projects

Photographer Interview: Kathryn Trattner

Who are you and what do you do?

My name is Kathryn Trattner and I write and photograph things. I work full time for the Metropolitan Library, my local library system in Oklahoma City, and when I’m not second shooting I spend the rest of my free time with my two toddlers.

How did you get started in photography?

I started taking photography seriously about a year ago. A very dear friend (@robynicks) is a talented wedding photographer and she needed an assistant. I volunteered and loved it. It’s so amazing to be included in someone’s big day, to see everything come together, and Robyn is amazing and fun to work with. Over time assisting became second shooting, I bought a DSLR, and photography has taken over my life. In a good way.

What do you like about your photography?

I love the details. I make a point of noticing them because so often they’re the first things I forget. I tend to get lost in the big picture stuff so it’s nice to take a moment and notice something that might otherwise be overlooked. Especially at weddings, you remember the faces and the main event, but it’s easy to forget how the flowers looked or the lace on a dress. Those little things add a layer of richness to memory.

Right now I have a three and one year old and I’m constantly taking pictures of their hands or feet, photos of them sitting with their backs to me. I’m always going to remember the big things, like the first tooth or first steps, but the way their hair curled just the tiniest bit after a bath, the little hands no bigger than my palm, I don’t want to forget those either.

You describe your work as capturing details, and little slices of life. Where do you get inspiration for your style/ideas?

Everywhere. I feel like I’m constantly taking pictures in my head, even when I don’t have my iPhone or DSLR handy. Anything and everything can be beautiful or interesting or arresting.

Why is it important for you to capture your surroundings?

Part of my obsession with details in my desire to always add another layer to my writing. I need to be able to paint a picture with words and photographing details feeds my writing. It’s also a nice escape when I’ve sat too long at my computer and it feels like my brain has turned to mush.

What kinds of themes do you explore with your work?

I’m not sure there are any themes to my work. Maybe someone outside looking in would see a pattern but for me there isn’t one.

Any upcoming projects or shoots you’re working on?

Over the next year I’ll be second shooting lots of weddings and special events. But the biggest thing I’m excited about personally is my upcoming trip to San Francisco. I’m so excited to photograph a city so different from the one I live in.

Follow Kathryn’s work on Instagram and her personal portfolio site.

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Photographer Interview: Kris Matheson

Kris Matheson is a Tokyo-based photographer whose urban and abstract work has been a lot of fun to watch. Kris and I both participate in the On Taking PIctures podcast G+ group, and he keeps an archive of the show’s Photographers of the Week and Weekly Assignments.

What I like about Kris’s work is his exploration of different photo subjects. You’ll see him venture down a certain road, project-wise, and then change gears and create totally different work. It’s a lot of fun to watch.

Where are you and what do you do?

I’m from a small town in Northern Ontario (Canada) but have been living and working in Tokyo for the past nine years. I currently work as a freelance English Language Instructor, and walk around a lot with my camera.

How did you get started in photography?

I got into photography to document my experiences in Japan for family and friends back home, this was way back in 2006. It wasn’t until 2012 that I shifted focus onto what I wanted to photograph to show how I see the world around me. So really, moving to Japan is what got me into photography.

What do you like about your photography?

If I am open and honest, I walk a fine line of having a love-hate relationship with my photography. It’s taken sometime to find what I am interested in rather than shooting to please other people. I like just being able to take my camera with me day after day to explore. I often revisit the same areas — when I have breaks at work I go out, so I’ve been walking some of the same streets for years now and still manage to find something that interests me.

Your photo work is varied and exploratory. Where do you get inspiration for your style/ideas?

Most of my inspiration comes from what I see on the street as I walk around. This past year I started using Instagram and have found it to be a great source of inspiration. I am also inspired by the work of Dennis Hopper, Saul Leiter, and Uta Barth.

What I love about your photo work is that you’re always giving yourself little projects, or themes to explore. Talk about why you feel the need to keep yourself “photo busy.”

Probably one of the best things I started doing in recent years to help keep myself busy is having an Idea Journal (full of terribly bad ideas). This helps me to keep track of places to revisit (and “why”), I also write down interesting things I listened to or read, and things I’ve seen, it’s also a place to write out ideas for images or a project I would like to explore. Some of these ideas get turned into mini-projects, most don’t get posted online since they die shortly after I start them (some live and die inside the pages of my journal). Having this journal is great because I can look back for old ideas and inspiration, and can re-explore when I want. I feel its important to constantly explore the world around me, and having small projects engages and pushes to always be out photographing or thinking about new things.

What kinds of themes do you explore with your work?

I explore a lot of urban scenes and more recently abstraction, often with the focus more on colour and geometry. As a side project I have also started exploring memory and destruction in photography, there’s a personal project I’ve been working on around that theme and hope to expand it in the coming year — the theme of destruction in art has really been interesting, creating something and then destroying it is fascinating to me, it’s a little more difficult in digital photography but still intriguing to explore.

Any upcoming projects or shoots you’re working on?

This year I will continue exploring abstraction in photography, and try to incorporate portraits into this theme. I am also working on some collaborations with other photographers and artists, hopefully see what that brings as the year progresses.

See more of Kris’s work on his personal site, and follow along at his Instagram profile.

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Photographer Interview: Tiffany Cornwell

This one is personal – Tiffany Cornwell has shot my family, engagement, wedding, and maternity photos (and my current profile pic)! She’s a family and wedding portrait photographer, local to Jackson, Michigan, who is super fun to work with.

Who are you and what do you do?

My name is Tiffany Cornwell and I’m the owner and sole photographer of Tiffany Marie Photography LLC. I received a bachelor’s degree in photography from Saginaw Valley State University in December 2011.

How did you get started in photography?

I was about eight or so when my grandpa would come visit from Arizona. On his week-long trips, he would buy me a couple of disposable cameras and tell me to go to town and document whatever I wanted while he was there. Before he left, we would get them developed and we’d check out my photo treasures together. Ever since, I had been known to always have a camera of some sorts all through middle school and high school!

What do you like about your photography?

My own photography excites me. I love that I can capture a moment that turns to a memory. Of course then, through post processing, I’m able to put my own artistic spin on the image to make to my own piece of art.

My favorite pieces have lots of color or emotion in them. I get a sense of joy and pride when I look at images where I shot exactly what I was looking for. I’m also a huge advocate of getting work printed! To see the hours poured into an image, then having it printed seems to bring the moment back to life!

Where do you get inspiration for your style/ideas?

I’m 95% a happy person, so I tend to lean towards images I can produce that emit that same feeling. That could be why I love shooting weddings…the love and happiness in someone’s big day brightly shows in their images.

I love a lighter feel in images. The grungy, dark, mysterious images tend to make me feel anxious, so I shy away from styles that could evoke that within someone else.

For ideas within a session, it usually stems from the person or couple I’m photographing. Seniors tend to have their own sense of style and their own passions, so we try to collaborate for at least a few quirky and unique poses that really shows their personality. One senior played drums for marching band, so we thought it would be cool to put glitter on them so that as she was playing, there would be clouds of glitter flying up. It was captured pretty nicely!

Your work focuses on families and couples, with some portraits in there. How do you get comfortable working with people on these intimate photos?

Meeting with them first beforehand has helped tremendously! Having in-depth discussions about their desires for the session, wardrobe choices, their likes and hobbies, and what they wish to accomplish from their session is key. It breaks the ice for seniors and couples alike to know I’m interested and invested in them. They tend to open up more during their session because they also invested the time to have their session be great and they know what the end goal is.

I’m also a bit quirky, so if they’re still a bit jittery during their session, it doesn’t take long for them to laugh at my clumsiness! Little kids are a bit more work…I tend to get a workout in from jumping around getting them to look my direction and maybe unlock a smile!

What kinds of themes do you explore with your work?

Love, closeness, growth, future. All things that tend to strengthen a family or a person. As I stated above, I love capturing special moments! I love helping seniors find confidence and strength in themselves through having their portraits done with me. The excitement and relief in a mother’s eyes when she sees I got not one but many great images of her three amazingly independent children make me beam with pride. I adore my brides when they’re crying tears of joy seeing the love between her and her new husband in their photos. I feel like I accomplished what I set out to do for them knowing I did my job to the best of my abilities so they can have memories to cherish forever.

Any upcoming projects or shoots you’re working on?

I would love to set up a fun bridal shoot with multiple women in bridal gowns and accents of a wedding day to showcase what I love, and perhaps it even becoming a promotional piece for those involved. But it has barely been put to paper so plans are still in brainstorming mode.

I would also love to continue my ferris wheel series throughout 2016. I have three or four favorite images I’ve taken and would love to create a series of fine art images focusing on the ferris wheel that people can purchase as a collection or separate pieces.

You can view more of Tiffany’s work at her Tiffany Marie Photography Facebook page, and her Instagram profile. 

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Photographer Interview: Adam King

If you’re a landscape photographer, it helps to live in a gorgeous part of the world – like Adam King in Edmonton, Alberta, Canada.

I’m always a sucker for mountains, especially the Rockies, so it was great to learn about Adam’s work.

Where are you and what do you do?

I was born and raised in Edmonton, Alberta, Canada. I’m currently a second year student at Macewan University, taking my Bachelor of Science, hoping one day to get a job in the computer science field! All that aside, I also have a pretty serious artistic side that I like to express mainly through photography nowadays.

How did you get started in photography?

I remember taking my first photograph at the age of 8. I was in Drumheller with my family which is located in the Southern Alberta Badlands. This is an area which is known for its rich fossil deposits and important dinosaur related discoveries. Badlands are landscapes that are intricately eroded, steeply sloped, and largely devoid of vegetation. This area was so new and different to me I remember wanting to capture every little detail about the trip while we were there.

My family eventually noticed how much interest I had in photography and let me take some photos that trip. When we finally got the photos back from the local drugstore, I was given the photos that I had taken in a little scrapbook, which I still have to this day. I must’ve looked through them all a couple dozen times alone that first day. Ever since then, I’ve been interested in documenting and recreating important trips and events in my life through photography.

What do you like about your photography?

I guess what I like most about my photography is being able to return to a certain point in my life through a collection of photos. Getting back into the mindset of 13 year old me, for example, and figuring out why the subject of the photo was important to me is something I find myself doing often while looking at old photos. On a more superficial level, I feel really fortunate to live so close to the Rockies and share them with the world.

You live in very photo-worthy part of the world. Where do you get inspiration for your style/ideas?

I gather inspiration everywhere I can. My time in the National Parks of Alberta are usually spent just walking around (or hiking the side of a mountain) with one or two friends and taking photos of whatever I come across. One of my biggest inspirations when I first joined Tumblr a couple years ago was man-and-camera.com. I really felt the artistic approach behind his work, and it really motivated me to attempt to recreate something similar with my own perspective. Other than that, there definitely isn’t a shortage of great Alberta-based photographers out there to follow.

I notice you do a lot of your landscape work in portrait orientation, which is not typical. Is there a method behind your technique?

I honestly lean towards it out of instinct nowadays. My preference for portrait orientation is definitely heavily influenced by my high school communication technology teacher. He was an outspoken advocate of experimentation with your art and remembering that you can turn the camera on its side and shoot that way too. Since then I find it easier to create interesting compositions with the added vertical space.

What kinds of themes do you explore with your work?

Documenting nature in all of its forms. Mostly landscapes of Alberta and British Columbia, however I am going to be posting some shots from my trip to London a couple years ago. Fitting an overarching theme isn’t something I’ve really thought too much about. I just find myself always drawn back to nature.

Something I want to do in the upcoming year is diversify a little bit and try out some portrait work. I feel like learning the nuances of a different theme and bringing those ideas into your photography can be really beneficial.

Any upcoming projects or shoots you’re working on?

As I mentioned above, I definitely want to try some portraits and see how I can integrate that in with my current focus. I also just started as a volunteer at @lensblr-network, helping the team find the best in original photography here on Tumblr. I couldn’t be more excited at this opportunity to broaden my artistic eye and share the best this site has to offer with such a wide audience. It’s a really great feeling finding someone that is more than deserving of recognition for their work and having a hand in facilitating that for them. I’ve already found at least a dozen of artists that I’ve really fallen in love with since starting that I otherwise probably wouldn’t have found!

Follow @adm-kng here on Tumblr for more of Adam’s work, or catch his stuff on his Flickr account. 

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Photographer Interviews

Photographer Interviews

During the winter, especially in January, it’s hard for me to make photographs. Usually, I tackle some other kind of project during the cold months – a photo book, or a portrait project idea, or just catching up on editing photos I made during the warmer months.

This year, I’m trying something a little different.

Over and above photos, I like making things. Books, videos, graphics, tinkering with electronics, etc. Keeping my hands or my brain busy is important to me.

It’s why, above and beyond portraits, my Artists In Jackson project is so multi-layered. I wanted a book and a website and an eBook, and so on.

So this January, I’m sending some photographers I like questions, and each week I’ll feature a different photographer profile. The profiles will include a sample of their work, some background, and then a question and answer session.

Portrait photographers, landscape photographers, abstract photographers – I’m working on getting a variety of styles.

It’s a way for me to learn more about my favorite photographers, and to share the work that I appreciate. It also gives them a tiny bit of promotion – my way of sharing the love. And the editor in me loves this kind of project, where I mix and match a bunch of good material into a cohesive whole.

Read the photographer profiles »

(And if you’re interested in participating, please send me a note!)

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Photographers Needed

Photographers Needed

Hey you.

Yes, you with the camera. C’mere.

I’m doing a series of interviews with photographers whose work I enjoy. If I follow you, or you follow me, send me a note and let’s make something together.

Must be willing to share your photos, answer some questions, and have the desire to promote yourself.

Good?

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Artists In Jackson: Doug Jones

 

“This place lacks confidence. That comes out in so many ways, and it’s important to me for people to recognize that they’re valuable.”

A few years back, while living out west, Doug Jones came across an art gallery in Sante Fe, New Mexico, and noticed the gallery was featuring a single artist.

Doug was attracted to the work’s bright and bold colors, so he walked in. After talking with the gallery director, he found out the artist – who was selling his work for thousands of dollars – was from a little town in Michigan.

The town? Doug’s town. Our town. Jackson, Michigan. 

That discovery got Doug thinking.

“There was this fire inside of me that wondered, ‘Why do I have to move away from Jackson? Why can’t someone make it as an artist here?’”

Now, it’s almost a mission for him: finding untapped potential and creativity, and letting it loose on the world.

It wasn’t always that way for Doug, a corporate lawyer turned community developer turned painter and art community organizer. He was going to turn his University of Michigan education into big money somewhere outside of Jackson.

But a couple of things happened that brought him back. For one, a trip to New York during college switched on the aesthetic part of his brain. For two, working at Lifeways helped him identify with the needs of the community, spiritually and artistically. 

“I found myself surrounded by incredible history and remarkable talent in Jackson,” Doug says. “And people here didn’t seem to recognize it. So I started to encourage people around me to paint.”

That encouragement came in the form of live painting and art events – bringing creative people out of the wilderness, in a sense. It all comes from understanding what the power of positive reinforcement and encouragement can do.

“I remember what it was like when someone first took notice of me,” Doug says. “If I can encourage someone to do something positive, I’m passing on the beauty and blessings that I’ve been given.”

Personally, art acts as an outlet for the suffering and pain Doug sees in the world. Working with Lifeways and other non-profits, he saw and heard gut-wrenching stories from clients about pain and loss. He saw a tough guy break down in front of him, and he helped a girl struggling with suicide.

“I saw things that helped me realize how fleeting life can be,” Doug says. “With all the stuff going on around me, I have to get it out and do something with it.”

Doug recognizes the pressures that a small, blue-collar town can put on up-and-coming artists. Helping artists realize that what they’re doing is valuable? That’s the goal.

“That self-actualization makes my entire world better,” he says. “It lets me know that the generations that come after us will be better because of what’s happening today.”

While there is more happening in the Jackson arts community – a Public Arts Commission, more and more shows popping up, collectives (like his own, The Singularity) forming – Doug sees a lack of self-confidence in town. One way to help is to bring in more creative professionals from outside.

“People recognize what Jackson has on the outside,” he says. “We just need people here to feel that, too.”

DougJones.art

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