stories

Never-Ending Stories

Never-Ending Stories

I’ve considered myself a writer for just about as long as I learned to read and write.

When I was a kid, one of my grandparents gave me a typewriter – one of those old, mechanical models, the kind you didn’t plug into the wall. As a kid, and with the help of a model sailing ship, I wrote out pirate adventures. Way before I knew what it meant, I was creating serialized stories. 

Journalism came naturally in high school and college, and the habits I picked up from my reporting days stuck with me. 

Today, most of my job, and a big part of my personal life, involves writing stories – mostly non-fictional stories, but there are protagonists and a plot, just like with those early pirate tales. To write a story, I start with good notes: what’s going on? What does a person have to say about the story? What is the order of events? What happens next? 

From those handwritten notes, I type them up into a text document in the same order I wrote them down. These notes are the basic building blocks of the story – section by section, event by event, quote by quote. I use these notes to connect the dots, try to make the story more interesting, and outline a basic inverted pyramid structure: all the interesting stuff goes first. 

Taking those notes and arranging them, Lego-style, into a story that makes sense is where the creativity of non-fiction writing comes in. You have the story as the person told it, but you also have to act as a go-between with the reader. What questions would they have? What info do they need to understand what’s happening? Is there a point or climax to all this? 

Re-arrange the story blocks, throw in a quote or three from the subject, and start and end with something interesting – that’s how I write a story. You can see this process come to life in any of my Artists In Jackson subjects. Each of those profiles started and finished with this process.

The process has served me well, and every time I start a new story, I start with a conversation and good notes. The rest is arranging those building blocks until it’s a story worth writing.


Tell Their Stories

Quiet Mornings in Ann Arbor

Ann Arbor, Michigan

People say an image can change people’s minds. Video can, too, or heartfelt stories of people on the front lines.

Last weekend, we saw a lot of photos of people taking up the fight. This weekend, too (side note: is this the new normal?).

I have a feeling that what moves us more than those big crowd shots of people marching down avenues are the photos of individuals who are affected by government mood swings. When I’m faced with a group of women from Flint, Michigan, representing the tragedy of their situation on a national stage, it brings the whole big affair home.

If you make stuff – write, photograph, film, dance – now’s your chance to feature those individuals. Tell their stories. Express their fears. Make their voice heard. Do more than take crowd shots. Take on City Hall.

It’s easy to ignore a “Photoshopped” crowd shot of protestors. But it’s harder to dismiss our neighbors (or refugees) face-to-face.