artists in jackson portrait

My portrait project featuring artists in Jackson, Michigan.

Dione Tripp - Artists In Jackson

Artists In Jackson: Dione Tripp

Dione Tripp doesn’t just make art—she builds it, reconstructs it, salvages it, and reimagines it. 

Growing up in a family of carpenters, inventors, and tinkerers, she was surrounded by the idea that anything could be created with the right tools and vision. Her father was into music, her mother into art, and somewhere in between, Dione found her own voice—one that blends mediums, textures, and emotions into something distinctly her own.

Dione Tripp - Artists In JacksonHer artistic journey began with singing, painting, and the idea that she might one day become an art teacher. But she quickly realized her passion wasn’t in teaching—it was in making. Hanging art at the old Thunderbird Café, creating gifts, and submitting pieces for Jackson’s Cool City initiative, she steadily built her presence in the local scene. 

Over time, her work evolved beyond traditional canvases into something more layered and more experimental. Even a routine car repair becomes an opportunity. When she gets her brakes changed, she keeps the parts, seeing in them a potential for reinvention.

“How far can you push an object to be a sculpture and not be too crafty?” she asks—a question that continues to shape her process.

Dione pulls from her environment—barn scraps, salvaged materials, even discarded brake parts—to create works that challenge viewers’ perspectives. 

“If you’re in a plane, you can see the world differently. I want to express that: the dangers, the fears, the freedom,” she says.

Jackson, Michigan, remains central to her creative world. She studied there, works there, and thrives in its grassroots art community. 

“It’s like a blank slate, and we can create our own answers,” she says. 

With two to three projects per year, she’s constantly exploring—be it through book illustrations, her new clothing store, or sculptural ideas. While she’s open to branching out, she doesn’t feel limited. 

“The only thing limiting me is myself—both in terms of my art and my success,” she says.

Looking ahead, Dione is driven by a desire to amaze herself and find collaborators and appreciators along the way.

“I want to be able to toss ideas around, learn new skills, and try things out,” she says. 

Whether it’s trading art, experimenting with new media, or diving deeper into sculpture, she’s on a path of constant evolution—one where every scrap, stroke, and salvaged element has the potential to become something memorable.

Buy the Artists In Jackson book  |  Artist Dione on Instagram

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Artists In Jackson: Doug Jones

 

“This place lacks confidence. That comes out in so many ways, and it’s important to me for people to recognize that they’re valuable.”

A few years back, while living out west, Doug Jones came across an art gallery in Sante Fe, New Mexico, and noticed the gallery was featuring a single artist.

Doug was attracted to the work’s bright and bold colors, so he walked in. After talking with the gallery director, he found out the artist – who was selling his work for thousands of dollars – was from a little town in Michigan.

The town? Doug’s town. Our town. Jackson, Michigan. 

That discovery got Doug thinking.

“There was this fire inside of me that wondered, ‘Why do I have to move away from Jackson? Why can’t someone make it as an artist here?’”

Now, it’s almost a mission for him: finding untapped potential and creativity, and letting it loose on the world.

It wasn’t always that way for Doug, a corporate lawyer turned community developer turned painter and art community organizer. He was going to turn his University of Michigan education into big money somewhere outside of Jackson.

But a couple of things happened that brought him back. For one, a trip to New York during college switched on the aesthetic part of his brain. For two, working at Lifeways helped him identify with the needs of the community, spiritually and artistically. 

“I found myself surrounded by incredible history and remarkable talent in Jackson,” Doug says. “And people here didn’t seem to recognize it. So I started to encourage people around me to paint.”

That encouragement came in the form of live painting and art events – bringing creative people out of the wilderness, in a sense. It all comes from understanding what the power of positive reinforcement and encouragement can do.

“I remember what it was like when someone first took notice of me,” Doug says. “If I can encourage someone to do something positive, I’m passing on the beauty and blessings that I’ve been given.”

Personally, art acts as an outlet for the suffering and pain Doug sees in the world. Working with Lifeways and other non-profits, he saw and heard gut-wrenching stories from clients about pain and loss. He saw a tough guy break down in front of him, and he helped a girl struggling with suicide.

“I saw things that helped me realize how fleeting life can be,” Doug says. “With all the stuff going on around me, I have to get it out and do something with it.”

Doug recognizes the pressures that a small, blue-collar town can put on up-and-coming artists. Helping artists realize that what they’re doing is valuable? That’s the goal.

“That self-actualization makes my entire world better,” he says. “It lets me know that the generations that come after us will be better because of what’s happening today.”

While there is more happening in the Jackson arts community – a Public Arts Commission, more and more shows popping up, collectives (like his own, The Singularity) forming – Doug sees a lack of self-confidence in town. One way to help is to bring in more creative professionals from outside.

“People recognize what Jackson has on the outside,” he says. “We just need people here to feel that, too.”

DougJones.art

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Artists In Jackson: Melissa Morse

“It’s true for most artists, but I’m an extremely emotionally-driven artist. I want people to feel something when they look at it. I put my heart and soul into what I do.”

You don’t have to look far to find great talent, says Melissa Morse.

“All the real artists aren’t in the big cities,” she says. “They’re everywhere you go. And we have our own arena of talent here in Jackson.”

Melissa would know. As a painter and mixed media artist, she’s seen what it’s like to be an artist in the biggest city – New York. She traveled to the Big Apple in college and lived there for many years as an artist.

After several years in New York, she came back to Jackson wiser and embraced her home community.

“It was the best thing for me, to stay in Jackson and raise my daughter,” Melissa says. “Coming back here, you realize that you can run all over looking for a place to be happy. But if you have inner peace, you can be happy in Jackson.”

Melissa explores happiness, loss, and faith through her art. She’s also a bit of a self-made artist, stretching her own canvases and creating her own frames from recycled materials. 

“I think it makes for a better product. You put more into it,” she says.

Putting more into her art is a goal, Melissa says, whether that’s trying out new styles or putting pieces together to make something new. It helps her express what’s inside. 

“It’s true for most artists, but I’m an extremely emotionally driven artist,” Melissa says. “I want people to feel something when they look at it. I put my heart and soul into what I do.”

And as is true for most people, that heart and soul can go through dark times. That’s where art can help, like when Melissa lost her parents. 

Melissa participated in Grand Rapids’s ArtPrize showcase the year after her mother died. Melissa doubted that she was even worthy of being there. But the year before, her mother encouraged her to participate in the event.  

“There was so much healing in that,” Melissa says. “It was a difficult journey, but in the end, when I was there and sharing my story, it was just what I needed to do.”

Being an artist involves going through ups and downs. It’s true of creatives everywhere. But it is possible to be successful in Jackson, Melissa says. Artists just have to be willing to communicate and work together. 

Take art shows. She notices that when there’s low turnout at an area show, it’s often because people are what she calls “touch lazy.”

“I see a little bit of procrastination,” Melissa says. “Someone will say, ‘Maybe I’ll go to it,’ and then not show up. Something needs to shake it up a bit.”

In her own creative life, Melissa is the opposite of lazy. Recently, she became an art teacher for kids at Ella Sharp Museum during their summer camp series. 

“It’s the best kind of challenge, working with kids that age. But it’s so rewarding,” she says. “When you can learn as much as the other people are learning, I really love that.”

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Stephen Ziegenfuss

Artists In Jackson: Stephen Ziegenfuss

“I would prefer to make guitars and give them away, if it was feasible to do that.”

For Stephen Ziegenfuss, it’s easy to love wood.

Its strength, its smell, even its taste – wood is a noble material to work with. 

That’s why Stephen loves to make it sing as a guitar maker. An engineer by training, he loves to shape and bend the material into sonic works of art for his Ziegenfuss Guitars company.

Stephen has been building guitars since college when he tried making his own bass. From there, he built more guitars for friends and family, especially the parents of friends who could help him pay for parts. 

“They kind of paid for my education – they’d pay for the materials that went into it,” he says.

From there, he worked on repairing guitars, learning about their inner workings, and before long he had a name brand and a website set up to sell his custom bodies.

More than that, Stephen likes to make things with his hands. Woodworking was prevalent in his home, he says, and he’s always enjoyed tinkering and making. That’s how he got into engineering. It was his artistic side – both in guitar playing and photography – that helped shape his guitar projects.

It started pragmatically enough. Stephen remembers seeing a guitar that he would’ve liked to own, if it weren’t for the high price tag. What would happen if he tried to mimic the design and build his own guitar?

“There’s a certain group of people with my personality who say, ‘I’ll just build it myself,'” he says. “Making a guitar was the perfect crossroads of all those things: working with my hands, engineering, and music.”

That first guitar didn’t exactly hit the mark. But over the years, he’s built his skills up enough so that he can build his own guitar at the level that originally inspired him.

Business-wise, Stephen is working on forming relationships with artists and getting name recognition in the boutique guitar industry. It’s one thing to make a quality guitar, but it’s another to make yourself known to the instrument-buying public. 

When it comes right down to it, though, Stephen makes guitars to participate in the magic of music making. And to get his hands dirty in the process of making.

His senses get involved, too: Stephen loves the smell and the taste of the woods he uses, like African sapele (tastes great) and rosewood (the smell). 

“The variability of the material is so cool,” Stephen says.

Walnut, cherry, sassafras, spruce, ash, hickory, walnut – these are his raw materials, and he appreciates the engineering quality of wood, too. Stephen says that wood, as a composite material, is great to work with. It’s robust and durable, and its strength-to-weight ratio is top-notch. 

This is why Stephen makes other things out of wood, like bike frames. Stephen says he could make a bike frame that competes with metal in terms of durability. And, he says, the ride on a wood-frame bike is really smooth because the material absorbs high-frequency vibrations.

“Certain days, you just feel inspired to build different things,” he says. “And I love using wood as my medium.”

Stephen, along with his wife and three daughters, loves the lifestyle that Jackson affords.

“The pace of life here, for us, is just right,” he says. “If I were somewhere else, I wouldn’t nearly have the time to pursue things like this. It’s such a tremendous value added to life.”

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Nicole Cure

Artists In Jackson: Nicole Cure

“I don’t like to be pushy with my art. If they want to come look, they can come look and bring their own viewpoint.”

Call Nicole Cure a natural. She never studied art, never felt like she worked hard at it, and even took a 10-year creative hiatus when her kids were born.

“I never worked hard at it. I was just born with a natural talent,” she says.

That talent is paying off now that Nicole runs a drawing and interior design business out of her home studio. She named the studio Ardis J Studio after her grandmother, Ardis Jane, from whom she inherited some of her artistic ability. 

That natural talent does not mean Nicole doesn’t work hard on her sketches. She often spends 10 to 20 hours on each piece. 

Her customers are now asking for more and more of her custom pieces and original work.

“It’s been fun and crazy busy,” Nicole says. “And I have more work than I thought I’d ever get.”

She says word of mouth is what works. After trying the art show scene for a few years, Nicole found it to be a slog, even if she got a custom job or two. Now, she’s called it quits on art shows, and her workload is still doing just fine.

Nicole works in her small studio in Hanover, which she built a few years ago as her kids went off to school. She found her basement studio cramped, and her handy father-in-law built it in no time flat. Nicole’s studio hosts little tots drawing lessons during the summer, where she teaches basic drawing techniques to first through seventh graders.

“It’s a blast,” she says. “You can usually tell within the first session if the child has a natural ability.”

For her work, Nicole draws inspiration from the world around her: kids, family, animals, and the rural setting. Customers ask her for lots of animal drawings, like horses and dogs.

“I think I’ve done every breed of dog 10 times,” Nicole says.

To experiment, Nicole dabbles in other creative projects, like furniture and interior design. The furniture thing came about because she likes to make her own pieces.

“I would rather not pay top dollar for anything. Furniture is really fun to me,” Nicole says. “I garage sale like bonkers. I love it – it’s a total addiction.”

In fact, if she were to do it over again, Nicole would concentrate on interior design work. She does a few projects here and there, using a style she calls “modern shabby chic,” but she really wants to redo an entire house.

“I use crazy colors. I just have an eye for it,” she says. “Like, my kitchen’s a bright teal. People wake up when they go in.”

Nicole’s kids have an eye for art, too, she says. Two may be better than she ever was. Take her oldest daughter, who draws all the time. Nicole calls her “phenomenal.”

Maybe there’s an art gene in there after all. Take a look around Nicole’s studio, and you will see four pieces hanging up created by her kids. 

“I’ll never take them down,” she says.

Buy the Artists In Jackson book | Ardis J Studio on Facebook

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Kaiti McDonough

Artists In Jackson: Kaiti McDonough

“It’s always related to nature, and silhouettes. I’ve had a love for silhouettes for years now. So when I realized when I put these two things together—bodies, hands, leaves—I was forcing myself to think outside the box. I wanted something that made you look closer.”

When Kaiti McDonough thinks of her photography, or life, or the artistic community in Jackson, she thinks in layers.

She started with art early, as a kid, crafting things with her mother’s materials. That, combined with her father’s love and appreciation of nature, makes her photography rich with depth and overlays.

Together with artists in The Singularity, Kaiti thinks of artists in many layers, too: experience level, professional or hobbyist, optimist or pessimist.

Even her career has taken on layers, from teaching to art curation to event planning.

Kaiti sees her main artistic outlet as photography. That started with a point and shoot camera in high school, posing friends in nature and getting lost on adventures. That all changed when she met Doug Jones. Could she do some live art photos for an upcoming show? 

A digital single lens reflex (DSLR – the fancy ones with interchangeable lenses) later, and she was off making art.

Her style comes from, you guessed it, layers: double exposures, overlays, textures, blending one image into another. The idea came after she saw artists working on body paintings – making one idea on top of another. The photos do more than document a scene or a moment. They pull you in and make you think. 

“It’s always related to nature and silhouettes,” Kaiti says. “I’ve had a love for silhouettes for years now. So I realized when I put two things together – bodies, hands, leaves – I was forcing myself to think outside the box. I wanted something that made you look closer.”

To achieve her style, Kaiti blends images mostly in camera, with a bit of Photoshop work. 

“As soon as I discovered my camera had this option, I went to town,” she says. “This was it.”

Kaiti explores her creativity in other ways, too, like sewing and working with resin on wooden boards to frame her work.

Another form of artistic expression: working with other artists in Jackson and The Singularity to highlight the local creative community. Kaiti was one of the co-founders of The Singularity and has found her calling in organizing and marketing events. The idea of getting artists together and putting on a show – a hang-out session with meaning – was immediately appealing to her.

“I loved the feeling of bringing everyone together and doing something for an evening with all your friends,” Kaiti says. “Four and a half years later, I know what I want to go to college for. I want to know more about event planning and marketing while still working on freelance photography.”

As a fine art photographer, Kaiti recommends getting into local shows as they start, while they’re small and affordable. And to be consistent at getting your work out there.

“If you have a good product, and you can make a lot of it, get into small and big art shows – you have to keep pushing at it.”

Kaiti in Eaton Rapids

She’s also optimistic about Jackson’s home-grown art market. With groups like The Singularity, the How Bazaar show downtown, and the growing collaboration between artists – as well as her own work to get more art in front of viewers – Kaiti sees it as a growth opportunity. 

“Just seeing everything grow, artists being taken seriously, there’s a market for art,” she says. “There’s potential everywhere, in our artists and our city. Jackson’s so little, it’s growing right before our very eyes.”

Buy the Artists In Jackson book | Kaiti McDonough Photography

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Cassandra Spicer

Artists In Jackson: Cassandra Spicer

“I realized very quickly that being a studio art major would be a lot of fun for the artistic side of me, but I still had practical parts of me that needed to know things about business and finance.”

Cassandra Spicer made art her business. And business? It’s pretty good.

Cassandra owns and operates Beads to Live By on West Michigan Ave. after moving from downtown Jackson. There, she sells beads, materials, and jewelry-making kits, and holds classes to teach others how to make jewelry.

Along the way, she’s found success in embracing the practical side of her artistic talents, from taking advice from local business owners and from years of building a knowledge base in her particular art.

The art part wasn’t always so clear for Cassandra. In college, at Spring Arbor University, she pivoted from a fine arts major to taking classes in business and marketing. 

“I realized very quickly that being a studio art major would be a lot of fun for the artistic side of me,” she says. “But I still had practical parts of me that needed to know things about business and finance.”

Cassandra also found that she was too much of a social butterfly to sit in a studio alone, working on art.

That, combined with years of working at Bead Culture in downtown Jackson, helped prepare her to be the artistic entrepreneur she is. Now she sells beading supplies and teaches classes to enthusiasts, and that tickles the social part of her artistic nature. Running a business is a bit of an art, too, because there are always new people to reach and convert to the beading hobby.

It wasn’t a sure thing in the beginning, but Cassandra thinks running Beads To Live By (with her husband Chris) is what she was meant to do.

“I always felt led – there was a directional pull to open this business,” she says. “And every turn we took, a door opened.”

Cassandra doesn’t just do beads and jewelry. She keeps the creative part of her brain busy with artistic projects. She finds inspiration in the works of others, trending fashions, and even Moroccan influences. 

“Seeing a pattern, or texture, or something in nature – it’s one of the ways I come up with a design,” Cassandra says.

And no matter how much she tried to get away — at one time, she was an admission counselor for Career Quest — she always came back to beads. 

“It’s a gravitational pull,” she says. “Some kind of need. Everyone has that in life, whether it’s artistic or not, to leave their mark on the world. This is my way.”  

Buy the Artists In Jackson book  |  BeadstoLiveBy.com

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Andy McCrory

Artists In Jackson: Andy McCrory

“I’m making Jackson better, one tattoo at a time.”

It’s just that simple for Andy McCrory, owner and tattoo artist at Ye Old Skull Tattoo in downtown Jackson.

For one, he sees himself as a classical tattoo artist, preferring traditional American motifs and style. And second, Andy feels like tattoo repair work could keep in business in perpetuity.

“I see so many tattoos in need of rescue,” he says.

It was his first tattoo, at age 14, that got Andy started down this path. He remembers getting a small cross by a questionable character in a trailer, using a contraption that was the scariest thing he ever saw.

“I got in trouble for that when I got home,” Andy says.

That night, a teenage Andy went home and figured there’s got to be a better way. He built a tattoo machine there on the spot.

From there, he worked at Underground Ink in Michigan Center for a few years and opened up his own shop on the corner of Morrell St. and Brown St. soon afterward. Then he found the downtown location, on Mechanic St., and has run Ye Old Skull Tattoo there ever since.

No bones about it: When done right, Andy sees tattoos as an art form. 

“My customers are allowing me to put my art on them,” Andy says. “That’s flattering. It’s like putting my name on their arm.”

His style comes from a background in graphic arts and screen printing, combined with comic books, horror movies, and dark art.

“If I got to do what I want to do, it’d be skulls and crossbones for everybody,” Andy says.

If you want an opinion about tattoos and come-lately tattoo artists, Andy will readily volunteer a few. He calls tribal tattoos a “waste of black ink and real estate.” He doesn’t cater to trends, like dolphins and (lately) watercolors. And he doesn’t think just anybody with a few art skills should be doing tattoos. 

“You can draw anything on paper, but skin is not paper,” Andy says. “Everyone thinks they can do it with a machine from the pawn shop. It’s a slap in the face of us guys who have been doing it forever.”

Andy doesn’t just do tattoos. He’s what you call a creative busybody. Like when he took up painting, just to try it. Or when he sings in a band. Or tackles rebuilding his ’51 DeSoto Spartan Coupe and ’94 Harley-Davidson FXR.

“I don’t sleep much. I need a lot of hobbies,” he says. “I have excessive creative energy.”

Jackson is a good town for all that artistry, Andy says. There is plenty of opportunity, and it’s easy for someone to find their niche. 

“Say what you will about this town – I’ve made a pretty good living,” he says. “Not many artists really make money on art. No one buys it until they’re dead. Tattoos aren’t like that.”

Buy the Artists In Jackson book | Ye Old Skull Tattoo

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Jason Felde

Artists In Jackson: Jason Felde

“It feels good to have my stuff out there, and get the reaction. And even the not-okay reactions feel good.”

Jason Felde owes a big “thanks” to his wife, Stephenie.

So does the art community in Jackson. If it wasn’t for her, we may have never discovered Jason’s creative work. 

The story goes that Jason never publicly displayed his work outside of small shows or at school. Then Stephenie stumbled on Jason’s portfolio, hidden away in a closet, and did what any good, enterprising wife would do: she started showing the portfolio around.

“It was one of those things where I had the support of my family, but no one took that extra step of pushing me farther,” Jason says. “I don’t think anyone wanted to kick me in the butt a little bit harder. So that’s where she came into play. And it’s been a snowball effect from there.”

The work garnered a positive response, and things started to happen for him. A show here, a call from Doug Jones there, and before he knew it — and after some more prodding — Jason was a public artist.

Jason’s artistic side was there from the beginning, he said, from scribbling in notebooks on road trips to art classes in high school. Now, his work draws on many styles and techniques, including painting (acrylics and watercolors), inking, and sculpting. 

Since Stephenie “discovered” him, he’s attended eight to ten shows, and he’s often approached for more. 

“It feels good to have my stuff out there and get the reaction,” Jason says. “And even the not-okay reactions feel good.”

Jason also works on commission pieces. One of his first was a pencil sketch of a friend’s grandfather. After seeing the piece, his friend’s mom sent him a thank you note.

“It was really cool to know that my work can touch people in that way,” he says. 

Jason’s work touches people in need, too, like the cancer fundraising organization Twist Out Cancer. The organization pairs artists with cancer patients to create art based on their stories, with all proceeds going to cancer research.

Closer to home, Jason says Jackson’s creative community is very supportive of its home-grown artists.

“I have yet to come across an artist in Jackson that isn’t willing to promote you,” he says. “Or they’ll buy a piece.”

Visually, Jackson offers a lot of inspiration with its varied landscapes, quiet spots at the parks, and history. As an artist, there are lots of ways to draw inspiration.

“To be able to go somewhere like that to relax and create is amazing. I think Jackson is visually stunning,” Jason says. 

Jason is working to get more of his work out in the world. He’s participating in more shows, trying different techniques, and exploring other artistic subjects. 

Right behind him, Jason’s wife Stephenie is working, too.

“She has no problem volunteering me for art shows and projects,” Jason says.

“I’m just excited that he actually wants to show his work,” Stephenie says. 

Buy the Artists In Jackson book | Jason Felde on Instagram

 

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Colleen Peterson

Artists In Jackson: Colleen Peterson

Art, like life, can get messy. 

That’s precisely what painter and mixed media artist Colleen Peterson loves about it. Besides being a creative outlet, getting creative is great stress relief.

“It doesn’t matter what I make, as long as I get my hands dirty,” she says.

It often starts with a blank canvas, which – for Colleen – is a scary place to start. Random bits of inspiration help her to get started: feelings, requests from customers, random items she finds. 

Like the time she got creative with her boyfriend’s homemade beer bottle labels. Or the time she took a broken coffee pot and turned it into a piece. 

“I didn’t realize I had a style until someone told me,” Colleen says. “They said, ‘You do have a style. You’re messy!’ My acrylics are really wet and all over the place, and I’m always covered in paint.”

Colleen dabbled with art in high school and liked it. She made comics, and even thought about fashion design and interior design as outlets. It was The Singularity that put her paintings in her first show. 

“All I had was random stuff I made,” Colleen says. “I enjoyed it, so I just did it.”

Some of the emotions behind her pieces are messy, too, like the first time she ever sold one of her works. It was heartbreak that helped her make it.

And the heartbreak that came after she sold it.

“I didn’t want to sell it,” she says. “I cried.”

Colleen Peterson

Now, Colleen works mainly with custom pieces and requests, like the wedding centerpiece she worked on while we talked. Often, all she needs is a bit of direction to un-blank that canvas.

“One person I just had, she really likes peacock feathers, and she wanted purples,” she says. “So I made her something really cool that’s probably one of my favorites I’ve made in a while. And she was really stoked. It felt good.”

Colleen is big on customers being able to afford her art. She wants more people to come to Jackson art shows, too, and to help spread awareness about the arts community in town.

“There’s always people saying ‘There’s nothing to do,’ but all these other people are working really hard to put on a show,” she says. “It’s one of the most frustrating things to me. Support your community!”

She loves seeing the art community come together and seeing her fellow artists develop their talent. 

“There’s a lot of people that complain about our town, and then there are people making it beautiful.”

Buy the Artists In Jackson book

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Jake Perry

Artists In Jackson: Jake Perry

“Art is the communication of feelings. If what you’re doing isn’t evoking a feeling, then what you did is arguably not art.”

Jake Perry says it was God’s plan all along that he’d end up where he is now: a videographer for Radiant Church, on Spring Arbor Rd.

He gets to live a creative life, both at work and on personal projects. His work at Radiant fulfills his need to accomplish something for a greater purpose. And his personal projects fulfill him creatively.

“I have this mix of purely creative stuff that may or may not see the light of day, but at least I can be creative for creativity’s sake. And then for this job, I get to be creative and have it make a difference,” Jake says. “So having those two together is pretty sweet.”

Jake’s work at Radiant started because a friend of his got a job at Radiant Church in Kalamazoo and suggested he apply for the videographer position. Jake didn’t get the job, but he did meet the future pastor of the Radiant Church, Mike Popenhagen, who was headed to Jackson. Now, he’s Mike’s assistant, helping promote the church, shooting video announcements, and taking photos of events.

“I get to see the smallest things I do matter to people,” Jake says.

For side projects, Jake helps as a director of photography for Cinema Grove, working on short films and documentaries. 

The way Jake sees it, artists are merely a prism through which they interpret God’s will.

“Creative people are more sensitive to communicating with what’s already there and unlocking it,” he says. “Art is the communication of feelings. If what you’re doing isn’t evoking a feeling, then what you did is arguably not art.”

To communicate those feelings, Jake likes working with the basics of image-making.

“I love light, period,” he says. “Being a cinematographer, it’s important for your whole life to be light and shadow.”

Taking inspiration from music, architecture, and photography, Jake pictures himself as a storyteller and uses the stories around him to express himself creatively. It starts with people.

And people, he says, are what make Jackson’s creative community so special. They’re not competitive, and they’re willing to learn and grow together.

“It’s a community that’s not a bunch of sharks with blood in the water,” Jake says. 

But Jackson tends to view creative work in a skewed way.

“Jackson is a place that doesn’t value creativity as much as it should, even though it’s ripe with it. And that’s sad,” he says. 

Jake stays in Jackson because he feels like God has a plan for him here, and that Jackson may not be done with him just yet. He learned that when he tried to get a job out of the community. 

Jackson, as it does so often with others, pulled him back. That’s when he learned to trust God’s plan for him.

“As soon as I did, things made sense and started to fall into place.”

Buy the Artists In Jackson book | Jake Perry on YouTube

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Audra Lockwood

Artists In Jackson: Audra Lockwood

“My favorite thing to hear is people laughing. As long as people are feeling something, then I’m doing something right. My work is quirky and a little bit out there.”

Here’s an idea: take an old landscape painting. You know the kind – one is probably hanging over your grandparents’ mantle right now.

Now grab that bland landscape painting, and add the fantastic. A monster, a UFO, a mystical creature. 

Better, right?

That’s what Audra Lockwood thought, too, when she saw a simple seaside landscape and thought, “What if I put a mermaid there?” She’s developed a fan base for her revamped paintings (as she calls them) and reaches a particular market for her work at comic book conventions and art shows. 

She doesn’t need much to get started.

“I’ll see a piece, an ugly old landscape, and that alone tells me, ‘This needs a crazy old dude in it,’” Audra says.

Audra and her husband, Cody, were into the geek community and often went to conventions. After seeing the artists who were regulars at cons, she thought her unique landscape creations would find an audience.

“And I did, thank the gods. It’s been amazing,” she says.

Now the duo travels all over the Midwest and all over the country, selling art and meeting artists at the shows. They started local, and as they met other creatives, their travel range broadened. 

“It’s a great community of people,” Audra says. “We’re like little art gypsies, hooking each other up with great shows and great info. We scratch each other’s back.”

And it all started with that mermaid. Or, more particularly, grabbing vintage landscapes at thrift stores as an affordable way to grab a gorgeous frame. That’s when she saw the waterscape.

Audra has that first revamped painting hanging in her stairwell, the seaside spark that launched her niche. Several years ago, she saw that old surf scene, and figured a mermaid would make the whole thing better. 

“It’s like 11 years old. I’ve been hooked ever since,” she says. “And I thought, ‘What a great time saver.’ It’s framed and ready to hang. You can’t go wrong. Then, everywhere I went, I imagined what it was supposed to be.”

The raw materials are old landscapes and lithographs, plus Audra’s own sci-fi and horror movie imagination. She researches landscape artists, many of whom were from the 1960s, and Googles the creator to make sure she’s not painting over a masterpiece.

“It’s like my collaboration with an artist I’ve never met before,” she says. 

While she finds success all over through the convention scene, Audra and Cody stick around Jackson because of the affordable living, its central location, and because their friends and family are still here.

Audra sees the Jackson art community as a close-knit group and credits The Singularity for helping her reach out to a local audience. 

“It’s a young community. Jackson is a blue-collar city, and I feel like a lot of 30-somethings are reaching out for something cool and unique,” she says. “They’re at that age where they’re starting to buy art, and they have homes. I think all these weirdos that are coming together are doing something good.”

She finds resistance from local art buyers, however.
 
“Some of the art shows aren’t ready for what I’m doing. Maybe what I do is a little too strange,” Audra says. “But what I go to shows in Ferndale, it’s full of weirdos like me. And we’re all incredibly successful. There are so many people like me here.”

“It kind of blows my mind that I can do what I do, and I can be successful at it. So that gives me hope.”

Buy the Artists In Jackson book | Audra Olivia’s Attic

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Ashley Smith

Artists In Jackson: Ashley Smith

“Communities need art, so we have to be there. We can’t kill each other off.”

Back when people used to print their photographs, they were kept in albums and hung on walls – a way to remember moments and events through snapshots.

It’s still that way for photographer Ashley Smith. For her, every photo is a memory.

“Every little snapshot reminds me of something,” she says. “It reminds me of the music playing that day, or something we did earlier. It helps me remember and relive my life. It’s a sensory thing.”

And while many people don’t really look at what they’re photographing, Ashley tries to take it all in. The whole scene is important, not just what she sees through the camera’s viewfinder.

That outlook started when Ashley was young. Her dad handed her a Pentax 35mm film camera early on and taught her about exposure and light.

“He was always the designated family photographer,” she says.

When she was starting, Ashley took close-ups of piano keys and flowers. She was making memories.

Now, Ashley helps make memories for others, too. She does a bit of family and wedding portrait work, although she has slowed down on the family photography business because she sees a glut of photographers in the market. To set herself apart, she’s taking on commercial clients, like Allegiance Health, for public relations and advertising campaigns.

“That’s pretty fulfilling. I enjoy doing that,” Ashley says.

Along the way, Ashley had to learn about things like posing subjects and using artificial light to get the look her clients needed. With her commercial shoots, she feels more like a director.

However, learning new techniques is something Ashley embraces, like when she became a graphic designer for her aunt’s newspaper in Stockbridge, or the Jackson Citizen Patriot. From there, she worked at Ray Printing but has recently switched careers to run promotions for McKibben Media Group. She’s a true Jackson native.

“There’s a lot of great stuff to do here, and a lot yet to be done,” Ashley says. “And I want to be part of that. Jackson is my forever home.”

She embraces the collaborative and sharing artistic community in Jackson, especially among photographers. She also works on shoots with local photographer Seth Duimstra and swaps techniques.

“It seems like we have a lot of camaraderie that you don’t find in other places,” Ashley says. “It can be pretty cutthroat out there in the world. But in Jackson, if anybody asks for a photographer, we help each other out and recommend each other. That’s really nice.”

“Communities need art, so we have to be there. We can’t kill each other off.”

Buy the Artists In Jackson book

 

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Andrew Hall

Artists In Jackson: Andrew Hall

“I don’t want to be a ‘company.’ I want to be underground.”

If you see a random painting tucked away in a downtown Jackson alley, chances are Andrew Hall made it. 

It’s one of the ways Andrew gets his graphic paintings out in the world: he’ll drop one somewhere in town with a note on it. If someone finds it (and they do), all he asks is that they support him.

“I lay the guilt on thick.”

Andrew takes his guerrilla marketing inspiration from Michigan music artists of the ’90s. Underground shows and swapping CDs were some of the few ways Michigan hip-hop artists could get their name out in the market.

So Andrew takes his paintings – Captain Jackson, comic scenes, graphic gorillas – and hides them around town.

“Not everyone is the next Andy Warhol. I’ll be who I’m going to be, and I think that’s the way to achieve it,” Andrew says. “I like putting in the effort in the shadows.”

His work is certainly attention-getting. Andrew uses Liquitex heavy-body acrylic paint and canvas to make his art, and the colors pop like a mix of pop art and comic books.

“I thickly coat stuff to get very bright colors into blocks and shapes,” he says. “I want it to look as close to something that was printed as possible. I’m definitely getting there.”

He draws inspiration from comic artists like Frank Miller and David Aja and the screen print work that his dad used to do. For technique, Andrew is totally self-taught. 

“I figured it out my own way,” he says. “I didn’t want help. I can learn quicker if you give me the tools and let me do my own thing.”

He learned his guerrilla marketing techniques on his own, too, trying out different strategies, like Etsy stores and Instagram. He also works with Medical Panda, designing pins, shirts, and posters. 

The word is starting to spread in Jackson, too, with Andrew getting into shows and collaborating with other creatives in town. The key, he says, is to keep things fresh.

“There’s only so many people in Jackson. And not everyone is going to want to buy your stuff every time,” Andrew says. “If your core audience is Jackson, you do well by having your stuff change frequently.”

Collaboration is one of the strengths of Jackson’s artistic community. Everyone is willing to work together, he says, and promote other artists’ work.

And for Andrew, competition takes on a different meaning in town.

“I’m not a competitive person, but I see other artists as competing to be awesome,” he says. “Just to see their drive, it’s a good thing to apply.” 

Andrew says he makes art to please himself first. But it is a great feeling when he finds an audience. 

“I like to please people,” he says. “I don’t want everyone to like it, but someone would love it.”

“If my son likes it, I know it’s sweet.”

Buy the Artists In Jackson book | OddSoul517

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Justine Melville

Artists In Jackson: Justine Melville

“Any way I can express myself, I’ll do that.”

Justine Melville enjoys the process of making: the experimentation, the trying out new ideas, the techniques. Learning something new.

And having something to show for it is a great side benefit.

“Putting the energy into my work – dying fabric, taking the color out, ice dying – there’s a lot to it,” she says. “The process is a good focus for me. It helps calm me. And I really enjoy the product I get.”

It’s easy to get lost in the work. That’s the fun part.

“We’re so busy these days and expected to pay attention to so much that it doesn’t matter. It’s nice to zone out,” Justine says.

As a fabric artist, Justine has found a new way to express herself creatively. She discovered dying fabric after a boyfriend taught her how to screen print. 

All it took was trying to tie dye with a mixed berry print.

“Ever since, I’ve been kind of addicted.”

Justine has always been creative, using many media to express herself. She’s tried printmaking and dabbles in photography.

“Any way I can express myself, I’ll do that,” she says. “I felt like, for the longest time, I was a little lost with my creativity. I’ve always bounced around.” 

Now that she’s settled on fabric, Justine has found success participating in exhibits, from booth shows to warehouse shows to gallery shows. She has an Etsy store and promotes her work on social media. 

The creative community in Jackson has also helped, and Justine has become increasingly involved with other artists in town. She traces much of that collaboration to The Singularity, which introduced her to other open-minded creative types.

“It showed me what can really happen in this town,” Justine says. “We’re very supportive of each other, which is the biggest thing in my eyes.”

She thinks Jackson could better support artistic pursuits and be more open-minded about the kinds of art that are possible in town. She also thinks Jackson could use more community-oriented spaces for artists to work on projects and collaborate. 

As someone who has lived in Chicago and returned, Justine doesn’t understand pessimism about her hometown.

“Some people think this town is a black hole. I don’t see that. I think they’re the black hole,” she says. “There’s a lot of people who get out and come back and still enjoy it. This is a nice place to call home.”

Buy the Artists In Jackson book | Mercurial Threads

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David Flack

Artists In Jackson: David Flack

“It’s a good outlet for depression. I’ve always been able to show myself something solid and tell myself, ‘You’re not a bad person. Look at what you can do.’”

It’s funny how life lessons can go awry – like the summer that David Flack’s parents had him work in the shop at the family business, SALCO Engineering.

They figured two summers on the shop floor would make David hit the books and not want to come back. 

“The exact opposite happened,” David says. “I fell in love with getting dirty.”

And while the guys on the floor would never call themselves “artists,” David absorbed their craftsmanship and resourcefulness. They taught him how to weld. Now he makes metal objects big and small, and he traces that back to growing up in the shop.

“It’s captivated me since I was a little kid,” he says. “I’d watch these monsters eat metal and spit out these amazing things.”

Amazing things. That’s what he wanted to do. David wanted to be around creation.

After graduating from Albion College in 2009, David started working with his father at SALCO, updating the technology at the shop and taking on design work and estimates.

Then he hooked up with a collaborator, Kyle Huntoon, and started building art pieces- Kyle took on the woodworking, and David handled the steel. They put their reclaimed art in festivals and art shows, traveled the country, and made a good business. 

“Kyle opened my eyes to the idea of being a reclaimed artist – of taking junk and bringing it back to life,” David says.

While the pair have amicably parted ways, David took that spirit of junk-to-art and developed his own style. Grand River Brewery had him make their tap handles, and the City of Jackson commissioned him to make bike racks around downtown. 

David enjoys making furniture, too, but he’d like to try more large-scale sculptural work in the future.

“I like driving down the street and being able to say, ‘I made that,’” he says.

It’s the making David enjoys, coming from a part of his Midwestern upbringing. He stays on with the family business to preserve the craftsman culture.

“It’s in the Midwest, it’s in our blood,” David says. “We come from this line of people who pull themselves up. After all the auto industry changes, we still have hopes and dreams, and all the knowledge and work ethic is still there.”

Steel is great because it’s a very forgiving material but with limitations. That’s where David finds creativity comes in handy – taking something with an inherent shape gives you pre-defined parameters. The parts of the whole shape his artistic pieces.

“You have to let it come together as organically as possible,” David says.

Much like Jackson. David has seen the artistic community come into its own in recent years, and he’s happy to see it. Enough of the low expectations and lack of pride.

“It’s nice to be a part of the scene where people are going for it and not sitting on their hands,” David says. “I want to try to motivate this city to make it a better place.”

“I want to be visible.”

Buy the Artists In Jackson book | dFlack Craftwork

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