Johnny Patience on his 365 project:
All of my photographs during the year just “happened”. Nothing was planned in advance. I was able to capture them just because I brought my camera with me everywhere, every single day. And sometimes, because I felt brave enough to ask a complete stranger for their portrait, and I didn’t get chased away.
Planned versus unplanned. Project versus un-project.
This idea of the 365 project keeps coming up, because I’m starting to see it as a worthwhile challenge to any creative person. “Discipline and constant work at the whetstones upon which the dull knife of talent is honed,” says Stephen King. Keeping at something, day after day, is intrinsically rewarding.
But what about a planned project versus a project like Patience’s? Bill Wadman, for instance, is doing 365 portraits this year. It’s a project with a set of restrictions: pictures of people, with Wadman’s new-ish medium format camera. There’s a schedule to set and people to line up. There’s structure.
Patience’s project – “capture real moments and make memories, to tell about the good and the bad times” – is a rambling, take-it-as-you-get-it 365 project. He takes the world, day to day, exactly as it is, and lets chaos and randomness dictate his project. Apart from one camera, one lens, one film, there’s very little structure.
My preference? One of each, which is my goal this year.