Turn On the Bright Lights
Jackson, Michigan – shot on the Canon EOS M with the EF-M 22mm f/2.
canon eos m
Foggy October Photography
Have to get out and take advantage of these foggy mornings before they’re gone – only to return in early spring.
Shot on the Canon EOS M and EF-M 22mm f/2 in Jackson, Michigan.
Two-Week Vacation
All of our summer vacations have lasted a week. Weekend to weekend, about 9-10 days max. This year, we tried something different: taking a two-week vacation out East.
We hit the road in late June for an epic road trip to the Atlantic Coast – first to Nova Scotia, Canada, for one week, then to Maine for the second week.
To get there, it meant driving 20 hours through Ontario, Quebec, New Brunswick, and finally Nova Scotia to our first cabin. We split the drive in half, staying overnight in Trois-Rivières, Quebec, at a lovely hotel on the St. Lawrence Seaway.
I took six years of French in high school and college, so it’s been a while since I spoke it fairly fluently. It was pretty humbling to walk into a gas station on the edge of Trois-Rivières where the checkout team spoke nothing but French.
Petrol, s’il vous plait?
Quebec was a brief stop on the way, but it is a huge Canadian province, and most of our driving ran along the St. Lawrence until we hopped over the river in Quebec City and then on through New Brunswick.
This is the first in a series of posts outlining our big summer adventure. I brought along the Canon EOS M6 with a full kit of EF-M lenses. I also kept the Canon EOS M in the car for road photos, and the few you see above in Trois-Rivières.
An epic road trip to the East Coast sporting the Canon M line. Lots more to come.
Shot on the Canon EOS M and EF-M 22mm f/2.
Forgotten Photos
Do you know that thing with film cameras where it may take you weeks, months, or even years to shoot a whole roll of film?
And then you get the film photo printed, and it’s like rediscovering everything you photographed over that time period?
I do that on my digital cameras, too. I have my front-seat camera, the Canon EOS M, and my around-the-house camera, the Canon 5D. Sometimes, I’ll go weeks without importing the photos into Lightroom. There’s no rush, so I let the images collect on the card.
That time and distance help me evaluate whether I like the pictures or not. So does forgetting about photos in my Lightroom catalog. I can go years without looking at some photos, and then I look through my catalog and remember moments, scenes, trips, and light.
The trick is to actually look back at your archive and see what’s buried there.
You might discover a lost gem or two.
An Ode to the Canon EOS M
Call this a love letter to a 13-year-old camera.
I purchased my Canon EOS M 12 years ago during a Canon fire sale. Very quickly, I appreciated the M’s size, portability, and image quality.
As the years went on, the M was always there. It went everywhere: to the beach, on family trips, on urbex adventures, and in my front seat as I drove around Michigan grabbing anything that caught my eye. The M is still my grab-and-go kit, my reliable everyday carry camera.
Last year, I tried to replace it – first with the M200 and then the M6. But like a comfy, broken-in pair of shoes, I kept the original M out of – what – loyalty? Insecurity?
I’m glad I did, because on my recent Detroit trip, my Canon M6’s shutter button started to malfunction. Then, in a terribly frustrating mishap, I dropped my M6 and the EF-M 22mm on a sidewalk, denting the lens and leaving scuff marks on the M6. I’ll have to replace the lens, which is expected. The drop was my fault. But the M6’s shutter button? It’s a known issue and it hit me at the most inconvenient time while we’re on vacation. Despite my attempts to fix it, the problem is still there, and repairing it will cost more than what the camera is worth.
I tried replacing the OG Canon M. Twice now. But the hits keep on hitting.
The first week I owned the M, back in 2013, I dropped it on a street. I was so mad at myself. Here was this brand-new camera, and I had already tried to wreck it.
Do you know what happened? Nothing. The M has consistently kept shooting ever since. Despite all the drops, all the bangs, all the dust and sand, it just keeps going. In 2013, I wrote:
The camera itself is a solidly-built little instrument. It feels dense, but not heavy, so that it feels like a good, quality hunk of camera.
Here we are, 12 years later, and that sentence is still true. No, the dial pad won’t let you go up in selections anymore, and yes, it flakes out now and again. But I’ll take manageable reliability over a complete lack of functionality during critical times.
I grew to love the M6, too. I love the look, the convenient dials, and the grip. But if the shutter button gives me problems, that becomes a core issue with the camera’s operation.
Luckily, I kept the M. It’s still my everyday carry, it still travels in my vehicle front seat, and it’s still there when I need it. I could replace it with a new-in-box model, and it would probably last me another 12 years. Apart from my Canon 5D mark 1, it’s my favorite camera of all time. I talk lovingly about it in ways film photographers talk about the Leica M2 or M3, or Nikon users talk about the F series.
Canon’s M series is a dead system. I still love it.
I’m not sure where to go from here. But whichever way I go, the Canon M remains by my side.
All images captured on the Canon EOS M and EF-M 22mm f/2.
Canon + Kodak T-Max Film Simulation
Black and white is tough.
You’d think shooting monochrome with only two “colors” – black and white – would be easy. But photographers’ opinions on black and white film and presets are almost as strong and varied as their opinions on camera companies.
Canon’s standard monochrome picture profile setting is…fine. It’s just not special or unique.
But thanks to the power of custom picture profiles and film simulations, you can get the look of Kodak T-Max film on your digital Canon EOS camera.
This T-Max film emulation comes from the Vision Wrangler collection – like the previous Kodachrome film style.
I took a sunny, spring evening in downtown Jackson, Michigan, to try out this black and white emulation. Maybe it was the lighting, maybe it was the simulation, but this was good stuff.
For a contrast-y film simulation, this T-Max picture profile was a good walk-around monochrome standard. If you want to shoot JPGs and not worry about editing, this film emulation is reliable and consistent.
My one suggestion with this profile is to try cranking up the ISO setting on your digital Canon to get more of a filmic grain.
But the deep blacks and good microcontrast? It’s all here.
Here’s how to install picture profiles on your own Canon digital camera.
Shot on the Canon EOS M and EF-M 22mm f/2.
False Spring
This early in March? We Michiganders know better.
Shot on the Canon EOS M and EF-M 22mm f/2.
Painting
Nothing like winter to add a little more color into our lives.
This was the girls’ doing: a new bed, new paint, and new, big-girl furniture.
Shot on the OG Canon EOS M and EF-M 22mm f/2.
Ask to Stay
Ann Arbor, Michigan
Sharing more of my (rare) black and white work on Flickr this month.
New Lens Tryout: Canon EF-M 32mm f/1.4 Review
It’s been a while since I purchased a new lens. The truth is, I really have all I need, even though the Canon R system keeps tempting me.
For my mirrorless system, I’m sticking with my trusty Canon M. Forever, I’ve had the EOS M 22mm attached to that camera. I see in cropped 35mm on that camera.
So when Canon had a fire sale on refurbished 32mm f/1.4 prime lenses for Black Friday, I thought, “Now’s the time to get something new.”
(My other plan is to upgrade the camera itself, since my faithful M is almost 10 years old now. But we’ll see what next year brings.)
The 32mm is a 51mm equivalent on the M system. My comfort zone is in that 35-50mm range, but the extra F stop adds the opportunity for some shallow depth of field on a near-portrait fixed lens. All these years, I’ve been limited to a 35mm view on the M. This new lens was my chance to put another option in a camera I use 75% of the time.
And what a lens. It took some time to get used to this new field of view, but after fiddling with the unique focus system, I got the hang of it. When we went Christmas tree shopping this weekend, I saw it as a perfect chance to take the lens for a spin on a chilly, sunny midwestern December day.
As with the other M lenses, the 32mm is tack sharp. It’s stunning what these little, lightweight lenses can do. It does stick out from the front of the camera more than the pancake-style 22mm does, so getting the grip and balance just right took some time. It was also weird not to look through a viewfinder and see that 50mm field of view – the M has a touchscreen and touch-focus system.
These are minor getting-adjusted points. It’s a great lens, and I can see building a truly lightweight, mirrorless system out of this, the 22mm, and maybe a wide-angle M lens paired with a new M camera.
Tennessee
Much like our vacation last summer, for spring break earlier this month, we went all natural and took a quick trip to the Smoky Mountains of Tennessee.
Sticking mainly to the national park, we enjoyed the fresh spring air of the Appalachians. And what scenery: lovely mountain streams following us along the roadways, vistas not yet obscured by tree foliage, and the winter melt trickling down from the mountainsides, creating little waterfalls everywhere we went.
After a mild winter, it was good to get outside and tire ourselves out.
I took along my handy little Canon EOS M with the EF-M 22mm f/2 – or as I call it, the Family Camera. It goes with us on every road trip. Over the years, it’s definitely earned its share of bumps and bruises, but it’s small and light, and the picture quality still can’t be beaten – almost 10 years later.
The 35mm equivalent focal length is wide enough to get these lovely landscape shots, and I can bring it in closer for shots of the kids or super close-up shots of flowers or details. While the autofocus is lousy, I don’t need it to catch quick-moving subjects too often. It’s a clumsy, deliberate camera, and I still love it.
I’ll probably drop it down a cliff or forget it at some roadside diner on one of our family vacations someday. If it ever needs replacing, I’d be satisfied with a white M2 “upgrade.”
For now, the M is in the “good enough” category. It captured those scenic Tennessee landscapes perfectly and came home to tell the tale.
On Compact, Fixed-Lens Cameras
Leave it to Eric Kim to beat me to a post I’ve been mulling over for months:
There is no perfect or ideal lens or focal length out there. Rather, it is about finding the lens or focal length which fits 80% of your needs. Psychologists call this “satisficing” (a mix between satisfying and sufficing). Rather than aiming for “perfect”, you aim for “good enough.” And by aiming for “good enough”, you are a lot happier and and satisfied than people who are “maximizers” and aim for “perfection.”
When I buy a Mac, I always go for the consumer, mid-range version. I bought an iBook, the consumer-grade notebook, and now I buy iMacs, the consumer-grade desktop. It’s nice to have a pro machine, but the combo of size, price, and capabilities make the mid-range Macs my go-to computers.
So it’s going to be with me and cameras. My Canon EOS M, the Canonet, the Olympus Trip 35, even the Fuji X100 I rented for a week – these are all consumer grade, small size, fixed lens (the 22mm never leaves my M) cameras, and they’re my favorite to take with me when I’m looking for ease of use and image quality.
Even with my Fuji X-E1, the 27mm pancake lens never left the front of that camera, and it was – in spirit – a fixed-lens compact camera, perfect for traveling.
As Kim says, these kinds of cameras (Sony makes one, as does Leica, Canon maybe be working on a full frame version, etc.) are good enough for most needs. Need to get closer? Move closer. Need a wider angle? Buy a 28mm version. For most people, 28-40mm is good enough for most situations, and most of the film compact cameras came with a 40-ish lens for a reason.
Also, you just can’t beat the size and portability. It’s the throw-it-in-the-front-seat-of-your-car situation: is the camera small enough to take with you on most daily commutes and travel? Will it fit in your commuter bag or purse? Is it unobtrusive, and is it easy to carry around?
Just as important: is it fun to use?
For these smaller, fixed-lens cameras, the answer is almost always “yes.”
Rainy Autumn Days
The fall colors this year have been a lot of fun to watch, especially here on campus. So I couldn’t let a little thing like a rainy day stop me from wandering and grabbing a few images.
Orange, yellow, green, muddy browns – all the October colors were there. Although the rain would knock many of the more colorful leaves down.
I haven’t had the time or energy to get out and take autumn photos like I’ve wanted to. We had the weekend up north, and lots of Halloween fun, but I feel like I’ve watched this autumn pass by. Thankfully, an umbrella makes dreary day image making possible.
Prayer (and Penthouse) Can Change Your Life
Prayer (and Penthouse) Can Change Your Life – Jonesville, Michigan
Canon Generations: EOS M and Canonet
My two portable Canons, and probably my most used digital and film, respectively. Light, easy to use, and capable of great photo making.