camera

How I edit iPhone Photos for Instagram, Flickr, etc.

image

I’m a frequent Instagrammer – usually averaging two photo posts a day. I also try to post a photo to Flickr every day, and some of them are iPhone photos.

So how do I edit my photos to share with the world? Like this:

Camera Apps

When taking a photo, I’m not picky. Usually the default iPhone camera app, accessed from the lock screen, does a good enough job.

If I’m not in a rush, and I want to take more time on composition and framing, I’ll usually use one of these three camera apps:

I prefer not to have a camera app store each photo in the app itself. The iPhone photo gallery is usually my go-to place. But sometimes the app doesn’t allow for this kind of photo storage.

I like VSCO cam because the shutter is fast (however, it does have a tendency to corrupt photo files).

image

KitCam (above) is great because you get a preview of what the film/lens combo will look like before you snap the photo. I tend to like the Brooklyn film and Accent lens presets. But you can have a lot of fun (and get a lot of flexibility) out of various combinations, à la Hipstamatic (another camera app I enjoy using).

And Camera + is a good, all-around camera app to use.

Editing Photos

image

When it comes to editing iPhone photos, my number one editing app is PicFX (shown above). The combination of editing styles and filters – plus the ability to layer effects on top of each other – makes it a killer app.

As shown above, I tend to stick to straightforward filters. The vintage film effects, the PFX 15/150 filters, and the greenish Meadow and Creek filters are my favorites.

PicFX is nice because it crops photos in the square format, too, making it easy to share with Instagram when you’re done editing. In fact, sharing your edited photo with Instagram is as easy as hitting the Share button.

image

For “problem” photos (like the one above, where it’s a bit underexposed), I try Camera+’s “Clarity” scene preset. It tends to lighten the shadows a bit – although sometimes (as with the photo above) you get a glossy HDR effect. I’m not a fan of this look, so I usually try some of the other scene modes to see what looks appropriate.

Camera+ offers some nice filters as well. I try to avoid the obnoxious ones. The black and white whites tend to be good on certain photos.

image

My newest editor is VSCO Cam. You can import photos from your default gallery into VSCO, or take the photo from the app, and turn its film-style effects loose on your image. I’m a big fan of VSCO film packs for Lightroom, and you get a bit of that old-school look with this app – especially that faded, grainy look that’s so popular now. A nice, subtle vignette is easy to do with VSCO cam, too.

Finishing and Posting

After editing, I save the finished photo in a photo album called “Instagrammable.” Rarely do I post a photo immediately after snapping it – I usually save it in the album until a certain mood catches me.

My Instagram album is full of photos. I’ll dip in and grab a photo that fits whatever I’m thinking about that day, or fits a song lyric I like, or is weather-appropriate. There’s no hard and fast philosophy.

Often, I’ll take a photo and re-edit it if I find a filter I really like. Also, rarely do I use the standard Instagram filters anymore. Not that they’re bad. I just like a unique look, and I find the third party editing apps do a better job of creating the look I like.

For posting, I do two Instagram posts a day: one in the morning that’s shared with other social networks (Facebook, Twitter, sometimes Flickr). The other one gets posted at night, usually before bed. The evening photo is exclusive to Instagram. It’s also where I play around with styles, and get creative trying out different looks.

Find me on Instagram to see what I’m up to, where I’ve been, and what I find beautiful or interesting in the world.


I Bought A Fancy Camera

People that know me know I’m a bit of a shutterbug. Always have been – ever since those cheap-o disposable cameras hit the scene. As bad as those cameras were, they were inexpensive and put a camera in my hands.

They also sparked something. It’s evident in the thousands of photos I’ve taken over the years – mostly hobbyist portraits and travelogue photo diaries. Taking photos has been a way for me to document life. I’m the guy with the camera at social functions and family gatherings and work events. I’ve taken this distinction with pride, and a grain of salt (because mostly people don’t like to have their picture taken, especially if they’re not looking directly at the camera, posing, and smiling).

Over the past few years, as I’ve learned more about photography, and especially since my last trip out West, I’ve wanted more. Or better. I’ve craved the top-notch (but still affordable) tools to take pictures, and develop it into something beyond a casual hobby. I’ve wanted to get beyond the advanced beginners stage and into the realm of know-how and expertise.

That takes time and practice, but even with a great point and shoot I feel like you can only get so far. The drawbacks of consumer cameras, issues like slow shutter speed and poor low-light shooting, provide a brick wall. To climb that, I need to use what the pros use. And learn what the pros know.

So I bought a nice camera – a Canon Rebel T1i. It’s not a high-end professional setup, but it’s a step just below the best hobbyists DSLR camera. In terms of price, features, and approachability, it was just what I needed.

And get this: thanks to Canon’s holiday season rebates and discounts, I ended up with $200 off a $210 telephoto zoom lense, a free memory card, and a free UV lense filter. It all came with the Rebel T1i, which was on sale too, and not with the T2i. With all that, I pulled the trigger on the T1i last Wednesday. It was too good of a deal not to.

Over the next month I’ll invest in some sort of fancy camera bag – because man, this stuff is delicate. It’s not like a simple point and shoot that I throw into my jacket pocket on the way out the door. This stuff takes preparation.

Also, a prime lense. Just a simple, affordable version, something to take great potrait-type shots with. The idea of the prime lense excites me because there’s no zoom. If you want a closer shot, you have to move closer. The thinking is it trains you to be a better photographer – to think in terms of composing the shot and developing an eye for a good photo.

There’s a lot to learn. But that’s always the exciting part, right?