The last two months have been a whirlwind. We purchased a new house in April, officially closed on it in May, and have spent the two-ish months since then packing, moving, and unpacking again.
I have been taking photos the entire time, but it’s only been now that I’ve been able to assess what I made and edit some to share. As always: a new place, new light to capture.
It helps that the weather is turning nice. Even though it’s been cooler and rainy, it’s nice to enjoy the new yard and sit outside for the lovely spring days. We take walks around the new neighborhood, exploring the winding streets and meeting new people.
Moving is very stressful. I hope this is the last time. While we’re here, I’ll keep capturing what I see.
There’s an interesting phenomenon, as I rediscover some of my photography art books while unpacking in the new house:
I pick up and read a photo book. Maybe it’s one I haven’t read for a while, like my old pal Saul Leiter. And then this guilty feeling kicks in for not having made something in a few weeks.
Then, almost without fail, that guilt makes me pick up a camera and start snapping away. It doesn’t even matter what the subject is, just that I start making photos.
Call it “guilty photography” – it works!
The next time you’re in a creative rut, or feeling unmotivated to make photos, give guilty photography a try.
As always, I use my camera to explore new places: see how the light changes, assess the space, and catch the little details you miss on your first pass-through. I picked a day before we moved much in and caught the empty house on a quiet weekend afternoon.
A bit of peace and silence before the packing and shuttling begin.
I had a chance to walk around with a new Canon R – one of the mirrorless, full-frame cameras set to take over from the SLR series – on a mid-March evening with the family.
There are little pockets of snow still hanging around, but you can feel spring in the air: the birds are chirping, the crocuses are poking out of the damp ground, and it’s no longer freezing cold outside. This happens every year, when we take our first tentative steps outside and stroll around the neighborhood.
The camera is slick. It’s so light, it reminds me of my much older, much more creaky Canon M. This one was paired with the 50mm f/1.8, a typical walk-around lens. With the two together, I had a lightweight, easy-to-handle bundle. Snappy and crisp, the lens was perfect for capturing the family and the scenery at golden hour.
A few things I noticed while shooting with the R:
I missed the optical viewfinder – the digital viewfinder was decent, but not like looking through a mirror
I also missed the instant “on” of an optical viewfinder – the digital version took a second to detect my eye and switch on
The grip was perfect for my hands, and the smaller size and weight was a welcome break from my hefty 5D
Image quality and classic Canon colors were all there – no need to switch from my Canon-trained eye
This was the camera system of my future. Unfortunately for Canon, I have no plans on upgrading anytime soon. My 5D, 6D, and Canon M aren’t broken, and while I feel a bit of gear lust, it’s not a strong enough pull to make me spend anything on a new camera, let alone new lenses. Someday, sure, but my investments in the EOS system keep me grounded in what I have.
Still, it was nice to get outside and try something new – a rite of spring.
It’s an annual cold-weather tradition: heading to Lake Michigan in the dead of winter to see our nearest Great Lake frozen.
This year, we were near Saugatuck, Michigan, and visited the lake on a sunny but very chilly Sunday afternoon. Visiting Lake Michigan this time of year is like landing on a different planet: cold, windy, the beaches barely recognizable. Beyond the snow hills, the lake was heaving – big waves of ice and snow, full of terrible power.
Before that, we indulged in some hygge at one of my favorite cideries, Virtue Cider in Fennville, Michigan.
I discovered Virtue Cider randomly: one time I grabbed a random six-pack of cider at a local party store. After taking it home and loving it, I’ve been a fan ever since.
The cidery was hosting a Wassail party, but because of the freezing cold, they canceled it. That didn’t stop us. We still wanted a warm lunch and good cider, so we went anyway.
Despite the weather, it’s important to get out and enjoy the cold when you can.
My wife’s family is a true Disney Family™ – the kind that go to Disney World in Orlando, Florida, every two years. Like clockwork.
It is a nice break from the cold Michigan winters, and a good way to burn off all those holiday calories. My daily step count, at minimum, triples when we’re walking the parks.
This year we had COVID to worry about, but Disney handles the pandemic crowd with clear expectations. Everyone is on their best behavior in the Most Magical Place on Earth.
For me, there are parts of Disney World that I love to photograph. The Africa and Asia sections of Animal Kingdom, for instance, or the optimistic futurism of Epcot, my personal favorite park. The Florida sun helps the bright colors and faux landscape truly shine. This year, the weather was perfect every day, and I checked off sites on my photography bucket list again this year.
Yes, the Mexico pavilion is a fake Aztec temple, and yes, the art deco architecture at Hollywood Studio is a rose-tinted reproduction of Hollywood’s glory days. But I tend to photograph light and shadow as much as the scenery in front of me. Even if the background is Disney Fake, the light is real. That sunrise and sunset are real. The people moving through the parks are all real.
We go to Disney World to escape. For me, one reason I go is to focus on my photography – something that usually takes a hit during the winter.
