photography

Photographer Interview: Barry Phipps

I first learned about Barry Phipps’s Iowa photos project on Feature Shoot, and, as a fellow Midwesterner, could hardly contain my excitement – it’s my kind of project, full of story and place and changes.

Where are you and what do you do?

I’m in Iowa City, IA. Moved here four years ago from Chicago, where I lived for 22 years. I’m a working photographer and artist.

How did you get started in photography?

I studied photography at The Kansas City Art Institute in the late eighties. I’m old, so we were taught how to shoot, develop, and print film.

What do you like about your photography?

I’m very hard on myself, so it’s hard sometimes to say I like my own photography. That said, I enjoy a means of communication that isn’t blatantly about me. It’s more impersonal and less directly emotive than, say, making music. I’m a former musician who finds it gut wrenchingly difficult to listen to a song I’ve recorded and released where I’m singing, but have no problem digging through old photographs and finding enjoyment doing so.

You cover weddings and portraits along with your Iowa series. Where do you get inspiration for your style/ideas?

I enjoy weddings and portrait work. I still shoot film and approach it in the same way as my Iowa Photographs series, and tend to work for artists, photographers, writers and the like. I don’t really look much at other wedding photographers for inspiration. My studio portrait work isn’t really influenced by other work. I’m inspired by Richard Avedon and kind of jealous of Terry Richardson. I like looking through Vanity Fair and those types of magazines as I’m waiting to get my hair cut. I’d love to do fashion stuff, but not going out of my way to make that happen. I do live in Iowa, after all.

I like that your photos, especially your Iowa series, have a sense of place and purpose. What kinds of themes do you explore with your work?

Thanks! Actually, I feel the Iowa Photographs series gave my photography a sense of purpose, focus, and direction. I photographed lots in Chicago, but moving to Iowa four years ago really gave me a sense of direction. I’m really drawn to this place. I initially just started taking day trips in every direction from Iowa City, just to see what was out there. It was exciting to be in a new place. I assumed I would live in Chicago for the rest of my life. Chicago can be a challenging place to leave. You can drive for two hours and still be in the city sometimes. Here, it’s liberating to be able to just get in my car and drive in any direction and be somewhere new in just a few minutes. Iowa is populated with a million small towns, most never more than six or seven miles from the last one. Iowa was mostly populated within a few years, mostly by European immigrants. So, these towns formed, thrived, peaked and later declined as the original purpose of servicing farming families dried up. There’s a consistency town to town, but also a uniqueness. I’m always surprised by what I find.

Any upcoming projects or shoots you’re working on?

The Iowa Photographs series will continue, but I have wrapped up my initial phase of the project. I’ve photographed every county in Iowa and have accumulated what I consider a fair representation of the state of the state. I’m currently putting a book together of the best stuff from this phase. It will be published by The University of Iowa Press around 2019.

You can purchase Phipps’s Iowa Photographs series in volumes, and follow along on Instagram. Check out more of Phipps’s work at his portfolio site.


Photographer Interview: Heather Nash

Heather Nash is a photographer in southeast Michigan I’ve been following on Instagram for almost as long as I’ve been on Instagram. I love her unique view of the world, and the way she captures it.

Where are you and what do you do?

I live in Ypsilanti, Michigan and I photograph people, places and weddings.

How did you get started in photography?

I went to school for photography and received my BFA in 2-D studies/Photography. I learned with film, mostly black and white, some color. The transition to digital came later but I still shoot a bit of film here and there with an old Canon AE-1 that belonged to my grandfather. I love black and white photography, specifically the work of Sally Mann.

What do you like about your photography?

I like watching the evolution of my work. I feel like I’m constantly refining my style, honing my technique and improving the way I utilize light in my images. I’m always reading and trying out new ideas. It’s good to keep learning!

I like how you capture your world, and the people around you. Where do you get inspiration for your style/ideas?

I do draw inspiration from other photographers and visual artists, and I’m often inspired by nature. I also love to people watch and observe daily life as it’s happening. I’m very curious and kid-like at times!

You do some paid gigs as well. How do you balance professional vs. personal photography?

I always try to leave room for personal projects, like portrait work, where I can try new things and challenge myself creatively.

Any upcoming projects or shoots you’re working on?

I just returned from a trip to Bali, an island in Indonesia. I took a small Fuji travel camera and documented my whole trip with the goal of putting together a small show this spring. It was an amazing experience to say the least!

Follow Heather on Instagram, or check out her portfolio site and blog for more of her work. 


This Old House

Almost six years to the day, I’m saying goodbye to my first home.

We’re getting a weird spell this winter, in late January and early February, where the weather is warmer than seasonally appropriate. Foggy, rainy, or in the 60s. Not your typical Michigan climate.

The upside is that we’ve enjoyed a few play days outside. This past weekend, I even had a chance to take down our backyard swing set – much better than trying to unscrew frozen bolts in the bitter cold. Hopefully the warmer weather holds once it’s time to move.

I’m doing my best to capture this place before we head out. Not that it’s been a problem before, but there’s an extra sense of urgency lately.

Time’s running out.


Photographer Interview: Neil Thain-Gray

I first discovered Neil Thain-Gray’s work through Self Publish Be Happy. His photo book, Personal Space, was right up my alley: urban landscapes in the Eggleston/Shore tradition, but more up close and personal, with nods to design and patterns. And the colors! So good.

Where are you and what do you do?

I live in Glasgow, Scotland with my wife Rachel and our seven year old son. I earn a living working in Learning & Development for a national charity. Photography is my creative outlet that I fit in between work and family life, whenever the Scottish weather permits.

How did you get started in photography?

Both of my parents have a background in the arts, and my dad as a photographer encouraged me to get to grips with an SLR in my teens. However, I didn’t really connect with photography until after I had graduated from art school when I found myself without access to studio space or equipment. I picked up a camera just to stay creative and suddenly photography seemed to fit into my life.

What do you like about your photography?

I like walking with a camera without any particular purpose or direction, especially wandering somewhere new, even if it’s just a short cut or side street. I don’t drive, so I’m always walking or on the bus or the train. Photography helps me to be attentive and open to the world around me. On a nice day, with nowhere in particular to be, having a camera is just a great excuse to exist.

I love your use of color, your consistent style, and your view of urban spaces. What kinds of themes do you like to explore with your work?

Thanks! I don’t know about themes and I don’t really have an idea of where my photographs fit in the world. Any sense of style probably comes more from a consistent process than any intent. I shoot with the same camera, the same lens, the same films. I am generally just looking for interesting light, shapes, and colours to make a composition with.

You recently put out a great little photo book. What inspired you to do that, and how has the experience been for you?

Thanks, glad you like it! I’ve been buying self-published photobooks for a couple of years and figured I should publish my own. The process of editing and designing was challenging, but I learned along the way. Setting up an online store was fun, too. The biggest hurdle has been the marketing, but it has been great to mail copies out around the world, to get feedback and a sense of connection.

Any upcoming projects or shoots you’re working on?

I am trying to pull together funds to self-publish my next photobook. There are a few drafts in progress on my desktop! I recently gave a talk at a photobook event at Streetlevel Photoworks in Glasgow and FfotonWales have posted videos of the event online. I will be trying to sell some copies along with postcards and prints at GlasgowZineFest in April so the next book better be ready!

Otherwise my camera will always be on me whenever I have some time to spare.

Thanks for inviting me to take part Dave, it’s been fun! Happy shooting all!

See more of Neil’s work on his Tumblr blog, and follow him on Twitter.


Keep the Story Going

Family Photo Book

It’s that time of year again – time to get our annual photo book featuring pictures from 2016.

Making a family photo book is one of my favorite yearly rituals. Each holiday season, I gather up the photos from the year and assemble them into an album, usually 8″ x 10″ and 20-40 pages. The cover image is always something from our summer vacation.

This year, I went with a Blurb book instead of Apple’s Aperture/Photos options. Here’s a tip: Follow Blurb on Twitter to get periodic discount codes. At 35% off, my photo book was a good deal.

Keep your story going long after you pass away, or your hard drive dies: print your photos. Make a book of your photos. You’ll be glad you did.