gear

Camera (in)Decisions: Canon M6 Review

Jackson, Michigan - foggy morning

It’s true that I upgraded my original Canon M early last year with the Canon M200

As the year went on and I used it more and more, a little itch in the back of my brain started. The itch, which weirdly has a voice, started saying, “Using this camera should be easier – and more fun, like your original Canon M was.”

What the itch said was also true. 

Some of those true things included:

  • The M200 is not a customizable camera. You get what you get, no mods allowed.
  • I really missed the physical button to center the focus point, like I had on the OG M and other M cameras.
  • I also missed the little handgrip bump on the front of the M. The M200 is as flat as Ohio

Last March, I said:

There aren’t many buttons or options, it’s not the toughest model, and you don’t have the in-the-hand control you have on a more advanced camera. But coming from the original M, the M200 felt at home in my hands.  

“Trust your instincts,” the itch said, and there I was with this 2019-era mirrorless camera that did not bring me joy.

With all these truths in mind, I went back and looked to see if I could still upgrade to a Canon M6 mark II. The price was still high, and it still wasn’t widely available. That’s when my budget-friendly brain had an idea:

What if I bought an original and used Canon M6?

It doesn’t have all the modern bells and whistles of the mark II, but it does have:

  • Customizable buttons – and lots of them. The M6 has an almost Fuji-level amount of physical dials and buttons.
  • A physical button to recenter the focus point.
  • A wonderful hand grip on the front – more DSLR-style than a modest bump like the M had.
  • All the features of the M200: higher resolution, flippy screen, faster focus, etc.

And, little itch, the silver version looks kind of cool, cashing in on the retro silver-and-black look of film SLRs and rangefinders.

So that’s what I did: I purchased a refurbished Canon M6 and sold off my M200.

Here are some glamour shots with the EF-M 32mm f/1.4, taken on the Canon 5D and EF 100mm f/2.8 macro lens.

So far? I dig the M6. I love the improved ergonomics, retro styling, faster speed, and manual controls – especially the bumpy, knurled dials for aperture or ISO. 

A few things I don’t love:

  • I do wish it had a viewfinder, even though I’m used to not having one on the M series. A rangefinder-style viewfinder would be so handy.
  • There’s a greenish/cyan tint to the files in Lightroom. I’m not sure if it’s the camera or Lightroom’s raw file handling, but I load up some files and they look icky.
  • Certain buttons on the camera drive me crazy: the touchscreen zoom button in the lower right and the physical manual focus button on the main dial. When I go to focus on a subject, the camera is unresponsive because I accidentally brushed that MF button. I turned it completely off in the custom settings.

Those quirks tell me that modern cameras, with so many hybrid demands put on them, are never perfect. My Canon 5D is perfect. Everything else has limitations or annoyances. 

The above shot shows me using the M6 exclusively on a new photo project to learn my new camera. 

This leads to the larger question about my camera strategy: what am I going to keep, and why do I need a different system than my EOS+EF system?

  • Mobility: I like the Canon M lineup’s weight and small size. It’s a perfect everyday carry and travel setup, including if I ever want to do some video.
  • Quality: Images are good, and the lenses make for sharp, pleasing photos.
  • Vibes: Since that first Canon M, I’ve admired the series, flawed though it is. It’s weird investing and tinkering with a dead mirrorless camera system, but I do love these little cameras.

With the M6, it’s so far, so good. This combined with my old, clunky (but reliable) M as a backup, and I’ve got an old+new system similar to my Canon 5D plus 6D.

I brought the M6 with me to Austin, Texas, and Monterrey, Mexico. It served me well during the holidays and on random photo outings. It feels so much better in the hand.

It also quieted the itch.


A Good Case for the Everyday Carry

Ali from One Month Two Cameras discusses her needs and wants for her everyday carry camera—the one you use for just about everything.

For 12 years, that was the Canon M for me. Earlier this year, I upgraded to the Canon M200, but I’ve had second thoughts. And those thoughts came right as Ali’s video went live last week.

Put shortly: she’s on to something…


Using Older Camera Gear

“Rebelling against the standard” – that’s all the excuse I need.

Martin Castein makes a good case for using older gear, but one point he missed:

Save money.

Instead of $1,000-4,000 for a new camera, how about using a five- to 10-year-old camera for $500 or less? There are so many great deals to be had on fantastic cameras.


The Spark You Need

The Spark You Need

Wrapping up my latest project, I thought about what kickstarted the whole thing.

It was the film. Lomography advertised a new, limited-run film stock that you had to buy in bulk – 10 boxes an order. That got my brain, and my math, going: 10 boxes of 36 exposure film equals about a year’s worth of shots, if you took one shot per day.

Boom. A project.

Sometimes we don’t need grand ideas for personal projects. Sometimes it’s the gear that sparks an idea.

Grab a cheap-o camera and see what kind of project you can make out of it. Take a simple piece of equipment – a vintage lens, or twin-lens reflex camera – and see where it leads you.

All you need is a spark.


Try Not to Try

Try Not to Try

Desire, as the Buddha taught, is the source of suffering.

This is true in photography as well. New gear comes out, and photographers start sweating from Gear Acquisition Syndrome. It makes photographers feel like their gear is unworthy, and that photographs would be so much better with that new lens/camera/whatever.

Here’s a trick I learned to get over that feeling: just wait.

Wait a week. Don’t think about it. Maybe wait a bit longer.

Then: assess your feelings. Do you still desire that object?

For me, the waiting works every time. I look back at my week-ago self and wonder, what was all the fuss about? Is my life worse off? Did I suffer for not jumping on a purchase?

This strategy applies whenever I’m thinking about making a major purchase. If I wait, and I still feel strongly, then I know it’s important. If I wait and the feeling passes, I know I can either save up a bit more, wait a little longer for a discount, or just not go through with the purchase.

As Tom Petty sang, sometimes the waiting is the hardest part. Once you’re past that, you’ll make better decisions.

 


On Camera Resale Value

Higher Education

Chris Gampat at the Phoblographer breaks down the resale value of the major camera brands, both film and digital.

It’s such a strange way to think about buying a camera.

If I’m going to make an investment in a camera or lenses, I’m going to think about the lifespan of the equipment and how much work I can get done with it. Resale value doesn’t enter into the do-I-buy-it equation at all.

For me, I’d rather have a well-used camera that helps me make photographs than worry about selling it down the road.


Change of Pace

Ann Arbor, MI

John Carey at 50 Foot Shadows, after his X-Pro broke, picked up a classic Canon 5D after a long absence.

Funny thing happened in that, I found myself inspired by the change of pace. The original 5D has such a beautiful sensor, it’s like changing film. While I miss flexibility in ISO and dynamic range the photos I get from the 5D are moody, colorful, contrasty, they really have a life of their own, in fact, as some of you already know, the camera defined my style 10+ years ago when I started to shoot with it.

Carey took a look back to when he first put down his 5D. His feeling then matches my own now: “This is a still photo camera. There is no shame in that.”

No shame, indeed. In fact, I see it as a point of pride. When you want to take pictures, you pick up a picture-taking machine.


New Camera Strap

Gordy Camera Strap

Maybe it’s waking up out of winter, or maybe it’s just a little more sunshine affecting my brain – but I recently splurged on some photography gear.

This year, to kick off my project, I treated myself to a new camera strap from Gordy’s. It’s not going to make my photos better, and it’s not one of those $100 artisan leather products that get all the reviews. It’s a simple leather strap that holds my Canonet around my neck. And it’s dark brown, with red and burgundy accents.

It’s half fashion, half pragmatism. My old strap was a simple nylon affair, thin and unassuming. It did the job, sure, but not well, and it wouldn’t win any beauty contests. With this new leather strap, at least I feel like human beings made it with attention and care.

I also have this thing where all my camera straps need to be brown. Whatever.

Gordy’s does this nice thing where they feature photographers’ cameras on their photo gallery. A nice way to show off gear, and their product. They have a great Instagram account, too.


On Compact, Fixed-Lens Cameras

Canon Canonet

Leave it to Eric Kim to beat me to a post I’ve been mulling over for months:

There is no perfect or ideal lens or focal length out there. Rather, it is about finding the lens or focal length which fits 80% of your needs. Psychologists call this “satisficing” (a mix between satisfying and sufficing). Rather than aiming for “perfect”, you aim for “good enough.” And by aiming for “good enough”, you are a lot happier and and satisfied than people who are “maximizers” and aim for “perfection.”

When I buy a Mac, I always go for the consumer, mid-range version. I bought an iBook, the consumer-grade notebook, and now I buy iMacs, the consumer-grade desktop. It’s nice to have a pro machine, but the combo of size, price, and capabilities make the mid-range Macs my go-to computers.

So it’s going to be with me and cameras. My Canon EOS M, the Canonet, the Olympus Trip 35, even the Fuji X100 I rented for a week – these are all consumer grade, small size, fixed lens (the 22mm never leaves my M) cameras, and they’re my favorite to take with me when I’m looking for ease of use and image quality.

Even with my Fuji X-E1, the 27mm pancake lens never left the front of that camera, and it was – in spirit – a fixed-lens compact camera, perfect for traveling.

As Kim says, these kinds of cameras (Sony makes one, as does Leica, Canon maybe be working on a full frame version, etc.) are good enough for most needs. Need to get closer? Move closer. Need a wider angle? Buy a 28mm version. For most people, 28-40mm is good enough for most situations, and most of the film compact cameras came with a 40-ish lens for a reason.

Also, you just can’t beat the size and portability. It’s the throw-it-in-the-front-seat-of-your-car situation: is the camera small enough to take with you on most daily commutes and travel? Will it fit in your commuter bag or purse? Is it unobtrusive, and is it easy to carry around?

Just as important: is it fun to use?

For these smaller, fixed-lens cameras, the answer is almost always “yes.”