canon eos m

An Ode to the Canon EOS M

Downtown Jackson, Michigan - shot on Canon EOS M

Call this a love letter to a 13-year-old camera.

I purchased my Canon EOS M 12 years ago during a Canon fire sale. Very quickly, I appreciated the M’s size, portability, and image quality. 

As the years went on, the M was always there. It went everywhere: to the beach, on family trips, on urbex adventures, and in my front seat as I drove around Michigan grabbing anything that caught my eye. The M is still my grab-and-go kit, my reliable everyday carry camera.

Last year, I tried to replace it – first with the M200 and then the M6. But like a comfy, broken-in pair of shoes, I kept the original M out of – what – loyalty? Insecurity? 

I’m glad I did, because on my recent Detroit trip, my Canon M6’s shutter button started to malfunction. Then, in a terribly frustrating mishap, I dropped my M6 and the EF-M 22mm on a sidewalk, denting the lens and leaving scuff marks on the M6. I’ll have to replace the lens, which is expected. The drop was my fault. But the M6’s shutter button? It’s a known issue and it hit me at the most inconvenient time while we’re on vacation. Despite my attempts to fix it, the problem is still there, and repairing it will cost more than what the camera is worth.

I tried replacing the OG Canon M. Twice now. But the hits keep on hitting.

The first week I owned the M, back in 2013, I dropped it on a street. I was so mad at myself. Here was this brand-new camera, and I had already tried to wreck it.

Do you know what happened? Nothing. The M has consistently kept shooting ever since. Despite all the drops, all the bangs, all the dust and sand, it just keeps going. In 2013, I wrote:

The camera itself is a solidly-built little instrument. It feels dense, but not heavy, so that it feels like a good, quality hunk of camera.

Here we are, 12 years later, and that sentence is still true. No, the dial pad won’t let you go up in selections anymore, and yes, it flakes out now and again. But I’ll take manageable reliability over a complete lack of functionality during critical times. 

I grew to love the M6, too. I love the look, the convenient dials, and the grip. But if the shutter button gives me problems, that becomes a core issue with the camera’s operation. 

Canon EOS M: Sensor

Luckily, I kept the M. It’s still my everyday carry, it still travels in my vehicle front seat, and it’s still there when I need it. I could replace it with a new-in-box model, and it would probably last me another 12 years. Apart from my Canon 5D mark 1, it’s my favorite camera of all time. I talk lovingly about it in ways film photographers talk about the Leica M2 or M3, or Nikon users talk about the F series. 

Canon’s M series is a dead system. I still love it.

I’m not sure where to go from here. But whichever way I go, the Canon M remains by my side. 

All images captured on the Canon EOS M and EF-M 22mm f/2.

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Canon + Kodak T-Max Film Simulation

Canon + Tri-X

Black and white is tough.

You’d think shooting monochrome with only two “colors” – black and white – would be easy. But photographers’ opinions on black and white film and presets are almost as strong and varied as their opinions on camera companies.

Canon’s standard monochrome picture profile setting is…fine. It’s just not special or unique. 

But thanks to the power of custom picture profiles and film simulations, you can get the look of Kodak T-Max film on your digital Canon EOS camera. 

This T-Max film emulation comes from the Vision Wrangler collection – like the previous Kodachrome film style. 

I took a sunny, spring evening in downtown Jackson, Michigan, to try out this black and white emulation. Maybe it was the lighting, maybe it was the simulation, but this was good stuff. 

For a contrast-y film simulation, this T-Max picture profile was a good walk-around monochrome standard. If you want to shoot JPGs and not worry about editing, this film emulation is reliable and consistent. 

My one suggestion with this profile is to try cranking up the ISO setting on your digital Canon to get more of a filmic grain. 

But the deep blacks and good microcontrast? It’s all here. 

Here’s how to install picture profiles on your own Canon digital camera. 

Shot on the Canon EOS M and EF-M 22mm f/2.

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False Spring

False Spring

This early in March? We Michiganders know better.

Shot on the Canon EOS M and EF-M 22mm f/2.

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New Lens Tryout: Canon EOS M 32mm f/1.4

It’s been a while since I purchased a new lens. The truth is, I really have all I need, even though the Canon R system keeps tempting me.

For my mirrorless system, I’m sticking with my trusty Canon M. Forever, I’ve had the EOS M 22mm attached to that camera. I see in cropped 35mm on that camera.

So when Canon had a fire sale on refurbished 32mm f/1.4 prime lenses for Black Friday, I thought, “Now’s the time to get something new.” 

(My other plan is to upgrade the camera itself, since my faithful M is almost 10 years old now. But we’ll see what next year brings.)

The 32mm is a 51mm equivalent on the M system. My comfort zone is in that 35-50mm range, but the extra F stop adds the opportunity for some shallow depth of field on a near-portrait fixed lens. All these years, I’ve been limited to a 35mm view on the M. This new lens was my chance to put another option in a camera I use 75% of the time.

And what a lens. It took some time to get used to this new field of view, but after fiddling with the unique focus system, I got the hang of it. When we went Christmas tree shopping this weekend, I saw it as a perfect chance to take the lens for a spin on a chilly, sunny midwestern December day.

As with the other M lenses, the 32mm is tack sharp. It’s stunning what these little, lightweight lenses can do. It does stick out from the front of the camera more than the pancake-style 22mm does, so getting the grip and balance just right took some time. It was also weird not to look through a viewfinder and see that 50mm field of view – the M has a touchscreen and touch-focus system. 

These are minor getting-adjusted points. It’s a great lens, and I can see building a truly lightweight, mirrorless system out of this, the 22mm, and maybe a wide-angle M lens paired with a new M camera. 

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Tennessee

 

Much like our vacation last summer, for spring break earlier this month, we went all natural and took a quick trip to the Smoky Mountains of Tennessee.

Sticking mainly to the national park, we enjoyed the fresh spring air of the Appalachians. And what scenery: lovely mountain streams following us along the roadways, vistas not yet obscured by tree foliage, and the winter melt trickling down from the mountainsides, creating little waterfalls everywhere we went. 

After a mild winter, it was good to get outside and tire ourselves out.

I took along my handy little Canon EOS M with the EF-M 22mm f/2 – or as I call it, the Family Camera. It goes with us on every road trip. Over the years, it’s definitely earned its share of bumps and bruises, but it’s small and light, and the picture quality still can’t be beaten – almost 10 years later. 

The 35mm equivalent focal length is wide enough to get these lovely landscape shots, and I can bring it in closer for shots of the kids or super close-up shots of flowers or details. While the autofocus is lousy, I don’t need it to catch quick-moving subjects too often. It’s a clumsy, deliberate camera, and I still love it.

I’ll probably drop it down a cliff or forget it at some roadside diner on one of our family vacations someday. If it ever needs replacing, I’d be satisfied with a white M2 “upgrade.” 

For now, the M is in the “good enough” category. It captured those scenic Tennessee landscapes perfectly and came home to tell the tale.

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On Compact, Fixed-Lens Cameras

Canon Canonet

Leave it to Eric Kim to beat me to a post I’ve been mulling over for months:

There is no perfect or ideal lens or focal length out there. Rather, it is about finding the lens or focal length which fits 80% of your needs. Psychologists call this “satisficing” (a mix between satisfying and sufficing). Rather than aiming for “perfect”, you aim for “good enough.” And by aiming for “good enough”, you are a lot happier and and satisfied than people who are “maximizers” and aim for “perfection.”

When I buy a Mac, I always go for the consumer, mid-range version. I bought an iBook, the consumer-grade notebook, and now I buy iMacs, the consumer-grade desktop. It’s nice to have a pro machine, but the combo of size, price, and capabilities make the mid-range Macs my go-to computers.

So it’s going to be with me and cameras. My Canon EOS M, the Canonet, the Olympus Trip 35, even the Fuji X100 I rented for a week – these are all consumer grade, small size, fixed lens (the 22mm never leaves my M) cameras, and they’re my favorite to take with me when I’m looking for ease of use and image quality.

Even with my Fuji X-E1, the 27mm pancake lens never left the front of that camera, and it was – in spirit – a fixed-lens compact camera, perfect for traveling.

As Kim says, these kinds of cameras (Sony makes one, as does Leica, Canon maybe be working on a full frame version, etc.) are good enough for most needs. Need to get closer? Move closer. Need a wider angle? Buy a 28mm version. For most people, 28-40mm is good enough for most situations, and most of the film compact cameras came with a 40-ish lens for a reason.

Also, you just can’t beat the size and portability. It’s the throw-it-in-the-front-seat-of-your-car situation: is the camera small enough to take with you on most daily commutes and travel? Will it fit in your commuter bag or purse? Is it unobtrusive, and is it easy to carry around?

Just as important: is it fun to use?

For these smaller, fixed-lens cameras, the answer is almost always “yes.”

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Rainy Autumn Days

The fall colors this year have been a lot of fun to watch, especially here on campus. So I couldn’t let a little thing like a rainy day stop me from wandering and grabbing a few images.

Orange, yellow, green, muddy browns – all the October colors were there. Although the rain would knock many of the more colorful leaves down.

I haven’t had the time or energy to get out and take autumn photos like I’ve wanted to. We had the weekend up north, and lots of Halloween fun, but I feel like I’ve watched this autumn pass by. Thankfully, an umbrella makes dreary day image making possible.

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Camera Review: Canon EOS M

Previously:

Canon EOS M: Body

After toying around with the mirrorless camera world, I got to appreciate the conveniences – what I call the throw-it-in-the-car effect. Mirrorless cameras like the Fuji X100 are light, small, and not prone to bang into things with a lens sticking out of the front.

Two years after purchase, I still love my Canon EOS M. I just had someone ask me about it on Flickr, and thought I’d share my review again.

It’s a great little camera as long as you accept its limitations.

Read my original review.

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Tobermory, Ontario

Land, ho!
Sunset on the Georgian Bay. We had a prime location along the lake.
The rocky shore of Flowerpot Island.
The boys of summer.
Exploring the Bruce Peninsula National Park.
The diving boat.
Boats crossing in the sun.

The first thing you notice as you approach Tobermory, Ontario, is the islands. They come up on the ferry in quiet way, and then the peninsula appears. The islands are just a preview.

Jutting out into the Georgian Bay of Lake Huron, on the same piece of limestone as Toronto and Niagra Falls, Tobermory is a special place. It’s lifeblood is the Great Lake freshwater that surrounds it, and its flesh is the hard, unforgiving stone it sits upon. There’s no sandy beaches here. No, it’s all stone, either in slabs – big, brutalist shelves of pain – or pebbles.

Someday, a million years from now, there may be sand.

I used my pair of mirrorless cameras, the Fuji X-E1 and Canon EOS M, as a no-fuss way of capturing the place. After all, I was here to explore, not lug a bunch of photography equipment. I had cliffs to climb and trails to hike. The woods called.

So did the boats. Ferries run from the peninsula town to the wild islands out in the bay, and other, smaller boats are all over the place. It’s a place that lives and breathes water. Water is everywhere.

For those of us living around the Great Lakes, this is nothing new. But Tobermory has that lakeside town feel, the kind of place you see up and down the west coast of Michigan, that makes it the perfect vacation spot.

Islands and boats and water and rock: the four true elements of Lake Huron.

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