film emulation

Cinematic Color Negative Canon Film Simulation + Steampunk Photos

Steampunk on the Bricks - Dave Lawrence

In my latest YouTube video, I test out several film-like Canon Picture Styles to see which of them can give Canon photographers that Fujifilm-like simulation experience.

Preslav Rachev left a comment asking for feedback on a Picture Style he recently developed, Cinematic Color Negative, and offered it up for a free trial. 

Last weekend, I loaded up Preslav’s filmic emulation onto my Canon M6 and shot for an artist friend of mine at his Steampunk on the Bricks event here in Jackson, Michigan.

Overall? It’s good. I like the colors and contrast – it fits my style of shooting nicely. 

The reds pop, and the greens are muted. That’s just what I’m looking for in my Canon film simulations. And in good lighting, skin tones are natural.

However, testing it out on our new baby niece, and in mixed lighting, the skin tones were a bit overpowering:

Baby Iris

Everyone else’s skin tones looked okay, but poor Baby Iris. She got the neon orange treatment. It could be a combination of jaundice and a reddish skin hue.

The baby is an outlier. For the most part, Preslav’s Cinematic Color Negative Picture Style worked well over a weekend of shooting. 

Head to Gumroad, throw Preslav a buck or two, and try out Cinematic Color Negative yourself (and check out his photography too). 

Thank you, Preslav! 

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Canon Picture Styles and Film Simulations

Over the last few months, I’ve spent a lot of time testing Picture Styles – Canon’s version of Fujifilm’s in-camera film emulations.

I’m not typically a JPEG shooter. I prefer to grab my RAW files and edit them in Lightroom, but in a few cases, using film-like simulations was very efficient and convenient. 

In this video, I show the results of those tests and try to explain the benefits of shooting with Picture Styles. It’s also a nice option for those Fuji users if they ever have to pick up a Canon camera and shoot film-like emulations. Picture Styles don’t have the legacy of Fuji making their own film, but it gets you pretty close.

There are two groups of Picture Styles I tested:

You can read my individual reviews of these picture styles:

Canon also lets you build your own Picture Styles using the Picture Style Editor software. 

 

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Canon + Kodak T-Max Film Simulation

Canon + Tri-X

Black and white is tough.

You’d think shooting monochrome with only two “colors” – black and white – would be easy. But photographers’ opinions on black and white film and presets are almost as strong and varied as their opinions on camera companies.

Canon’s standard monochrome picture profile setting is…fine. It’s just not special or unique. 

But thanks to the power of custom picture profiles and film simulations, you can get the look of Kodak T-Max film on your digital Canon EOS camera. 

This T-Max film emulation comes from the Vision Wrangler collection – like the previous Kodachrome film style. 

I took a sunny, spring evening in downtown Jackson, Michigan, to try out this black and white emulation. Maybe it was the lighting, maybe it was the simulation, but this was good stuff. 

For a contrast-y film simulation, this T-Max picture profile was a good walk-around monochrome standard. If you want to shoot JPGs and not worry about editing, this film emulation is reliable and consistent. 

My one suggestion with this profile is to try cranking up the ISO setting on your digital Canon to get more of a filmic grain. 

But the deep blacks and good microcontrast? It’s all here. 

Here’s how to install picture profiles on your own Canon digital camera. 

Shot on the Canon EOS M and EF-M 22mm f/2.

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Canon + Kodachrome Film Simulation

Detroit, Michigan street photos

Now this is more my style

I’m aiming to try out the popular film simulations for Canon cameras – like the popular Fujifilm emulations on the X series cameras. While Canon cameras do not come with film emulations baked in, they are available via Canon’s Picture Style editor and camera profiles. 

This Kodachrome-style film simulation comes from Cinescopophila: a giant pack of 150+ picture styles featuring a ton of favorites – almost too many to practically try out. But seeing Kodachrome in the list, I had to give it a spin on a recent trip with the family to Detroit.

Unlike the Fujifilm simulation from Thomas Fransson, these Kodak colors are more my vibe: warmer, much better skin tones, and a healthy amount of contrast.

And those reds? They POP. The greens are nice too. There’s none of that washed-out blandness from the Pro Neigh High series.

Overall, this is a reliable film simulation if you’re a JPG shooter or don’t want to worry about editing. Most of these came out correct as-is, with a little tinkering on a few images for exposure and contrast.

Do these photos mimic Kodachrome? Not really. But for my style of shooting, and even some video, these are a good film-like preset to get you started. With a bit of adjusting, you can get this slide film emulation looking just the way you want. 

There are plenty of other Kodachrome versions to try, although many come at a cost. This picture style from Vision Wrangler comes with 150 more to try, with everything from wacky out-there stuff to tried-and-true black and white film emulations.

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Canon + Kodak Film Styles

Fujifilm X cameras are known for their film simulations. Fuji owns and creates several film stocks, so it only makes sense that they build those film emulations into their family of cameras.

As a Kodak film user, however, there’s nothing like Fuji’s film emulations for other cameras – like my own, preferred Canon lineup.

That’s why it was great to learn that Canon’s own Picture Style options can be adapted to loosely match other film stocks out there. With that, I learned Thomas Fransson had created a series of Kodak film styles for Canon cameras. In this case, I downloaded Thomas’s Crowdak film simulation and applied it to a Canon M6 with an EF-M 28mm lense for a quick test.

Some initial thoughts:

  • With lots of greens and blues on my quick walk during my lunch hour, it was hard to see how the film simulation captured other colors and lighting conditions
  • Overall, very muted colors – more than I’m used to with my own style
  • Contrast was almost perfect for my style of shooting

I’m eager to try out Thomas’s other film styles, and several more from Cinescopophilia. 

 

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