Porcupine Islands
A view of the Porcupine Islands, in Frenchman Bay, from Cadillac Mountain in Acadia National Park, Maine.
A view of the Porcupine Islands, in Frenchman Bay, from Cadillac Mountain in Acadia National Park, Maine.
Hitting the road through Utah, on my way to the Grand Canyon.
Some amazing driving out west.
The magic of winter sunsets.
Captured on the side of The Salesman building in Concord, MI.
Route 66, Arizona, a road-side gallery.
I traveled Route 66 twice in my life – one complete time that changed my life, and another short spur through New Mexico and Arizona.
Despite Pete Carroll and the thugishness of his football team, Seattle really is a fantastic city.
After a day of hiking and tromping through the woods, there’s no reward quite like these Grand Canyon vistas.
When I look at someone’s body of work and it tens to be too cluttered and not consistent in terms of subject matter (sunsets, photos of cats, shoes, street photos, etc) I find it quite frustrating as a viewer.
That’s Eric Kim, renowned street photographer, in his “On Consistency In Street Photography” post.
He finishes with this: “I would say embrace depth over breadth. Meaning, focus on getting really good at one thing– than being so-so in many different things.”
As a liberal arts student, being decent at a bunch of things is my bread and butter. It’s how I live my life. I like to do lots of things.
Often, though, I feel that “depth” pull. Why not just pick one thing and do that well?
The trouble is, at least in creative pursuits, it takes time to develop that style and consistency Kim calls for. More often than not, I feel like I’m still developing “my style.”
I’ve thought about the photos I made when I first got into photography, and how uninformed and uninspired they were. I just shot stuff. I went outside and around town and fired away (see the shots in this post – all from earlier work).
It all fit perfectly with that “your first 10,000 photos are crap” mentality, and it’s something that’s true. If you’re not a bit embarrassed by your earlier work, you’re probably not growing.
I see this in other photographers I follow.
Take Arthur Chang, I photographer I recently found on Flickr. His early stuff is interesting and fun. But look at how dramatically it changes when you look at his recent photos. I mean, wow. There’s a perfect example of developing style and consistency.
I notice the same thing in my own work. Used to be, I didn’t know what I didn’t know. Now I know more, and so my work changes.
And you know what? I’m fine with that. I’m also fine with that lasting forever. I’m fine with messing around, trying on different styles. Maybe I’ll find one that’s truly “me” and stick with it. Or maybe I’ll keep searching.
Thing is, I like shooting a variety of things. Portraits, still life, abandoned buildings, cars, interesting design, etc. And I love using different styles, depending on my mood. Maybe that’s what makes me a hobbyist.
Kim says, in his blog post, that life’s too short. Find a style and stick with it.
Find a style you like? Great. Want to stick with it? Awesome. Maybe someday you’ll become one of the greats.
I say, don’t let a time limit stop you from trying out everything and anything. Depending on your creative goals, you’ll be fine trying on lots of creative hats.
Follow the Thomas Hawk philosophy and shoot the dickens out of everything, everywhere, using every style, and do lots of it.
Bubble Pond at Acadia National Park in Maine.
Just for fun, I’ve taken a bunch of my landscape photos from cross-country trips (this one on a swing through New England in 2008. Here’s the original.) and re-edited them with VSCO FIlm 03.
The trouble is that these were all taken with a Canon SD750 – a point and shoot with limited capabilities. It took great photos, but the files aren’t all that flexible. Or big.
Anyway, enjoy the full series, or buy a print
In today’s age, we are so overwhelmed with “content” (I really hate that word– it commodifies art and information).
My Top 10 Street Photography Lists for 2013 — Eric Kim Street Photography
Amen to that parenthetical. How about we stop creating “"content”“ and start making art, stories, and movies.
I know Mitchell and Sara through my work. They’re both young, go-getter students – and now they’re engaged.
So we braved a chilly December day in downtown Marshall for a fun engagement photo shoot.
To warm up, we stopped inside a tavern to grab a coffee. While thawing out, we worked on some photos there, too, and watched the Detroit Lions lose in snowy Philadelphia.
Congratulations to Mitchell and Sara.
Check out more photos from our photo shoot.
My first go at a Medium column, covering tinkering in photography, and why it’s okay.
This weekend the North American International Auto Show starts in Detroit. One of my favorite events all year.
Just hope they change up the displays this year.
The fun part about a hobby is that you can take risks and trying things out with little to no consequence (if you don’t count time or effort).
And so, while I don’t do New Year’s resolutions, this year I’m going to try to do a bit more 35mm film photography.
I just posted my first batch of photos developed from a roll of Fuji Superia film. My local photo shop actually developed them for me last year, but it’s taken me this long to get them scanned and uploaded. I’m also working on a roll of Ilford black and white film that I’m excited about.
All of this film stuff has me thinking about experimenting with film more. Specifically, I want to play with my Tomyko LT002 plastic toy camera. I just loaded it with some Lomography 400 speed color film (if you’re going to go toy/plastic, go all the way, right?). While poking around, doing some research on the camera, I came across some sample images – the type of dreamy photos I’ve wanted to make, just for fun.
(An aside: it’s super hard to find info on these Tomyko – or Lavec – cameras. But you can grab your own for $15 on eBay, or for $5 at a local thrift store.)
Also, I have collected rolls of Kodak Portra and Ektar to try out with my Pentax K1000.
To do all this, there’s a little bit of an investment involved. It takes money to develop and scan the film (though not much), but that’s to be expected with any hobby. And lord knows I know how to spend money on a hobby.
Taking photos with film is different almost automatically. You need some patience, and some selectivity, to make film photos.
That’s my goal for 2014: explore this measured pace. Make thoughtful images. And learn a bit about how people used to make photos.