There need to be more projects like Out of the Phone, where the idea is to grab those digital pictures on your phone and make something with them. So many people let their photos sit in their camera roll, or online, that they never get to experience the joy of holding something physical.
Out of the Phone, currently an Indiegogo project, has such a simple, elegant format, with limitations on size that make it look like a keepsake or gift worth ordering.
I do as much mobile photography as I do with a “real” camera – there are a half a dozen book projects just waiting to be published. This may be my excuse to put those pictures on paper.
The devices we use to take pictures are also the devices we use to communicate, and that’s awesome.
Mason’s larger point is that photographs are being used as a type of language – everything from emoji to gorgeous mobile food photography. It’s never been easier to share the stuff we see. So what does that do to the marketing, branding, and stock photography industries?
I really liked his analogy of the reason why we take photos:
Like layered dirt in a glass container, the act of photography IS the moment. Amplified, hallowed, the ultimate savoring of the things that bring us joy. Which is to say: Certain things can bring us joy, but not as much as when we take pictures of them.
So many photographers I know take photos to remember things.
That’s still true, but now we’re taking photos to say things—about ourselves, about the world around us—as well as to preserve memories.
I’m coming up on my 2,000th Instagram photo, and it’s got me thinking about what is my favorite social media platform.
It’s really fun to experiment with mobile photo making, and see the work of other great Instagram photographers. Every day, I think about making good photos for Instagram, and sharing them for the world to see. It’s like a 365 project, even though there are days wen I don’t post (usually the weekend) – thought I post multiple times per day, which kind of makes up for it.
Instagram helps me experiment with photo styles, moods, and subjects. I was never really a landscape guy, until my commute inspired me to share the rural countryside I see every day. And going back and seeing my old stuff (I’ve been using Instagram since January 2011)? It’s rough, but you can see the growth.
What’s nice about Instagram is, there’s no social pressure. Yes, I follow some friends and family members. But the majority of photographers I follow are people I’ve never met. That’s the fun part. Like Twitter, I get to interact with people who are mostly strangers.
Inspiration through photos is a function of interests, not your social connections. Chase what inspires you. Be true to yourself, and inspire others with who you are.
His point: don’t feel bad about not following people you know in real life.
My own quick-read tips:
If someone follows you, check out their profile. Like their photos? Follow them back. Don’t like their photos? Don’t.
See if a photographer shares different stuff on his/her Instagram than, say, Flickr or Tumblr.
I’m still a stickler for mobile-only photos (#iphoneonly!). Call me Old Fashioned.
Hashtags are a good way to (a) be found and (b) find stuff you’re into. Follow your #furry or #abandoned passions. Just, for Pete’s sake, don’t inappropriately tag your photos (#sunset on a non-sunset photo, for instance)
Comment on photos you really like. But say what you like about it. Be specific and generous.
Don’t be afraid to experiment with styles. In time, you’ll develop your own signature style. It took me a long time to find my groove.
