One of the benefits of listening to On Taking Pictures is interacting with the talented community that’s built up in support of the podcast. That’s how I found out about Nick Bedford’s work. Nick is an example of my kind of photographer: he does a bit of everything, and does it well.
Who are you and what do you do?
My name’s Nick Bedford and I’m a semi-professional portrait photographer from Brisbane, Australia.
How did you get started in photography?
In the middle of 2010, I borrowed my friend’s Canon 450D and played around with it and had to get my own, much to the lament of my friends and family who were subjected to my (at the time) very bad photos.
What do you like about your photography?
This is an interesting question. I’ve come to prefer making photographs that tell a story of a time or about a person, so it’s somewhat that story-telling aspect as well as the lighting, which is one of the first things I think about.
I guess the other thing I like is that it doesn’t stick to one type of photography and showcases a (hopefully) consistent vision across many wildly differing genres.
Your work focuses on everything from musicians to one-on-one portraits, plus landscapes and street photography. Where do you get inspiration for your style/ideas?
These days I get a lot of inspiration from Instagram. It’s so easy to find masses of great and inspiring work there. I’ve never tried to shoe-horn myself into any specific genre. I like to think of myself as simply a photographer with a certain way of seeing the world and that manifests in the way I shoot street or portraits or landscapes. I’ve even shot some music videos and I found that I have a love for directing, so I think at the root of my photography is a desire to portray “story” in whatever way that is.
I love lighting and almost every genre I’ve tried requires lighting to add drama and interest to the other aspects of the photo. Street photography is a relatively new thing for me, only from the last few years, but I love doing it. It keeps you on your toes and makes you better at “seeing” quickly, especially when you’re using a manual focus rangefinder where there’s no depth of field preview.
My favourite tool is the Leica M with a 35mm lens and I’ve made a lot of photographs in that perspective, from street to landscapes.
Your Faces project is a lot of fun. What’s the idea behind it?
In 2014, my housemate moved out and took a couch he had in the lounge room which opened up some free space, so I decided to set up a little studio there. I then thought of getting friends around to shoot and after the first session, I decided it would be a “a catch up and a single selected portrait” kind of affair.
We spend an hour or so catching up and having fun shooting some portraits then we import them and run through the images to find one that we both love the most. It’s a slow burn kind of project in that I don’t put any pressure on myself to shoot X portraits a month for it, just whenever someone is up for a portrait and chats, we shoot! As of 19th Jan ’17 I’m up to 19 faces.
Any upcoming projects or shoots you’re working on?
In the end of 2016, I made the decision to go semi-professional (finally) in my portrait work, focusing on those specific genres of traditional and editorial portraits and head shots, so I’ve been working on building more of my new portfolio work as well as shooting a few clients in the first month of the new year. It’s been great and I’m really excited to see where it leads. I struggled to accept the idea of being a professional, with all the business stuff that comes with it, and it took me 6 and a half years to finally say, “I’ve gotta do it.”