Seeing as how my musicians portrait project is on hiatus, I’m releasing my new photobook, #abandoned, a collection of urbex and abandoned photography from the past few years, all taken on my iPhone.
Better to ship something than nothing, right?
#abandoned is a simple 8″ square softcover book that includes 30 images of abandoned houses, factories, and farms – mainly in south central Michigan.
Although I’ve largely retired from urbex photography, I felt like I had a few more projects in me. One of them was to make a photobook of all my urbex adventures, but keep it to mobile photography. I’ve made plenty of photos using my “big” camera, but my iPhone is always with me, even when my DSLR isn’t. The photos are all of high enough quality to make a modest book. On Instagram, I’ve had a few people ask me to make something like #abandoned, so here it is.
My style, such as it is, comes in large part from my explorations in abandoned properties. There came a point where I was both shooting urbex locations and developing my creative voice. I feel like a lot of these photos come from that combination of recklessness and light chasing, and are a good representation of the kind of work I do now.
Well, it’s done – we took the weekend and moved into our new house.
Despite some bumps and bruises, and a run-in with the local utility, we’re all moved in and getting settled. Luckily, we had a lot of help from friends and family, so we got most of it done on Saturday.
Moving is a stressful time for me, as it is for most people. Mostly, I try to focus on the task at hand and get the job done. From here, I’ll worry about making this new house feel like our home. It’s all the little things – finding the new morning routine, or the location of my shoes (where DID I leave those?) – that trips me up.
Since early autumn, my family has been house shopping.
Part of house shopping is seeing many, many kinds of houses, in all shapes, and in all kinds of conditions. Strolling through some of these houses, you see some very interesting things – in fact, there may be no deeper view into American culture and eccentricities than someone’s home.
I’m also paying attention to light. In our current home, the light is great – very airy and open. In our next house, I want to make sure it’ll photograph well. As I see neat lighting situations in these houses, I’m capturing those.