Process Driven: Gregory Crewdson
Super excited about Gregory Crewdson’s next body of work, Cathedral of the Pines. He’s been all over the news in the past few weeks, but do me a favor and listen to Jeffery Saddoris’s interview with him on Process Driven.
Good Sunday listening by one of the great modern photographers.
If you’re a landscape photographer, it helps to live in a gorgeous part of the world – like Adam King in Edmonton, Alberta, Canada.
I’m always a sucker for mountains, especially the Rockies, so it was great to learn about Adam’s work.
I was born and raised in Edmonton, Alberta, Canada. I’m currently a second year student at Macewan University, taking my Bachelor of Science, hoping one day to get a job in the computer science field! All that aside, I also have a pretty serious artistic side that I like to express mainly through photography nowadays.
I remember taking my first photograph at the age of 8. I was in Drumheller with my family which is located in the Southern Alberta Badlands. This is an area which is known for its rich fossil deposits and important dinosaur related discoveries. Badlands are landscapes that are intricately eroded, steeply sloped, and largely devoid of vegetation. This area was so new and different to me I remember wanting to capture every little detail about the trip while we were there.
My family eventually noticed how much interest I had in photography and let me take some photos that trip. When we finally got the photos back from the local drugstore, I was given the photos that I had taken in a little scrapbook, which I still have to this day. I must’ve looked through them all a couple dozen times alone that first day. Ever since then, I’ve been interested in documenting and recreating important trips and events in my life through photography.
I guess what I like most about my photography is being able to return to a certain point in my life through a collection of photos. Getting back into the mindset of 13 year old me, for example, and figuring out why the subject of the photo was important to me is something I find myself doing often while looking at old photos. On a more superficial level, I feel really fortunate to live so close to the Rockies and share them with the world.
I gather inspiration everywhere I can. My time in the National Parks of Alberta are usually spent just walking around (or hiking the side of a mountain) with one or two friends and taking photos of whatever I come across. One of my biggest inspirations when I first joined Tumblr a couple years ago was man-and-camera.com. I really felt the artistic approach behind his work, and it really motivated me to attempt to recreate something similar with my own perspective. Other than that, there definitely isn’t a shortage of great Alberta-based photographers out there to follow.
I honestly lean towards it out of instinct nowadays. My preference for portrait orientation is definitely heavily influenced by my high school communication technology teacher. He was an outspoken advocate of experimentation with your art and remembering that you can turn the camera on its side and shoot that way too. Since then I find it easier to create interesting compositions with the added vertical space.
Documenting nature in all of its forms. Mostly landscapes of Alberta and British Columbia, however I am going to be posting some shots from my trip to London a couple years ago. Fitting an overarching theme isn’t something I’ve really thought too much about. I just find myself always drawn back to nature.
Something I want to do in the upcoming year is diversify a little bit and try out some portrait work. I feel like learning the nuances of a different theme and bringing those ideas into your photography can be really beneficial.
As I mentioned above, I definitely want to try some portraits and see how I can integrate that in with my current focus. I also just started as a volunteer at @lensblr-network, helping the team find the best in original photography here on Tumblr. I couldn’t be more excited at this opportunity to broaden my artistic eye and share the best this site has to offer with such a wide audience. It’s a really great feeling finding someone that is more than deserving of recognition for their work and having a hand in facilitating that for them. I’ve already found at least a dozen of artists that I’ve really fallen in love with since starting that I otherwise probably wouldn’t have found!
Follow @adm-kng here on Tumblr for more of Adam’s work, or catch his stuff on his Flickr account.
Prayer (and Penthouse) Can Change Your Life – Jonesville, Michigan
The Indie Authors’ Guide to Self-Publishing Art Books
Thanks to Ryan Joe for the interview for his article on self-publishing art books for Publishers Weekly.
Hint: It’s a lot of work.
During the winter, especially in January, it’s hard for me to make photographs. Usually, I tackle some other kind of project during the cold months – a photo book, or a portrait project idea, or just catching up on editing photos I made during the warmer months.
This year, I’m trying something a little different.
Over and above photos, I like making things. Books, videos, graphics, tinkering with electronics, etc. Keeping my hands or my brain busy is important to me.
It’s why, above and beyond portraits, my Artists In Jackson project is so multi-layered. I wanted a book and a website and an eBook, and so on.
So this January, I’m sending some photographers I like questions, and each week I’ll feature a different photographer profile. The profiles will include a sample of their work, some background, and then a question and answer session.
Portrait photographers, landscape photographers, abstract photographers – I’m working on getting a variety of styles.
It’s a way for me to learn more about my favorite photographers, and to share the work that I appreciate. It also gives them a tiny bit of promotion – my way of sharing the love. And the editor in me loves this kind of project, where I mix and match a bunch of good material into a cohesive whole.
Read the photographer profiles »
(And if you’re interested in participating, please send me a note!)
Do you think it’s an upgrade from 5D Mark II to 6D for pictures?
Save your money, go buy a plane ticket…
Bingo.
I may be old-fashioned, but I believe there is such a thing as a search for beauty – a delight in the nice things in the world. And I don’t think one should have to apologize for it.
Saul Leiter (via bijan)
…and really all you need to make photos. “A search for beauty.”
Just for fun, here’s a behind-the-scenes portrait editing session in Lightroom I put together using a photo from my Artists In Jackson project, featuring painter Colleen Peterson.
This is a simplified editing process, but I don’t spend a ton of time on each photo. I have my process down pretty well.
Contrast, exposure, sharpening, and VSCO. Just that simple.
Enjoy!
Hey you.
Yes, you with the camera. C’mere.
I’m doing a series of interviews with photographers whose work I enjoy. If I follow you, or you follow me, send me a note and let’s make something together.
Must be willing to share your photos, answer some questions, and have the desire to promote yourself.
Good?
To prep for 2016, I did something different on New Year’s Eve: I urbexed with other people.
Jamie and Seth are two of my local photo buddies. We haven’t done a ton together, but we know each others’ work from Facebook and Twitter, and did a Kelby photo walk two years back. Seth has been a good guy to talk to about some artistic goals I have this year, and Jamie is someone I’ve wanted to go exploring with for a long time.
So we picked a place and made it happen on a cold December morning. We had a lot of fun – especially with shooting portraits of each other.
Seth wrote up a little post about our adventure on his photo blog.
More collaboration and adventures – it’s what I hope to do in the new year. Most of my abandoned work is solo: I find something, I explore something. This time, it was fun to explore something with other photographers.
Quiet times around these parts. I’m lucky that I get the week between Christmas and New Year’s off from work. This year, it was lots of festivities with the family, quality time with the kiddos, and taking it easy.
Lots of projects in the coming year. Hope you had a great holiday, too.
“This place lacks confidence. That comes out in so many ways, and it’s important to me for people to recognize that they’re valuable.”
A few years back, while living out west, Doug Jones came across an art gallery in Sante Fe, New Mexico, and noticed the gallery was featuring a single artist.
Doug was attracted to the work’s bright and bold colors, so he walked in. After talking with the gallery director, he found out the artist – who was selling his work for thousands of dollars – was from a little town in Michigan.
The town? Doug’s town. Our town. Jackson, Michigan.
That discovery got Doug thinking.
“There was this fire inside of me that wondered, ‘Why do I have to move away from Jackson? Why can’t someone make it as an artist here?’”
Now, it’s almost a mission for him: finding untapped potential and creativity, and letting it loose on the world.
It wasn’t always that way for Doug, a corporate lawyer turned community developer turned painter and art community organizer. He was going to turn his University of Michigan education into big money somewhere outside of Jackson.
But a couple of things happened that brought him back. For one, a trip to New York during college switched on the aesthetic part of his brain. For two, working at Lifeways helped him identify with the needs of the community, spiritually and artistically.
“I found myself surrounded by incredible history and remarkable talent in Jackson,” Doug says. “And people here didn’t seem to recognize it. So I started to encourage people around me to paint.”
That encouragement came in the form of live painting and art events – bringing creative people out of the wilderness, in a sense. It all comes from understanding what the power of positive reinforcement and encouragement can do.
“I remember what it was like when someone first took notice of me,” Doug says. “If I can encourage someone to do something positive, I’m passing on the beauty and blessings that I’ve been given.”
Personally, art acts as an outlet for the suffering and pain Doug sees in the world. Working with Lifeways and other non-profits, he saw and heard gut-wrenching stories from clients about pain and loss. He saw a tough guy break down in front of him, and he helped a girl struggling with suicide.
“I saw things that helped me realize how fleeting life can be,” Doug says. “With all the stuff going on around me, I have to get it out and do something with it.”
Doug recognizes the pressures that a small, blue-collar town can put on up-and-coming artists. Helping artists realize that what they’re doing is valuable? That’s the goal.
“That self-actualization makes my entire world better,” he says. “It lets me know that the generations that come after us will be better because of what’s happening today.”
While there is more happening in the Jackson arts community – a Public Arts Commission, more and more shows popping up, collectives (like his own, The Singularity) forming – Doug sees a lack of self-confidence in town. One way to help is to bring in more creative professionals from outside.
“People recognize what Jackson has on the outside,” he says. “We just need people here to feel that, too.”
DougJones.art
“It’s true for most artists, but I’m an extremely emotionally-driven artist. I want people to feel something when they look at it. I put my heart and soul into what I do.”
You don’t have to look far to find great talent, says Melissa Morse.
“All the real artists aren’t in the big cities,” she says. “They’re everywhere you go. And we have our own arena of talent here in Jackson.”
Melissa would know. As a painter and mixed media artist, she’s seen what it’s like to be an artist in the biggest city – New York. She traveled to the Big Apple in college and lived there for many years as an artist.
After several years in New York, she came back to Jackson wiser and embraced her home community.
“It was the best thing for me, to stay in Jackson and raise my daughter,” Melissa says. “Coming back here, you realize that you can run all over looking for a place to be happy. But if you have inner peace, you can be happy in Jackson.”
Melissa explores happiness, loss, and faith through her art. She’s also a bit of a self-made artist, stretching her own canvases and creating her own frames from recycled materials.
“I think it makes for a better product. You put more into it,” she says.
Putting more into her art is a goal, Melissa says, whether that’s trying out new styles or putting pieces together to make something new. It helps her express what’s inside.
“It’s true for most artists, but I’m an extremely emotionally driven artist,” Melissa says. “I want people to feel something when they look at it. I put my heart and soul into what I do.”
And as is true for most people, that heart and soul can go through dark times. That’s where art can help, like when Melissa lost her parents.
Melissa participated in Grand Rapids’s ArtPrize showcase the year after her mother died. Melissa doubted that she was even worthy of being there. But the year before, her mother encouraged her to participate in the event.
“There was so much healing in that,” Melissa says. “It was a difficult journey, but in the end, when I was there and sharing my story, it was just what I needed to do.”
Being an artist involves going through ups and downs. It’s true of creatives everywhere. But it is possible to be successful in Jackson, Melissa says. Artists just have to be willing to communicate and work together.
Take art shows. She notices that when there’s low turnout at an area show, it’s often because people are what she calls “touch lazy.”
“I see a little bit of procrastination,” Melissa says. “Someone will say, ‘Maybe I’ll go to it,’ and then not show up. Something needs to shake it up a bit.”
In her own creative life, Melissa is the opposite of lazy. Recently, she became an art teacher for kids at Ella Sharp Museum during their summer camp series.
“It’s the best kind of challenge, working with kids that age. But it’s so rewarding,” she says. “When you can learn as much as the other people are learning, I really love that.”
“I would prefer to make guitars and give them away, if it was feasible to do that.”
For Stephen Ziegenfuss, it’s easy to love wood.
Its strength, its smell, even its taste – wood is a noble material to work with.
That’s why Stephen loves to make it sing as a guitar maker. An engineer by training, he loves to shape and bend the material into sonic works of art for his Ziegenfuss Guitars company.
Stephen has been building guitars since college when he tried making his own bass. From there, he built more guitars for friends and family, especially the parents of friends who could help him pay for parts.
“They kind of paid for my education – they’d pay for the materials that went into it,” he says.
From there, he worked on repairing guitars, learning about their inner workings, and before long he had a name brand and a website set up to sell his custom bodies.
More than that, Stephen likes to make things with his hands. Woodworking was prevalent in his home, he says, and he’s always enjoyed tinkering and making. That’s how he got into engineering. It was his artistic side – both in guitar playing and photography – that helped shape his guitar projects.
It started pragmatically enough. Stephen remembers seeing a guitar that he would’ve liked to own, if it weren’t for the high price tag. What would happen if he tried to mimic the design and build his own guitar?
“There’s a certain group of people with my personality who say, ‘I’ll just build it myself,'” he says. “Making a guitar was the perfect crossroads of all those things: working with my hands, engineering, and music.”
That first guitar didn’t exactly hit the mark. But over the years, he’s built his skills up enough so that he can build his own guitar at the level that originally inspired him.
Business-wise, Stephen is working on forming relationships with artists and getting name recognition in the boutique guitar industry. It’s one thing to make a quality guitar, but it’s another to make yourself known to the instrument-buying public.
When it comes right down to it, though, Stephen makes guitars to participate in the magic of music making. And to get his hands dirty in the process of making.
His senses get involved, too: Stephen loves the smell and the taste of the woods he uses, like African sapele (tastes great) and rosewood (the smell).
“The variability of the material is so cool,” Stephen says.
Walnut, cherry, sassafras, spruce, ash, hickory, walnut – these are his raw materials, and he appreciates the engineering quality of wood, too. Stephen says that wood, as a composite material, is great to work with. It’s robust and durable, and its strength-to-weight ratio is top-notch.
This is why Stephen makes other things out of wood, like bike frames. Stephen says he could make a bike frame that competes with metal in terms of durability. And, he says, the ride on a wood-frame bike is really smooth because the material absorbs high-frequency vibrations.
“Certain days, you just feel inspired to build different things,” he says. “And I love using wood as my medium.”
Stephen, along with his wife and three daughters, loves the lifestyle that Jackson affords.
“The pace of life here, for us, is just right,” he says. “If I were somewhere else, I wouldn’t nearly have the time to pursue things like this. It’s such a tremendous value added to life.”
