your work as capturing details, and little slices of life. Where do you get inspiration for your style/ideas?
Everywhere. I feel like I’m constantly taking pictures in my head, even when I don’t have my iPhone or DSLR handy. Anything and everything can be beautiful or interesting or arresting.
Why is it important for you to capture your surroundings?
Part of my obsession with details in my desire to always add another layer to my writing. I need to be able to paint a picture with words and photographing details feeds my writing. It’s also a nice escape when I’ve sat too long at my computer and it feels like my brain has turned to mush.
What kinds of themes do you explore with your work?
I’m not sure there are any themes to my work. Maybe someone outside looking in would see a pattern but for me there isn’t one.
Any upcoming projects or shoots you’re working on?
Over the next year I’ll be second shooting lots of weddings and special events. But the biggest thing I’m excited about personally is my upcoming trip to San Francisco. I’m so excited to photograph a city so different from the one I live in.
